Free Detective Fiction Essays and Papers

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  • An Analysis of the Detective Genre

    1979 Words  | 8 Pages

    An Analysis of the Detective Genre Sherlock Holmes, is a fictional yet convincing character created by Sir Arthur Conan Doyle. With plots bizarre, singular and tantalising, Doyle has created of one of our most popular genres. The heroes in the detective genre often display the best of human qualities, and are aware of the idolised role they have been placed in by their closest companions. In the adventure of The Speckled Band the hero, Sherlock Holmes, reveals his concern for his clients

  • Sir Arthur Conan Doyle's The Adventure of the Speckled Band

    616 Words  | 3 Pages

    Speckled Band, Sir Arthur Conan Doyle uses certain conventions expected of the detective genre to bring the story an exciting dénouement. Discuss and consider the moral twist in the tale of the story. In analyzing “The Adventure of the Speckled Band” and in the view of the background to different detective genre stories it becomes clear that generic conventions are attached to them. This is one of many excellent detective stories written. It stands out making the audience excited and urged to

  • Edgar Allan Poe's Tales of Ratiocination

    2125 Words  | 9 Pages

    Ratiocination" The detective story is a tale that features a mystery and/or the commission of a crime, emphasizing the search for a solution. It distinguishes itself from other forms of fiction by the fact that it is a puzzle. The detective story did not just spring into being in its current form, but rather, evolved over time. The first true detective stories were written by Edgar Allan Poe. Many writers and critics have plainly stated that he is the inventor of detective fiction. Poe introduces one

  • dfshstfj

    614 Words  | 3 Pages

    solving ciphers and "cracking the code." Poe created the character C. Auguste Dupin who is the first known detective in fiction. Dupin also set the trend of the "armchair detective" who can solve crimes or mysteries without inspecting the detail in person. Holmes is plainly based on this style as well. Another significant feature is the use of first person perspective that is not that of the detective but of the companion (Thomas). Poe had a keen sense of what the p...

  • Death and the Compass by Jorge Luis Borges

    1642 Words  | 7 Pages

    Pattern in Borges Ford Maddox Ford famously thought that an author should open with “the note that suggests the whole book.” In the short story “Death and the Compass,” Borges’ third sentence accomplishes this: “But he did divine,” he writes of his detective-protagonist Erik Lönnrot, “the secret morphology of the vicious series.” Indeed, fixation on shape and form, pattern and symmetry – for conformation – is fundamental to Borges’ story. This is not surprising: After all, the equidistant triangle that

  • And Then there were none.

    1611 Words  | 7 Pages

    Two policeman, Sir Thomas Legge and Inspector Maine, discuss the perplexing Indian Island case. They have reconstructed much of what happened on Indian Island from diaries kept by various guests. It is clear to them that the murderer was not Blore, Lombard, or Vera. When they arrived, the police found the chair Vera kicked away to hang herself mysteriously set upright against the wall. We learn that Isaac Morris, who hired Lombard and Blore and bought the island in the name of U. N. Owen, died of

  • Murder Must Advertise

    817 Words  | 4 Pages

    Rezensionen: 4 Eine Leserin oder ein Leser aus New York City, USA , 1. Dezember 1999 Bravo! Knock-out Mystery! I must preface this review by confessing a bias - I'm a huge fan of Dorothy Sayers and consider it a tragedy that she did not write more detective fiction. This is definitely one of the strongest entries in the Lord Peter Wimsey series, both for mystery and entertainment value. An interesting tactic used by Sayers is to point in the direction of the culprit about three-fourths of the way through

  • The Life And Crimes Of Harry Lavender Analysis

    997 Words  | 4 Pages

    individual’s perception, persona and interpretation. Both Merele Day’s 1990’s detective fiction nobel ‘The life and Crimes of Harry Lavender’ and the 1980’s poem ‘Stealing’ by Carol Ann Duffy confronts us with various characters related with crime giving us an intuition into the motivation and perspectives of unique individuals. Day presents both Claudia Valentine, a subverted representation of the hardboiled detective and also Harry Lavender a typical criminal mastermind. Likewise Duffy presents

  • Fascination with Murder Stirs Within Us

    598 Words  | 3 Pages

    1. Introduction Murder is considered one of the worst acts a person can commit; yet in fiction murder is a highly popular theme. From ancient tales to modern thrillers, stories of people being killed seems to always have had a fascinated audience. As society progresses entertainment with real deaths ceases, however fictional ones flourish. The strange interest in death seems to never lose its hold on fiction. Some explain this fascination with murder as a combination of survival instinct and the

  • Role of the City in Poe’s Murders in the Rue Morgue and Hoffmann’s Mademoiselle de Scudery

    4165 Words  | 17 Pages

    Role of the City in Poe’s Murders in the Rue Morgue and Hoffmann’s Mademoiselle de Scudery Professor’s comment: This student perceptively examines the role of the city as a setting and frame for detective fiction. Focusing on two early examples, Poe’s “Murders in the Rue Morgue” and Hoffmann’s “Mademoiselle de Scudery,” both set in Paris, his sophisticated essay illuminates the “cityness” or framed constraint that renders the city a backdrop conducive to murder—such as the city’s crowded, constricted