I went to see A Disappearing Number at the theater, performed by Complicite and directed by Simon McBurney. The production successfully blended maths and romance, and incorporated the past and present together. The scene changes were the most successful aspect of the performance, particularly the rotation of the blackboard center stage, which allowed actors to enter and exit the stage. Although it didn't fit at first, it became effective as the play progressed and the acting style became more non-naturalistic
Performing at the Globe I recently had the extreme good fortune to do a one-week residency at Shakespeare's Globe in London, rehearsing and performing in the First Quarto version of Hamlet with the University of Texas Shakespeare at Winedale Program. Our experience there, working in the theatre and watching the Globe company perform, taught us much about the staging challenges of an Elizabethan playhouse, as well as the invigorating possibilities of such a stage for actors and audiences. The