Free Cinema of the United States Essays and Papers

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    The movie Older Than America is an informational narrative of the treatment of indigenous people in the United States. The fourth cinema is a movement in which people of indigenous backgrounds tell the stories of their people, in a realistic and less Hollywood style. The Movie, Older Than America, is set both in the present and in the recent past, and explores the conflict of identity which plagues many native people. It poses the question; does it wipe the war paint off the lens? My answer to

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    AIDS: Keeping New Queer Cinema Alive

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    AIDS: Keeping New Queer Cinema Alive “Queer Cinema is Back” – headlines the front page of the 2005 issue of the Advocate, signifying to a new flood of movies making way into theatres. Five years prior to this news release B. Ruby Rich, who coined the art as New Queer Cinema almost a decade earlier, declared that the cinema had co-opted into “just another niche market” dominated by popular culture (Morrison 135 & Rich 24). What had seemed to be a movement, turned out to be only a moment in the brief

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    Full Service Cinema: The South Korean Cinema Success Story (So Far) Fifteen years ago, South Korean cinema was in precipitous decline. It was facing deadly competition from Hollywood as import barriers were dismantled, and had almost no export market. Today, South Korean cinema is widely considered the most successful and significant non-Hollywood cinema anywhere in the world today. It is successful both in the domestic market, and internationally. This essay sets out to understand this phenomenon

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    There has always been an interesting connection between Hollywood and Europe. Hollywood has dominated European cinema since the First World War and at present accounts for approximately 80% of market share in the majority of European countries, while European share of the American market is weak at 5.02% in 2001. The Hollywood advantage is concentrated in one very particular kind of moviemaking: films that are entertaining, highly visible, and have broad global appeal. The typical European film has

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    When delineating between first and second generation American Independent cinema directors there is a fine line separating the two generations. This line usually lies somewhere in the early 80’s when the term ‘American Independent Cinema’ first began to emerge. Many other things that were pertinent to the American Independent Cinema movement also arose such as the emergence of video as a media form. There is a strong distinction in the change of dynamics between film school in the first and second

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    Fascism Italian Cinema

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    In 1922, Benito Mussolini became the official head of the Fascist regime in Italy. Mussolini is quoted as saying, “the cinema is the most powerful weapon”, although his government did not immediately interfere with the commercial industry (Bondanella, pg. 22). It was not until 1934, under the director Luigi Freddi, that fascism became greatly involved in Italian cinema. However, after the end of World War II and the fall of fascism, Italians wanted to forget about the Fascist years so many of the

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    Japanese cinema during the early history of film and through the silent era was similar yet quite different as the history of cinema in the United States and the rest of the western world. Although Japan didn’t have an entrepreneur or inventor trying to invent filmmaking like in England, France, and the United States, it did already have a taste for moving pictures and visual storytelling, leading a transition into film quite natural. Similar to the west, Japanese cinema took its earliest form from

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    to New Hollywood Cinema Introduction The Auteur theory was born in France and first mentioned by François Truffaut. When it traveled to United States and was summarized by Andrew Sarris, it inspired a new generation of Film Academy graduated directors to create a new mode of film making which became what we call New Hollywood Cinema. The following essay will be divided into two main parts. Firstly, there will be a brief introduction of the Auteur Theory in France and United States. This includes

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    Transnational Cinema

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    As cultural identity being questioned in global screen due to the influences of transnational cinema and Diasporas in different places, this clip question further the possibilities in future transnational cinema. Through the emergence of cinema styles, all films are to be considered transnational. This essay will argue that transnational cinema could be emerging to a new level in the film industry. The clip provided with the essay explores the potential of transnational films with the context of

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    Is There Such a Thing as Global Cinema?

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    a global cinema industry? Debate this question with reference to contemporary cinema production. Introduction There are two important basements to produce commercial films—Hollywood in the US and Bollywood in India. Many films have been exported from these two places to all over the world, on the debate of whether there is such a thing as global cinema industry, many people give different opinions. Hypothetical proposition was established and as far as I am concern, the global cinema can be analysis

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