Free Cinema of India Essays and Papers

The early films in Hindi cinema dealt with mythological stories that were based on the epics of Ramayana and Mahabharata, family melodramas describing domestic and social obstacles of Indian society, and costume dramas that included historical themes concerning stories about the saints and princes. The first Indian talkie film ‘Alam Ara’ was produced in 1931 by Adershir Irani. The film was based on “costume drama full of fantasy and with many melodious songs to intensify the audience’s emotions

The Indian Cinema was started in a very unique way; there are also a lot of amazing superstars in this industry. Films have changed a lot over time since 1896. Bollywood originated from the Lumiere Brothers when they filmed six short films in a hotel in Mumbai, India. The first motion picture screened in India was at Heston Hotel on July 7, 1858 through a cinematograph of the Lumiere Brothers. Their eye catching films caught Dadashaheb Phalke’s attention and he started the Indian Cinema. Dadashaheb

Evolution of Indian Cinema The Indian cinema is one of the most prominent and well known cinemas in the world. Indian film industry also known as BOLLYWOOD has grown drastically in the last 100 years since its inception. The Indian cinema came into existence in 1913 but motion picture was first introduced in India way before that in July 1896 when Lumierre films which were made in Britain were screened in India in Bombay. This was the first time Indian audience was exposed to motion picture and

Bollywood cinema encompasses a variety of genres. It’s superior ability to create a connection between all strata’s of viewers gives us a reason to explore the hidden representations in Bollywood cinema. Not long after India regained its independence, a new era of Indian Cinema began. This era put forth heart wrenching movies, filled with patriotic messages and a very clean concept of national progress. The main concept of the nation-state was integrated in almost every Hindi cinema that was created

cultural distinction between the cinema of two different countries. The major area of study is the Indian and Western cinema. Bollywood is known as the biggest film industry in India as well as Internationally in terms of movies produced (Pillania, 2008). While Hollywood has a huge influence in the western world. There are many movies that are inspired by Hollywood and made in Bollywood. I will narrow my study and fixate on Bollywood (Indian cinema) and Hollywood (Western cinema). These are few movies of

as Bollywood. Bollywood is now an industry of massive proportions, and far from simply producing cinema; it is also closely interwoven with industries concerned with music, clothes, magazines, DVDs, jewellery and cosmetics. Bollywood has become popular culture, which is distributed worldwide and sells at a phenomenal pace. The Bollywood film, far from its popularity being isolated to India, has also found popularity amongst ‘Indians’ in Asia (Indonesia, Singapore, Sri Lanka etc), countries

to The Good Road (2013), the cinema of India, an extremely important part of our cultural identity celebrating its centenary this year. Has been working as an ambassador of India to a global audience since the day of its inception. In India, it is often seen that films made in Hindi targeted at a larger audience, commonly known as mainstream movies or Bollywood films, employ a different grammar of filmmaking than that is used in so-called sensible or parallel cinema while representing or portraying

India as a nation has evolved tremendously over the course of the twentieth and twenty-first centuries. Due to the effects of colonization, economic liberalization and globalization, India has been influenced by western principles of politics, society and commercialism. One of the major ways in which western influence has affected India is through its films. While Indian cinema encompasses a wide variety of film genres, this paper will be primarily focusing on Bollywood which may at times be referred

BOLLYWOOD CINEMA Submitted by: Leora d’cunha BA (J&MC) 5TH Sem INTRODUCTION Caste is one such factor in India where many controversies have been revolving around it. The notion that cinema is being developed in order to entertain people is been very critical. Films are more of political and ideological objectives. Hence, films are more biased and secure a negative position amongst the Dalits perspective during the past one century of the film world. Caste as a typical reality of India is a fact

woman is a police officer, who beats goons and does all the badass super hero stuff that an average male lead does, Just look at the irony, The individuality of a woman is only appreciated if she acts like a typical man. Sigh. Yes, most of the world cinema suffers from the issues of sexism at a great level, but they have some rather great exceptions. And better ones too. In the movies where the girls are not desperate, the hero chases, irritates, stalks, and irritates the woman to woo and win her heart

According to both Geoffery Nowell-Smith, in Making Waves, and David Bordwell, in Film Criticism, art cinema is an alternative mode of filmmaking to traditional Hollywood style films. The films Band of Outsiders (Bande à part), and A Hard Days Night both negate traditional mainstream cinema techniques, however these films are equally not art cinema. Bordwell defines art cinema as, “explicitly against the classical narrative mode, and especially against the cause-effect linkage of events,” (57). Both

As cultural identity being questioned in global screen due to the influences of transnational cinema and Diasporas in different places, this clip question further the possibilities in future transnational cinema. Through the emergence of cinema styles, all films are to be considered transnational. This essay will argue that transnational cinema could be emerging to a new level in the film industry. The clip provided with the essay explores the potential of transnational films with the context of

is one of the largest industries in India and the films that are produced there, are widely viewed in all parts of the world (Sidhu). However, even though the Bollywood industry has become more popular and branched out to appeal to audiences outside of India, it (has brought with it some problems as well.) is also problematic. It is problematic because there is a vast divide in the a lack of representation of queer women and female sexuality in Bollywood cinema. (,) In comparison to the representation

Name – PriyankaDharwani Roll No. 1558. Final Draft - Sexism in the Indian Cinema Indian cinema has contributed a lot to the media and the entertainment industry over the years now and moulded the image of cinema in India in the eyes of the world. In the Generation we live in today, India has arrived at a stage where woman and men are treated equally; well almost equally. But there are still people, still industries and certain areas that do look down upon woman till date. And have we ever wondered

The pleasure of watching a great cinema or conversely the disappointment and frustration of watching a poor film, is familiar to most of us. Cinema is one of the most popular and vibrant cultural practices reflecting a plethora of social, economic and cultural phenomena in modern societies. Cinema sometimes is the cultural reconstruction of our daily lives, sometimes an entree to a different time or place or idea that otherwise is difficult or even impossible to access. They remix the real, the unreal

Mahatma Gandhi and Indian Cinema Mahatma Gandhi was a multi-faceted man, one whose writings spanned every subject under the sun, including: agriculture, education, science, sanitation, economics, literature, industry, women, children, health, family planning, religion, and, of course, politics. Many were surprised to learn of his prolific writing, and were astounded to hear that he had probably written more than anyone else in history (his collected works run to over 100 volumes, several hundred

songs play an integral part of Bollywood movies. It has been over 100 years that Bollywood has contributed to the Indian cinema industry. The impact of Bollywood is not only in India, but also spans Pakistan, Japan, Nepal, Australia, US, Africa, Canada and much more (Acharya, Sharmista 2004). The reason for such a world-wide growth is the passion in the audiences for the Hindi cinema. They are various genres of movies that includes, comedy, action, romantic, drama, horror and they have a high entertainment

cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment, and a powerful medium for educating or indoctrinating citizens. The visual basis of film gives it a universal power of communication. Cinema has truly played a major role in changing our society. Patriotic movies make us remember to love our nation. Good comedic movies have treated many patients through laugh therapy. Adventure movies have given us a sense

college students, and members of the film industry” (Ganti 2011: 463). The relationship between these two spaces dictated by the cosmopolitan impulse demonstrates how the space of cinema has come to play a key role in creating and regulating an identity of consumers of desire. The spaces in the multiplex and cinema are potential sources of advertising revenue and are used to send messages to the imagined audience. Advertisers aid filmmakers in cultivating the lifestyle of consumers of desire through

1. Introduction Amidst all the hype and allure of Hollywood, many often forget the presence of yet another powerhouse in cinema-Bollywood. The exponential rise of Bollywood can be attributed to the vast number of films produced which far outnumber those of Hollywood. The viewership of Bollywood films has surpassed the 3 billion mark in contrast to Hollywood’s 1.3 billion viewers (Mcbain, 2012). In an ever-growing market, in order for Bollywood to surpass Hollywood’s hegemonic international appeal