Chen Kaige Essays

  • Farewell My Concubine

    1307 Words  | 3 Pages

    The 1993 movie directed by Kaige Chen, Farewell My Concubine, addresses the Chinese political issues during the war against Japan via interpersonal issues of an opera troupe of young male actors. The movie is as long as it is engaging. With two orphan boys who are raised to act in an Opera for their entire lives, dedication obtains a whole new meaning. Dieyi's training to act as a woman and to reflect femininity in his whole life increases the dissension that is observed within the film as well

  • Folksongs In Yellow Earth

    2182 Words  | 5 Pages

    Performances of folksongs ranging from the elites to the peasants give insight into individuals’ lives and experiences. In both Michael Nylan’s chapter on the Odes and in Chen Kaige’s 1984 film, Yellow Earth, the importance of the rhetoric of folksongs is emphasized as a body of knowledge and teachings that represents the culture’s accepted norms, ranging from themes of knowledge, pleasure, and human integration. The combination of lyrics with music was believed to be a “spontaneous expression of

  • Third Cinema in China: Yellow Earth

    1833 Words  | 4 Pages

    Third Cinema in China: Yellow Earth What is identified as 'excess' in Western cinematic experience is, therefore, precisely where we locate Third World cinema. -Teshome Gabriel The possibility of a Third Cinema in China is encouraged with Chen Kaige's 1984 film Yellow Earth. Drawing upon Teshome Gabriel's framework, a working definition of Third Cinema is possible in the case of Chinese cinema. The "fifth generation" of China's film-makers is credited in making films such as Yellow Earth

  • Come Drink With Me Themes

    798 Words  | 2 Pages

    Perhaps one of the most legendary titles in the genre, King Hu's legendary martial arts epic Come Drink with Me was a revelation when it first premiered in the mid-60s. Being one of the first films to adapt a stylish bent to the martial arts scenes while still keeping its' artistic touch, the film essentially launched Shaw Brothers as a studio for adrenaline-charged, hard-hitting action films. In the middle of the countryside, a group of bandits take the imperial envoy Chang hostage in order to

  • Red Sorghum Essay

    728 Words  | 2 Pages

    Red Wine as A Unifying Force In Zhang Yimou’s film, Red Sorghum, special wine and the fields of red sorghum in which it is produced, play a major part in the story. At the start of the film, a group of workers carry one of the main characters, Jiu’er, through a massive field of red sorghum. The group ends up deciding to stay at their destination and produce wine from the fields around them. The red wine may seem like just another plot point, but if you look deeper than that, the wine is also an influential

  • The Evolution of YouTube

    533 Words  | 2 Pages

    started as a simple social media site has turned into one of the most popular ways to advertise and display messages to the public, personalizing advertisements and creating new ways to interact with audiences. The creators of YouTube, Chad Hurley, Steve Chen and Jawed Karim started as coworkers at PayPal, making them familiar with the workings of a corporation and how to structure new and growing business ideas. The timing for a new media site was perfect, with the popularity of Facebook, audiences were

  • may 4th movement

    2158 Words  | 5 Pages

    Born on May Fourth: The New Culture Movement and its Influence on Early Communist Rhetoric "As long as there shall be stones, he seeds of fire will not die." Lu Xun, December 1935 On May Fourth 1919 over three thousand Beijing intellectuals met in Tiananmen Square to protest the results of the Paris Peace Treaty. The protesters disagreed with the Beijing government's decision to accept the lot given China in the

  • The May Fourth Movement

    1299 Words  | 3 Pages

    Chinese youth. Literature Review Chen (1970) introduces the May Fourth Movement’s remark as the opening of China’s modern revolution era, and goes on agreeing that it had the idea of both anti-imperialist and anti-warlord. Anti-imperialist ideals emerged from Chinese anger upon Japanese imperialism, against the conditions of ‘Twenty-one Demands’, and mass student demonstrations occurred denouncing the pro-Japanese government, or the weak warlord government (Chen, 1970). The author supports the anti-Japanese

  • OVerview of Ding Ling's The Diary of Miss Sophia'

    1410 Words  | 3 Pages

    During this year, Ling found an adoration for writing in collaboration with the Feminist concept and became one of the famous May Fourth generation writers (J. Mostow, 2003: 397), who had set about changing society through their written literature (M. Chen, 1997: 36). In 1925, Ling married a left-winged poet named Hu Yepin who further influenced Ding's socialistic realism and became an active member of the League of Left-Wing Writers until he was executed by the Nationalist party in 1931 (A. Wallace

  • The History Of Taiwan

    2168 Words  | 5 Pages

    Introduction Taiwan, it is the country abundances with wonderful history. It is a country where you can find happiness, joyfulness with their unique cultures. Taiwan is located at the southeastern coast of China; it is an independence country however Taiwan has a connection with its mainland China. Taiwan is also one of the recommended tourist destinations, as their Taiwanese street food, cultures, unique attractions and etc. Before you pack your bags, researches are always a must. Tourists are

  • Taiwan

    915 Words  | 2 Pages

    Taiwan For centuries, Taiwan has been ruled by alien regimes. Modern Taiwanese history is a chronicle of the Taiwanese' struggles against oppression and fight for independent survival. Since 1945, Taiwan under the Kuomintang (KMT) regime has been subject to the threat of China's invasion. Even though recently the tensions across the Straits of Taiwan has loosened gradually, to Taiwanese, the unification policy stressed by both the KMT regime and the Chinese government still poses a grave danger

  • Taiwan: The Silicon Island Society

    2203 Words  | 5 Pages

    Taiwan: The Silicon Island Society Silicon Island is a nickname given to the island of Taiwan because of its technological hub located in the city of Hsinchu, which is a near replica of Silicon Valley in California. Hsinchu is located on the Northwest coast of the island and is bordered by mountains and the ocean. The city has a population of 370,000, which is made up of various ethnicities (www.taipei.org). Hsinchu is comprised of indigenous Taiwanese, Southern Fujianese (Chinese), Hakka

  • Tai Chi Research Paper

    805 Words  | 2 Pages

    Chi paved the way for its use as an ideal form of exercise for all aspects of health care. Since then Chen style had been kept almost secretly within his village, where the clan taught Tai Chi to their daughter-in-laws, but not their daughters in assurance that the secret didn’t leave the village. Later, Chen Xin, a16th generation member of the Chen family, wrote and illustrated a book on the Chen School of Tai Chi, in which he described the correct postures and movements, and explained both the medical

  • Raise The Red Lantern Analysis

    2417 Words  | 5 Pages

    she succumbs to her stepmother’s wishes and marries a rich man. When she realizes that in marrying a wealthy man she would only be a concubine, she replies “isn’t that a woman’s fate?”. She begins life as a member of the Chen family. Songlian moves into the compound of the Chen family and serves as the fourth mistres... ... middle of paper ... ...n who are in the struggle during the midst of a society that is undergoing the transformation from a traditional to post colonial culture. The only

  • The Changing Image of Women Position in Chinese Film Since 1950s

    1765 Words  | 4 Pages

    Yimou, Red Sorghum, (1987) Chen, Kaige, The Yellow Earth, (1984) The White Hair Girl (Baimao Nü) (1972) Bibliography: McDougall, Bonnie S., The Yellow Earth, The Chinese Univrsity Press, Hong Kong, 1991 Ng, Yvonne, Imagery and Sound in Red Sorghum, http://www.arts.uwaterloo.ca/FINE/juhde/yvo951.htm, 1996 Filmography Cheung, Yimou, Red Sorghum, (1987) Chen, Kaige, The Yellow Earth, (1984) The

  • Communism and Mise-en-Scene Technique in the Film Yellow Earth

    580 Words  | 2 Pages

    Communism and Mise-en-Scene Technique in the Film Yellow Earth As one of the earliest films to come out of communist China’s new film schools in the 1980s, director Chen Kaige’s Yellow Earth reveals much about the Chinese communist party’s interpretation of the years before 1949 (the year of the Communist victory in China). Yellow Earth takes on the appearance of Communist propaganda films as the plot and themes develop. The minimalist mise-en-scene technique effectively illustrates the activities

  • Panoptical Power in China

    3082 Words  | 7 Pages

    Panoptical Power in China Jeremy Bentham, a leading English prison reformer of the late 18th and early 19th centuries, developed an architectural plan for an ideal prison that he called the Panopticon. Such a prison would consist of a ring of individual cells encircling an observation tower. Each of the cells would open toward the tower and be illuminated by its own outside window. So, by the effect of backlighting, a single guard in the observation tower could keep watch on many prisoners--each

  • Hou Hsiao-Hsien The Assassin

    1352 Words  | 3 Pages

    Turning His Back on the Audiences: The Assassin, Another Hou Hsiao-Hsien’s Uncompromising Art Masterpiece China is growing a tremendous number of movie consumers over the past decade, and while Hollywood is having its own debate about if it should make another reference about China in its next 3D feature, China and the local film industry has its own problems to fix. Hollywood’s invasion for the past decade has embarrassed many of the local films that was released at the same time as franchise

  • The Male Dan In Chinese Opera

    2230 Words  | 5 Pages

    The film, Farewell My Concubine, directed by Chen Kaige drew the attention of the western world onto Chinese Opera at the 1988 Cannes Film Festival by winning the Palme d’Or award that year. Farewell My Concubine is one of the most famous plays in Beijing Opera in which the loyalty of Yu Ji (Beauty Yu) is contested by the King of Chu when his state is defeated. The main character, Cheng Dieyi, mirrors both Mei Langfan and Yu Ji. Mei Langfan is considered the most representative artist in Beijing