The Character of Ophelia In Shakespeare’s tragedies, the characters all have flaws that eventually lead to their undoing. In the play Hamlet, the character of Ophelia is ultimately killed by her flaw. It is apparent that Ophelia is an obedient person but, upon closer inspection, the audience can see that she is not merely obedient. Ophelia’s thoughts and actions go beyond obedience to show that she is a weak and entirely dependent character. Nothing that she says or does is a representation
The Character of Ophelia in Hamlet Of all the pivotal characters in Hamlet, Ophelia is the most static and one-dimensional. She has the potential to become a tragic heroine; to overcome the adversities inflicted upon her, but she instead crumbles into insanity, becoming merely tragic. This is because Ophelia herself is not as important as her representation of the duel nature of women in the play. Ophelia serves a distinct purpose: to show at once Hamlet's warped view of women as callous sexual
Hamlet: The Character of Ophelia Concerning the Ophelia of Shakespeare’s tragic drama Hamlet, is she an innocent type or not? Is she a victim or not? This essay will explore these and other questions related to this character. Rebecca West in “A Court and World Infected by the Disease of Corruption” viciously, and perhaps unfoundedly, attacks the virginity of Ophelia: There is no more bizarre aspect of the misreading of Hamlet’s character than the assumption that his relations
The Character of Ophelia in Hamlet In Shakespeare's play, Hamlet, the character Ophelia plays an important role in the elaboration of the plot. In the beginning, she is in a healthy state of mind, in love with Hamlet, yet controlled by her father. During the play she has several troubling experiences involving Hamlet - causing her to become distressed. The death of Ophelia's father leaves her mentally unstable and in a state of madness that eventually leads to her own death. Ophelia and
Gunnar Boklund in “Hamlet” performs a partial-analysis on the character of Ophelia in Shakespeare’s tragedy, Hamlet: The only character who is presented almost entirely as a victim is Ophelia, a victim of the King’s fear and curiosity, her father’s servility and fundamental indifference to her, Hamlet’s misunderstanding of the situation and brutal treatment of her, and finally his fatal thrust through the arras in the closet scene. Her madness is, as I see it, a purely pathetic element in the
The Character of Ophelia in Hamlet Ophelia is a beautiful and simple-minded woman, easily molded by the more powerful opinions and desires of others. The thoughts of her father and her brother influenced her the most. The love letters from Hamlet also swayed her opinions and confused her mind. Ophelia wasn't able to realize herself because of all the pressures exerted on her to be something she's not. That weakness of mind and will, which permitted her obedience to her father and thus destroyed
Manipulation of Polonius and Ophelia in Hamlet The main plot of Shakespeare's Hamlet centers around Prince Hamlet's desire to repay King Claudius for his evil deeds. Around this central action revolve the stories concerning the minor characters of Polonius and Ophelia. Though they do not motivate Hamlet's actions towards the King, these characters act as forces upon Hamlet himself, trying to spur him to do things he does not want to do. Both Polonius and Ophelia try, unsuccessfully, to manipulate
Hamlet’s Heroine, Ophelia In Shakespeare’s tragedy Hamlet there is, technically, no heroine. But the female character who comes closest to qualifying for the role is not Gertrude, whose sinful past precludes this, but rather Ophelia, the “universal victim” of the drama. She is truly a good, upright person although she is victimized by her father, brother and boyfriend. Harry Levin, in the General Introduction to The Riverside Shakespeare, elaborates on the special kind of prose which the
Ophelia as a Foil to Hamlet In Shakespeare's tragedy, Hamlet, the audience finds a docile, manipulated, scolded, victimized young lady named Ophelia. Ophelia is a foil to Hamlet. Plays have foils to help the audience better understand the more important characters in the play. The character of Ophelia is necessary so that the audience will give Hamlet a chance to get over his madness and follow his heart. Similarities are an important part of being a foil. One similarity that Hamlet
Elaine Showalter begins her essay, Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism, by criticizing analyses of Shakespeare's Hamlet that have virtually ignored the character of Ophelia in the past. The feminist critic argues that Ophelia is an important character in her own right, not just a foil to Hamlet. Further, she says that Ophelia's story is important to tell from a feminist perspective because it allows Ophelia to upstage Hamlet, and that this re-telling can
Hamlet and Ophelia 1. Plays have foils to help the audience understand important characters in the play. Foils are minor characters that have similarities and differences with a more important character in the play. Sometimes the minor character is just there for the character to talk to; this is the basis for being a foil. In the play "Hamlet," [Titles] by William Shakespeare, the character Ophelia is a foil to Hamlet. 2. Similarities are an important part of being a foil. One similarity
Hamlet’s Gentle Ophelia William Shakespeare created a gentle little creature in the character of Ophelia in the tragedy Hamlet. Her strange misfortunes, as well as other circumstances, make her life an interesting one to explore in this essay. Ward and Trent in The Cambridge History of English and American Literature maintain that Ophelia is interesting in herself, aside from her relationship with the hero: Of Ophelia, and Polonius, and the queen and all the rest, not to mention
such an extent that perhaps she realized that the kindest action to take would be to let Ophelia decide her own fate, although she clearly was not in a fit state of mind to do this and was barely aware of her surroundings “incapable of her own distress.” Ophelia’s death is “beautified” as she dies in a romantic and beautiful scene befitting her character where she was surrounded by her garland of flowers. (Ophelia herself was “beautified” in a letter from Hamlet which Polonius found to be a “vile phrase
Ophelia as a Sexual Being in Hamlet In Elaine Showalter's essay, "feminist criticism allows Ophelia to upstage Hamlet [and] . . . brings to the foreground . . . the cultural links between femininity, [and] female sexuality" (221). In most of his plays, William Shakespeare has many women in secondary roles, only filling dead space or causing strife between men. During Shakespeare's time, thoughts of women bordered on weak and deceitful images, leading to the idea of frail, yet conniving creatures
William Shakespeare's character of Ophelia in Hamlet, suffers greatly, from the time she learns of her father Polonius' death, until her own mysterious death. In Hamlet, Gertrude, Horatio and Claudius refer to her state, and conclude that she is crazy1[1]. Though there is some truth to their claim, Shakespeare created Ophelia as an overly- dramatic character, who is somewhat exaggerating her emotions to give an impression of madness. Although their impression of Ophelia can be supported, evidence
and most sovereign reason […] out of tune and harsh (3.1.13). Ophelia is a very interesting character in the book “Hamlet” written by William Shakespeare. She displays several qualities that make her interesting. Ophelia is ordered around and never speak up for herself until she finally cracks. The evidence is when her father orders Ophelia to talk to Hamlet for the first time in weeks after he told her to stop seeing Hamlet. Ophelia is also a sweet and innocent young girl. We witness this when the
A Review of Mary Pipher”s “Reviving Ophelia: Saving the Selves of Adolescent Girls”, Laura E. Berk's “Infants and Children: Prenatal Through Middle Childhood”, and Lina A. Ricciardelli's “Self-esteem and Negative Affect as Moderators of Sociocultural Influences on Body Dissatisfaction, Strategies to Decrease Weight, and Strategies to Increase Muscles Among Adolescent Boys and Girls” Adolescence is one of the most difficult times for development. This difficulty is experienced very differently
Shakespeare’s famous play, Hamlet, he uses Ophelia to depict different themes: obedience and rebellion. Although Ophelia is not present in the majority of the play and there is little background information on her, she still plays a critical role in the play. Ophelia’s character is centered on her relationships with her father, Polonius, her brother, Laertes, her lover Hamlet, and Hamlet’s mother Gertrude. Through Ophelia’s interactions with the main characters the reader can get a better understanding
two women characters in Hamlet; Gertrude, Hamlet’s mother, and Ophelia, Hamlet’s love interest. Magda Romanska the writer of “Ontology and Eroticism: Two Bodies Of Ophelia”, argues that Ophelia represents the typical idea of women in the nineteenth century. I agree with this, but argue that it is not the only aspect of Ophelia’s character. Ophelia becomes the bearer of Hamlet’s hatred toward the world, and is also the character of lowest status because she is an average women. Ophelia surrenders
The character of Ophelia in Shakespeare’s Hamlet presents the reader with a sense of sympathy and pity. While trying to fulfill the role of Polonius’s daughter, Laertes’s sister, and Hamlet’s lover, Ophelia’s character experiences a whirlwind of emotional pain. In efforts to please everyone, Ophelia absentmindedly follows all orders given to her disregarding her own beliefs and values. Her role in Hamlet is one of submissive dependence on the men in her life. Her sanity is put to the test throughout