Camille Saint-Saëns Essays

  • Research Paper On Camille Saint Saens

    979 Words  | 2 Pages

    Camille Saint-Saens was a composer and pianist that lived from 9 October 1835 to 16 December 1921( https://en.wikipedia.org/wiki/Camille_Saint-Sa%C3%ABns) . Camille composed several works of music including Carnival of the Animal. “Saint-Saëns was born in Paris, the only child of Jacques-Joseph-Victor Saint-Saëns” (https://en.wikipedia.org/wiki/Camille_Saint-Sa%C3%ABns). When Camille was a young boy he was taken 29 kilometres (18 mi) to the south of Paris to protect his health. He lived with a

  • The Role of Keyboard Instruments in Three Romantic Symphonies

    1801 Words  | 4 Pages

    The Role of Keyboard Instruments in Three Romantic Symphonies A discussion on the role of keyboard instruments in three Romantic symphonies: Neils Gade’s Symphony No. 5 in D Minor Op. 25 (1852), Camille Saint-Saëns’s Symphony no. 3, ‘Organ’ in C minor Op. 78 (1886) and Vincent d’Indy’s Symphony on a French Mountain Air (Symphonie Cevenole) op. 25 (1886) The keyboard instruments have been largely associated with solo repertoire since its genesis. While rarely used in the orchestra, a keyboard

  • The Supernatural: An Exploration of the Romantic Medium

    1159 Words  | 3 Pages

    supernatural. We are equally terrified by it whilst simultaneously enthralled; dissuaded yet inspired. Many of histories literary masters and great composers derived profound inspiration from the ethereal. Danse Macarbre by French composer Camille Saint-Saëns and Symphony Fantastique by Hector Berlioz are two such compositions that revolve around the central concept of the supernatural. The pieces contrast in their musical representation and programmatic portrayal of death and the supernatural. Where

  • Georg Phillip Telemann: The Culture Of The Baroque Period

    1311 Words  | 3 Pages

    From the concrete structure of the Baroque period to the free-form structure of the Modern period each composer brings forth a new understanding and value to their time period. Within these pieces that they creatively compose it brings new light and displays the culture of the time period. The composers each have story to tell and has each creatively constructed their own works within the diameters of their era. The music of the Baroque period was focused on having music be a tool of communication

  • Dance Recitals Research Paper

    1110 Words  | 3 Pages

    department! On Sunday, April 8th 2018 at 1:00pm, I watched Kylie Dilonardo perform her Senior Recital. This was a solo recital under Dr. Johnson’s studio, accompanied by Dr. Kazuo Murakami on piano. The rectial had repertoire from Bernhard Crusell, Camille Saint-Saëns, Gabriel Pierné, and Witold Lutosławski. The first piece played on the program was “Concerto No. 3 in B-flat, Op. 11 Movement 1 “Allegro Risoluto””by Bernhard Crusell. Bernhard Crusell was a Classical composer that wrote chamber music and concertos

  • Comparison Between Charles Gounod's Life And Accomplishments

    2285 Words  | 5 Pages

    in 1867, during the Universal Exposition in Paris, he was 49 years old. The next period, he wrote more religious pieces and a lot of melodies, until his death in 1893. At his funeral ceremony, two famous musicians and friends played music : Camille Saint-Saëns playing organ and Gabriel Fauré – famous for his marvelous melodies ! – conducting the choir ! We know that he was a very gentle man in his personal life, concerned with kindness by other people. These mentions make it easy for us to understand

  • Influential Composers Of Early 20th Century

    950 Words  | 2 Pages

    Influential Composers Of Early 20th Century missing works cited Zoltan Kodaly, Edgar Varese, Igor Stravinsky.Three foreign-born composers whose output ranges from unobtrusively important to riot inducing works.They encompass music’s three principles: education, exploration, experimentation. Deemed “Hungary’s greatest composer and music pedagogue” (Jeter) Zoltan Kodaly, was born December 16, 1882.As a child, Kodaly taught himself piano, violin, cello, and voice.Later, he pursued Composition/Education

  • Satanic Imagery And Corruption In Heavy Metal Music

    1141 Words  | 3 Pages

    directly in half. For example, if one started with the note C natural, an F# would complete the tritone chord. When played together, a sound of unresolved tension occurs and it makes humans beings feel uncomfortable. Classical composers, such as Camille Saint-Saëns and Giuseppe

  • Mozart Mahler First Symphony

    1446 Words  | 3 Pages

    As a composer, Mahler lived his life in the shadow of his way more famous friend and equal, Richard Strauss (1864-1949). While the audience in Europe acclaimed Strauss’ tone poems and his operas with enthusiasm, Mahler received recognition as an gumptious director/conductor of the Vienna Court Opera, but remained debatable as a composer. Although Mahler failed to win a recognition as a successful composer during his lifetime, Mahler’s symphonies have become a firmly established part of the orchestral

  • SIlent Film Industry in Hollywood

    1036 Words  | 3 Pages

    Hollywood; when people hear Hollywood they usually first think of the giant Hollywood sign that is on Mount Lee in Los Angeles, California, celebrities, fame, money and last but not least movies. The Hollywood movie industry makes around thirty billion to thirty five billion dollars in the United States alone, while making ninety billion to hundred billion dollars worldwide (McCandless and Quick). The Hollywood movie industry has become one of the most successful industries in the United States.

  • The 20th century's 3 greatest composers

    2350 Words  | 5 Pages

    The 20th century's 3 Greatest Composers The 20th century has watched many musicians break through their generation's bounds of normalcy to creat a completely new music. Musicians who initiated revolutions so grandiose that the impact—like an earthquake’s aftershocks—would reverberate for decades and influence scores of musicians to come. Such influences can be traced back to three specific composers. Igor Stravinsky, Aaron Copland, and Nadia Boulanger: the triumvirate of 20th century music