Bowling For Columbine Essays

  • Bowling For Columbine

    844 Words  | 2 Pages

    The film Bowling for Columbine is an American Documentary, written, directed and narrated by Michael Moore. In the film Moore is searching about what he believes are the main causes of the 1999 Columbine High School massacre as well as what caused other violent crimes, acts and massacres. He focused on the background, history and environment of Columbine and the surrounding areas as well as all the violence, shootings and terrorism that has happened in all of the United States. Lastly he spoke

  • Bowling For Columbine

    747 Words  | 2 Pages

    Bowling for Columbine, a film by Michael Moore tries to bring some very important points to the foreground of American culture and to some degree succeeds, however, by manipulating different things in this movie it makes it hard for me to totally agree with what he has to say. One point Mr. Moore and I do agree on is that racism, specifically against African American males is still very alive in America. Also, I agree that the media tries to find a quick and easy scapegoat to place

  • Bowling For Columbine

    2146 Words  | 5 Pages

    Reading 1: Genre Bowling for Columbine is an interactive/participatory style documentary directed by Michael Moore. Michael Moore heavily emphasises multiple shooting events, in particular the mass shooting at Columbine High School, to present to us the idea that ordinary Americans are getting out of control with their use of weapons. He also promotes the concept of the American government’s actions having contributed to the current attitudes towards weapons. Michael Moore effectively uses the common

  • Bowling For Columbine Essay

    1158 Words  | 3 Pages

    on “true stories” to documentaries that present opinion as fact. Award-winning documentary maker, Michael Moore uses a twisted version of the truth to bowl a strike and manipulate viewers into barracking for his team. Moore’s 2002 film, Bowling For Columbine, successfully manipulates facts to convey only a single side of the American attitude towards gun related crime. He convinced audiences across the globe that strict gun control was the only way to stop the extreme violence in the States. And

  • Bowling For Columbine Essay

    1274 Words  | 3 Pages

    Bowling for Columbine is an American documentary film, released in 2002, and was written, directed and narrated by Michael Moore, which also utilizes a variety of persuasive documentary techniques for the purpose of provoking a response from the audience. The purpose of bowling for columbine is to show audiences issues made by the American gun laws such as violence e.g. The Columbine massacre. Moore presents the audience with new ideas and the issues facing America. It is a film about guns and America's

  • Bowling For Columbine Bias

    752 Words  | 2 Pages

    Bowling for Columbine depicts the overwhelming gun violence in America. Despite Director Moores efforts to make an informative documentary his bias is evident. With the use of exaggerated facts, emotional exploits, and blatant bias. Moore shares his personal perspective on the availability of firearms in America. Moore utilizes the viewers emotions with propaganda style sequences. Ranging from exploring an incident that leaves the viewer remorseful. then immediately battering his opposition. At

  • Bowling For Columbine Essay

    959 Words  | 2 Pages

    Bowling for Columbine by Michael Moore was a documentary from 2002 which explores gun violence and gun culture in the United States of America. This award winning documentary uses influential film techniques such as interviews, montages and comedy to engage the audience and influence them subconsciously. Interviews were manipulated to convince the viewer towards one side and agree with Moore’s point of view. Comedy was used to mock the views and opinions of interviewees and people in the documentary

  • Bowling For Columbine Satire

    1282 Words  | 3 Pages

    In the 2002 documentary, Bowling for Columbine, produced and directed by Michael Moore, an American filmmaker, it focuses on the 1999 Columbine High School massacre in Colorado and how two high school boys were able to obtain guns and shoot out their school, killing a teacher and 13 students, before committing suicide. The film uses this event to show America’s history with guns and gives an insight about the past, present and future of America. Michael Moore delivers this film by answering his

  • Bowling For Columbine as a Carnivelsque

    1399 Words  | 3 Pages

    what extent can BFC be viewed as drawing on key elements of Bakhtin’s notion of carnivalesque? Bowling for Columbine is a post-structural film produced by Mike Moore. It leaves a message about America and its people. Today, the world is not a safe place. However, the world is made unsafe by the people who don’t believe it is safe. This is what the film is based on: fear and guns. Bowling For Columbine is a carnivalesque to an extent as it contains many elements of a carnivalesque. These elements

  • Bowling For Columbine Convention

    1379 Words  | 3 Pages

    The film ‘Bowling for Columbine’, a 2002 documentary by Michael Moore, is a brilliant example of the documentary mode: Interactive Participatory. Bowling for Columbine is an in your face, hard-hitting documentary directed and produced by Michael Moore, whose other works include Fahrenheit 911, Where to invade next and Sicko. This film focuses heavily on the American right to keep and bear arms; specifically centred around the Columbine High School massacre in early 1999.Moore puts emphasis on the

  • Bowling For Columbine Satire

    1586 Words  | 4 Pages

    From this quote alone it is apparent that Moore structured Bowling For Columbine in a way that would rally the people of America behind tighter gun control. It’s because of this that it becomes even more apparent that Bowling For Columbine was structured in away to provoke emotion and from that promotes the idea that many of its scenes were structured. This is the clearest indication of Moore’s influence as a filmmaker with in the documentary. However although probably the biggest ethical issues

  • Analysis Bowling For Columbine

    1061 Words  | 3 Pages

    FROM MY COLD DEAD HANDS: AN ESSAY ON MICHAEL MOORE’S FILM TECHNIQUES Rebekah McGee ARTH 3135: Documentary Photography and Film April 24, 2014 Michael Moore’s 2002 film Bowling for Columbine documents the 1999 shooting at a Colorado high school that left thirteen innocent people dead, including a teacher. In this film, Moore investigates the issues of gun control as well as the United States’ involvement with other nations. By using voice-over, juxtaposing images, and personal interviews

  • Bowling For Columbine Gun Violence

    769 Words  | 2 Pages

    The documentary, Bowling for Columbine, is a strongly deceptive film which portrays America as a cruel, violent country. Although considered as an Academy Award Winning documentary, Bowling for Columbine fictionally depicts “gun violence” in the U.S; in reality gun violence is prevalent world wide. Guns are used for a multitude of reasons, not only violence towards others; It is ultimately the result of one’s personal actions and decisions. Regardless of the weapon, the person who uses it is responsible

  • Bowling For Columbine Documentary Techniques

    576 Words  | 2 Pages

    ‘Bowling for Columbine’, a documentary about how guns give a bad influence on American people, rather than providing them safety by portraying the Columbine High School massacre on 20th of April in 1999, which led one teacher, twelve students to death, twenty-four people injured and other acts of gun violence. This documentary was written, produced, narrated and directed by Michael Moore and realised in 2002. Moore foregrounded people who have horrible experiences with guns by using techniques such

  • Bowling For Columbine Propaganda Essay

    2071 Words  | 5 Pages

    Ideology and propaganda within documentaries paying specific attention to ‘Bowling for Columbine’ by Michael Moore. This essay will analyse how and if an individual’s own ideological beliefs can shape the making and message of documentary films and television programmes. The essay will draw from the conclusions of Bill Nichols, Simon Cottle and Erik Barnouw. This essay will be using Michael Moore’s documentary ‘Bowling for Columbine’ (2002) as a case study. The definition of documentary given by the

  • Pros And Cons Of Bowling For Columbine

    676 Words  | 2 Pages

    Bowling for Columbine, a film directed by Michael Moore, speculates on the circumstances that gave rise to the 1999 Columbine High School massacre and, on a larger scale, seeks to answer an enigma: Why are the homicide rates involving guns proliferated in America unlike the other countries? Moore’s desire for a stricter gun control law becomes clear in the film as well as his belief that the fear embedded among the citizens is the reason that Americans are so obsessed with guns. However, when dealing

  • Bowling For Columbine Documentary Techniques

    768 Words  | 2 Pages

    In the documentary ‘Bowling for Columbine’ directed by Michael Moore, we get the sense that we are being taken on a journey through the in depth insight we are given into the reasons behind America being such a ‘gun loving’ country. Bowling for Columbine is titled in remembrance of the Columbine High School massacre, where students Eric Harris and Dylan Klebold gunned down thirteen people in 1999 before committing suicide. The documentary explores a variety of factors that may have lead to and encouraged

  • Bowling For Columbine Documentary Analysis

    850 Words  | 2 Pages

    My final paper will take an in-depth look at Michael Moore’s three documentary films, Bowling for Columbine, Fahrenheit 9/11, and Capitalism: A Love Story, to prove my thesis that his documentaries utilize interviews and news clips to construct a powerful liberal leaning narrative that provides a one-sided alternative way of understanding the American political and social system. All three films rely heavily on Michael Moore’s interviews with numerous individuals that represent a spectrum viewpoints

  • Bowling for Columbine, by Michael Moore

    1616 Words  | 4 Pages

    In American society, violence runs rampage throughout the country that cause its citizens to be afraid and discouraged about their homeland. One of the major parts of American violence is from guns. In the documentary, "Bowling for Columbine", a famous filmmaker, Michael Moore addresses the ubiquitous situation in America. He argues that the use of gun in America co-insides or correlates to the recent massacres and that America, as a whole, should have stricter gun control laws. Throughout the film

  • Bowling For Columbine Film Analysis

    891 Words  | 2 Pages

    present prevalent issues which are interpreted in different ways. One of these sources are documentaries, having the power to initiate these important conversations by exploring relevant issues. Such is the case with the subjective documentary Bowling for Columbine, directed and presented by Michael Moore. Following Moore's journey, he raises an absolute and factual interpretation of the gun culture in America. Through the use of interviews, voice over, different types of footage, juxtaposition and satire