SWOT analysis of the English National Opera STRENGTHS The product is definite. Although there are many different titles of shows and ways of performing Opera, on the whole the customer knows, when attending a performance, what to expect. Accessibility is improving. Through recent more widespread distribution of Videos/DVDs and CDs – in well known music stores. Also through Touring and Open-air Opera and to some extent educational workshops and talks, the English National Opera (ENO) has improved
Wagner’s newfound focus on redemption rather than overcoming, yes, would have upset Nietzsche. But as most can relate, seeing poppy boy bands remain on the top of the charts over true artists; Nietzsche in that what he considered to be Wagner’s weakest moment become his most shining, must have been infuriating for him. The wrath is not focused solely on Wagner however, but as well at the masses that gathered to worship at his alter; Wagner himself was a slave to Wagnerianism and European decadence
throughout the 20th century into current day. His influence spread beyond composition into conducting, philosophy, literature, the visual arts and theatre. Wagner’s legacy lives on today through his opera house, the Bayreuth Festspielhaus. The Festspielhaus is located north of Bayreuth, Germany and continues to celebrate the genius of Wagner by only preforming his famous 19th century operas at an annual festival. However looking past Wagner’s musical achievements, his life was very polarizing. He
Wilhelm Richard Wagner was one of the greatest opera writers of all time. He helped to take opera to a whole new level from even Verdi and Puccini. Some say that Wagner was very egotistic, however; “his extreme egotism rested on conviction, Wagner had the ability to do great things” (Colles 207). He was extraordinary at composing music as well as formulating words. He was not a prodigy however his musical skills surpassed many other composers from his time period. Richard Wagner was the son
Imagine you are in a darkened theater and on stage are the actors. Behind the actors you can see the scenery. Down in front of the stage, in what is called the pit, is an orchestra and a conductor. As the orchestra plays, the actors on stage do not speak their lines they sing them! Opera is the combination of drama and music. Like drama, opera embraces the entire spectrum of theatrical elements: dialogue, acting, costumes, scenery and action, but it is the sum of all these elements, combined with