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    Azrael

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    Chapter One: Black Clouds Screams of terror and dark enjoyment echoed off of the halls. From men, women, and even children, it was hell and Fin had woken up in it. Her small five year old body was shaking as her hands held tiny fists of blanket. She was starring into darkness, too frightened to move but the screams were getting closer. Her body moved quickly deciding for her, in an attempt to save itself from whatever was creating the horror. Her hand smacked the light, it flickered dimming and her

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    Alexander Pope's The Rape of the Lock

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    Alexander Pope’s The Rape of the Lock is a satirical poem that features a theme of gender roles. Throughout the poem, Pope uses his protagonist Belinda, to poke fun at the superficial nature of aristocratic women. He focuses on the ritual of womanhood and approaches it like a trivial matter, and her reaction to the offence is hysterical. Through this portrayal, he reveals that the Baron has a childish quality in his need for revenge for Belinda’s stab at his ego. The speaker’s view does come across

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    Pope Admiring Belinda in The Rape of the Lock The main character of Pope's "The Rape of the Lock" could be considered both hailed and damned by the overseer, but the complexities and sometimes contradictions of Belinda spark a more unbiased view. The appearance of Belinda and the world in which she lives is described in a very fantastical and beautiful way. Even small details such as the arrangement of Belinda's hair are due to wondrous entities known as the Sylphs, whose sole task is

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    The Role of Women in The Rape of the Lock

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    On the surface, The Rape of the Lock is a retelling of an episode that caused a feud between two families in the form of an epic. One might believe that in his version, Alexander Pope portrayed the women of the story as shallow, vain little girls, however on a deeper level the women are crucial to the story. Aside from not being as helpless as they appear, each woman possesses a different kind of power that contributes to their character greatly. Rather than being the conceited and shallow figures

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    Emily Dickinson once said, “Dying is a wild night and a new road.” Some people welcome death with open arms while others cower in fear when confronted in the arms of death. Through the use of ambiguity, metaphors, personification and paradoxes Emily Dickinson still gives readers a sense of vagueness on how she feels about dying. Emily Dickinson inventively expresses the nature of death in the poems, “I felt a Funeral, in my Brain (280)”, “I Heard a fly Buzz—When I Died—(465)“ and “Because I could

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    The Rape of the Lock

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    The Rape of the Lock Alexander Pope's mock heroic epic The Rape of the Lock appears to be a light subject addressed with a satiric tone and structure. Pope often regards the unwanted cutting of a woman's hair as a trivial thing, but the fashionable world takes it seriously. Upon closer examination Pope has, perhaps unwittingly, broached issues worthy of earnest consideration. The Rape of the Lock at first glance is a commentary on human vanity and the ritual of courtship. The poem also discusses

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    Essay on Exploring Death in Death in Venice

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    Exploring Death in Death in Venice Death in Venice by Thomas Mann, is a story that deals with mortality on many different levels. There is the obvious physical death by cholera, and the cyclical death in nature: in the beginning it is spring and in the end, autumn. We see a kind of death of the ego in Gustav Aschenbach's dreams. Venice itself is a personification of death, and death is seen as the leitmotif in musical terms. It is also reflected in the idea of the traveler coming to the end

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    The Scale of Values in Alexander Pope's Poem The Rape of the Lock I found Alexander Pope's "The Rape of the Lock" a delightful, amusing poem. Throughout the poem, trivialities are compared with events and objects or consequence and the insignificant is treated with utmost importance. Its very title gives the reader an immediate clue; "rape" and all its connotations bring to mind a heinous crime of physical and spiritual violation. Perhaps this description could apply to the theft of a lock of

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    Death “The fear of death is deeply embedded in us” (Cave 1). Death is something that everyone fears. As humans we like to believe that we are inhuman and that death will never affect us. It’s the ugly side of life that no one likes to think about. It doesn’t matter what race, culture, or region we are, we’ll all die. Many believe that when we die we go to heaven or hell, but what happens to our body after we are dead? Do we float on to parallel universe, or does our body just appear wherever we

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    Writing of Angels

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    it were the most obvious thing in the world. "And why would you want that?" I asked. "Souls happy when they die are easier to move. How do you think you could suddenly speak again?" I stopped. Souls? Manipulating the mind? Death? "When you said...Azrael...You literally meant...you were...the angel death," I said slowly. I heard him make a noise which affirmed what I'd said. "You made me forget Shiloh, so you could win me over, and then you gave me my voice back? Only to kill me?" I screeched. I rushed

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