Free Arthur Koestler Essays and Papers

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Free Arthur Koestler Essays and Papers

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    Arthur Koestler: ‘Darkness at Noon’ Revolutionary and political ethics ‘Darkness at Noon’ is the second novel of a trilogy, which revolves around the central theme of revolutionary ethics, and of political ethics in general: the problem whether, or to what extent, a noble ends justifies ignoble means, and the related conflict between morality and expediency. The theme of the novel relates to the ever-present predicament faced by the leaders of any political party or revolutionary

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    Darkness At Noon

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    The Saving Grace of Rubashov Despite its brevity Darkness at Noon by Arthur Koestler packs an enormous amount of thought provoking dialog and insight into what may go through the mind of someone who is going through an extreme ordeal. One theme which ran throughout the book was Rubashov’s actions that were taken as matters of self-preservation and what he must do to atone for them. 	The first instance of this was on page 45 where he asked if it is necessary to pay for deeds that were necessary

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    serious problems could potentially arise. In both Night by Eliezer Wiesel and Darkness at Noon by Arthur Koestler, the idea of actuality varies from person to person. One will usually continue to believe whatever he or she grew up learning about and associating with. As a result of one’s background and life experiences, his or her conception of the truth can be altered. Both Wiesel and Koestler use the instances of backgrounds, actions, and affects to show how this concept can diverge. As a

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    a rather stingy, cramped volume for the human cargo. And yet, according to Sheldon Payne's information, it was precisely this middle box that was most important and received the greatest use. In his essay "The Three Domains of Creativity" Arthur Koestler states that, "Creativity often starts where language ends, by regressing to preverbal levels, to more fluid and uncommitted forms of mental activity." Although at that point in the essay, he is speaking of scientific creativity, later on he conveys

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    Dear Skooter

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    you because the other day I came across a short essay by Arthur Koestler discussing creativity and the three domains that compose it; the "Haha!", the "Aha" and "Ah... ". At first I thought his theories could not relate to a musician because I mean what performing music has to do with laughing and crying. But as I fmished reading it, it seemed to make sense when I thought of what goes on when you perform on stage. In his essay Koestler introduces a new theory that describes the three domains of

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    George Orwell's Symbolism and Derivation for 1984 George Orwell's 1984 had a profound effect upon the way people thought during the mid 20th century. The book signified Orwell's most complex novel which told the story of Arthur Koestler and the countless others who suffered because of the totalitarian governments in Eastern Europe (Meyers 114). When 1984 was published in 1949, the Cold War had just begun. The novel's ending was pessimistic and thus seemed as an attack on communism. The novel

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    The artist strives to produce a materialized representation of his or her vision of beauty. This act of creativity involves effort, toil, inspiration, failure, and is accompanied by the scorn and criticism of others who do not understand, as Arthur Koestler puts, the bisociative connection the artist makes in his inspirati... ... middle of paper ... ...est of the society. Owen presents his final product, an animated butterfly, as a belated bridal gift to Annie. The butterfly that Owen made

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    Guilty Betrayal in Arthur Koestler's Darkness at Noon Arthur Koestler's Darkness at Noon depicts the fallacious logic of a totalitarian regime through the experiences of Nicolas Salmanovitch Rubashov. Rubashov had fought in the revolution and was once part of the Central Committee of the Party, but he is arrested on charges of instigating attempted assassinations of No. 1, and for taking part in oppositional, counter-revolutionary activities, and is sent to a Soviet prison. Rubashov, in his

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    Creativity and Mental Illness

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    inspiration -- has often been thought to require the sampling of dark "depths" of irrationality while maintaining at least some connection to everyday reality. This dive into underground forces "reminds one of a skin-diver with a breathing tube" wrote Arthur Koestler in his influential book... ... middle of paper ... ...ard Mental Health Letter, March 1996 http://www.mentalhealth.com/mag1/p5h-cre1.html 6) Artistic Inspiration and the Brain , Another response to Dr. Bruce Miller study - FTD & creativity

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    Noon "The Party denied the free will of an individual-and at the same time exacted his willing self-sacrifice." The obvious contradiction of the above definition of the Communist party is depicts the conflict between the individual and the State in Arthur Koestler’s novel Darkness at Noon. Koestler’s protagonist Nicolas Salamanovich Rubashov, devout communist and former leader of the Communist party, falls victim to his own system during the time of the Moscow trials. Accused and imprisoned for crimes

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