The Current State of Virtual Art and Exhibition Virtual art is the product of long-standing traditions in art merged with revolutionary technological advances. With innovations emerging almost as fast as end-users can test and master new systems, technology has dramatically altered our daily lives and changed our thought processes. Like many technological advances, virtual and cyber realities have been embraced, and often created by, artists that experiment with the myriad of possibilities that
The Gallery presented a set of bronze sculptures made by a French artist called Valerie Andrianoff. Val’s works of art can be perceived as a search for balance and stability as the heading of this exhibition has already suggested “The Balance of Life” (Byrs-Lasquier, n.d.). In the following, a few of her works will be selected to illustrate what kind of ideas she is trying to express and how I feel about these sculptures. Most of the human figures created by Val are small. We can rarely see their
turned into an oil-sketch, Cordelia Parting from Her Sisters (1854). Sixteen of the drawings were shown in 1865 at his Picadilly Exhibition, and Brown wrote the captions that appear below the drawings for the exhibition catalog. The sixteen sketches with captions are owned by the Whitworth Gallery in Manchester, and the two without captions are in the City Museum and Art Gallery of Birmingham. The drawings are done in pen and sepia ink over pencil on paper; they are approximately 11 x 14 inches in
education. This paper focuses on two areas, namely exhibition and entertainment. This paper is organized into four sections. The introduction provides a brief overview of AR and its various applications specifically in the areas of exhibition and entertainment. The second section discusses in detail about AR in exhibition. This is followed by a presentation
The Pompeii exhibition at LACMA was an astounding visualization of history. The exhibition provided all sorts of objects; from sculptures, glass figures, painted art, and more. These art pieces specify the kind of life that was taking place in the Bay of Naples during the second century. As we know the cities around the Bay of Naples, which include Pompeii and Herculaneum, became tourist attractions when the cities were excavated after they were buried from the volcanic eruption of Mount Vesuvius
aimed at as serious an audience as he was dealing with, was also interesting, and the video I took of him was one of the favorites of everyone I showed it to when I came back home. For me, the best part of the trip was the science and technology exhibition. Not many kids came to my exhibit, probably because it was just a computer screen without much on the board behind to attract attention. But I did talk to a group of maybe 15 students from a local school. They were interested at first in the contest
I’ve decided to write my paper on a building that I feel is aesthetically pleasing. The building I chose is the Castle museum in downtown Saginaw, Mi. The Castle Museum was a building that was originally constructed to be a post office. It has French Renaissance Revival architecture and was dedicated on July 3, 1898. The architect behind this building was William Martin Aitken and he proclaimed that his design for this building was to have been inspired by the early French settlement of the Saginaw
At An Exhibition” which was orchestrated by Maurice Ravel are both two incredibly composed pieces of music. However, the two pieces have their differences as well as similarities. Although these beautiful pieces are similar because of the effort to represent works of art, “Carmina Burana” and “Pictures At An Exhibition” are different because of the background of the composers, the instruments used, and the influences that led Carl Orff and Modeste Moussorgsky to create these epic works of art. “Carmina
image is a beautiful color lithograph, measuring 25 by 35 inches, which features the main hall of the Great Exhibition Building in Dublin in great detail. The hall was 425 feet in length by 100 in width, and 105 in height. In the back there is a large organ. Displayed high on the walls are flags from different countries. The building is best described by The Illustrated Dublin Exhibition Catalogue, which says: Presenting a front to Merrion-square of 300 feet, the main or centre feature of elevation
previous world's fairs, in charge. Schwarz-Sendborn wanted "a truly universal exhibition , that would embrace every field on which human intellect has been at work" (87, Thurston). Changed from the initial label of "Welt-Industrieausstellung (International Industry Exhibition)," the name of the fair was chosen to represent the principle of universalism. It was finally baptized "Weltausstellung", meaning International Exhibition. Vienna's Prater Park, located in the northeast section of the city, was
In His painting called Hobo (1999) exhibited at MOCA, Museum of Comtemporay Art) Downtown San Diego, the size of the painting was about 3 feet by 2 feet, a moderate-sized canvas paintings.. Framed with thick wooden round frames painted in creamy white color, presenting a naïve, child-like object that is just harmless approach to the viewers perhaps asking for the acceptance of his work as a child’s play. However, the subject matter he decides to depict in his paintings makes the viewers wonder if
Dublin 4 by Maeve Binchy The novel Dublin 4 was written by Maeve Binchy in 1983. This consists of four short stories which all took place in a town called Dublin. The four short stories that Binchy wrote about are Dinner in Donnybrook, Flat in Ringsend, Decision in Belfield, and Murmurs in Montrose. Each story has different characters, plots, and imagery. Also they all have different themes and conflicts. At the end of each short story Maeve Binchy does not tell what the resolution to the conflict
The soul of a museum is the essence of identity by which it is defined; it is that which makes a museum a museum. The museum has identifiable requisites without which it would not be a museum. By using creative methods of exhibition, interpretation, and education as well as effective methods of collection and conservation, the museum becomes an integral aspect and a valuable resource in society. There are unique distinctions between the museum and other cultural institutions. Although the basic requirements
Machinery Hall, Centennial Exposition 1876, Philadelphia The "International Exhibition of Arts, Manufactures, and Products of the Soil and Mine, in the city of Philadelphia" was opened on the 10th day of May in the year 1876. As it was more commonly known, the "Centennial Exposition" was America's first successful World's Fair. The fair celebrated the one hundred year anniversary of the Declaration of Independence and America's start as a sovereign nation. It was at the Centennial Fair that Americans
such as preserving mummies, or even leather working (arranging of animal skins) but by the time it reached England it was known quite solely as the arrangement of animal skins to represent life (1). A Compressed History Taxidermy was then not the art that we know today. In its earliest days (18th century) birds were especially difficult to reproduce. After the long and tedious procedures, specimens were often unrecognizable. This changed with the ideas of a Frenchman named Becoeur (1718-1777). He
Zoo’s or enhancement of knowledge. 4 Expo’s and Racism 5 Expositions and money. 7 Sustainability of Expositions 9 Conclusion 12 Works Cited 13 Introduction Exposition, as defined by the Oxford English Dictionary, is ‘A large public exhibition of art or trade goods’ (Dictionaries, 2014). Since their birth in 1851, Expositions have always been at the forefront of design and innovation, showing the latest and greatest ideas to the rest of the world as well as breaking architectural boundaries
discusses how ‘The Great Exhibition of 1851 was a symbol of the successes of Great Britain, which had become the World’s first industrial nation and it’s richest.’ Furthermore, a vast tree inside the building provided ‘a visible symbol of how the Industrial Revolution had supposedly achieved human domination over nature.’ Being a professor in Western Civilisation at Pennsylvania State University, Spielvogel is a reliable source. The introduction of The Great Exhibition of 1851 (Auerbach, 1999) immediately
The Five, The Mighty Handful, and The New Russian School all depict the five Russian composers who came together in 1856-57 in St Petersburg. Their ultimate goal was to portray and produce a Russian style of music , and this is exactly what they would accomplish. Though one of "The Five" goes farther than this with his works, this being Modest Mussorgsky. Mussorgsky was a composer born march 21st 1839, with one of the most controversial names and spellings of a name. He was born to wealthy land owners
international exhibition of arts and industries was held in London in 1851, the London Crystal Palace epitomized the achievements of the entire world at a time when progress was racing forward at a speed never before known to mankind. The Great Exhibition marked the beginning of a tradition of world's fairs, which would be held in major cities all across the globe. Following the success of the London fair, it was inevitable that other nations would soon try their hand at organizing their own exhibitions. In
back to the styles the century had begun with as it came to an end. This difference in popular taste did not just evolve because of the passage of time, however; new technological advancements in furniture production and an increased interest in the arts of Asia influenced home décor. The changing British culture manifested itself in how the middle-class decorated their homes, and how they perceived themselves. In the earlier part of the 19th century, tastes tended toward lighter looks. According