Spoon River Anthology The Spoon River Anthology, written by Edgar Lee Masters in 1915, was a unique piece of work in both style and structure. There are over two hundred “stories” told by the dead people who once lived in the town of Spoon River. The lives and dreams of these people are written as poems. The poetry itself is an excellent example of early modernist style. Since there are many people from many different backgrounds, and even different generations, (There are examples of Old
In the Spoon River Anthology by Edgar Lee Masters the first poem is about Minerva the poetess she was made fun of and treated like an animal. She was kidnapped by Butch Weldy and left for dead. At the end she reveals that all she wants is for her poetry to be remembered. She takes herself seriously as a poetess. She hopes that people will remember her as a poetess and not just the fat woman in town killed by Butch. Butch thought that he was safe because he found religion, a god a figure to guide
is also said that it is rare to find a happy relationship. Edgar Lee Masters seemed to believe the same about the romantic relationships of his time, as well. Masters conveys theses feelings through some of the characters of his work, Spoon River Anthology. Edgar Lee Masters uses unhappy marriages as a common factor in the deaths of many of the characters including Margaret Fuller Slack, Amanda Barker and Tom Merritt in order to reveal his own discontent toward romantic relationships. First, Margaret
Relationships in As You Like It "Pronounce that sentence on me, my liege. I cannot live out of her company"(Shakespeare quoted in Norton Anthology 1611). Who made these remarks about the dear Rosalind, was it Celia, the one whom she calls 'coz', or is Orlando the man that she is in love with? The question then becomes if Celia said these words what was her meaning. Is it that Celia is attracted to Rosalind as more than a friend or is this just an example of the female friendships of the time
Love and Sex in The Waste Land Attitudes toward love and sex are one of the major themes of the poem. The introduction to "The Waste Land" in The Norton Anthology of English Literature states that "This is a poem about spiritual dryness," and much of this spiritual dryness relates to the nature of the modern sexual experience (although there are also other aspects of spiritual dryness the introduction also notes that major themes include a lack of a "regenerating belief" that gives "significance
husband and has two grown children. (McNally Robinson) “I write because I love. I write for the survival of self, my children, my family, my community and for the Earth. I write to help keep our stories, our truths, our language alive”. (qtd. in Anthology 396.) This quote describes how Louise Halfe uses all four common elements of native literature in her writings. I have chosen to discuss two of the elements she frequently uses, Spirituality and Orality in relation to three of her poems: My Ledders
Medieval Food Food is something that all people have always and will always need to consume in order to survive and thrive. Not only this, but it is also has an important societal function. Food is an important part of celebrations and sometimes dictates roles in societies. In Medieval society food was important for banquets, what was eaten by a person could denote what class a person was from, and was often mentioned in the literature. For my project I presented desserts, bread, and a
to England – where a combination of the natural beauty of the English farm life, sole determination, and pure talent made him one of the most recognisable figures in American history – inspiring this anthology – “Robert Frost – Breaking the Walls.” Some of the famous poems included in this anthology consist of, “The Road Not Taken”, “Stopping by the Woods on a Snowy Evening”, “Mending Wall” and “After Apple Picking.”. “The Road Not Taken” reflects Frost’s opinion that society is stressful, as
Alain Robbe-Grillet and The Secret Room On page 2032 of the class’s anthology, there is a work by Alain Robbe-Grillet entitled “The Secret Room”. What interests me about this work is that I thought that this topic or story is deep and hard to get the idea. So, I wanted to know about Alain Robbe-Grillet and wanted to get the idea. In this connection, the question that I want to research is who Alain Robbe-Grillet is and what is this story about. First of all, Robbe-grillet, he was born in Brittany
allowed women to pen their thoughts for the first time. Buddhism offered women the opportunity to break away from the restrictions of home life, a major factor in the rise of Indian women's literature in the early 6th century BC. The earliest known anthology of women's literature in India has been identified as those belonging to the Therigatha nuns, the poets being contemporaries of the Buddha. One of these, Mutta, writes, So free am I, so gloriously free, free from three petty things - from mortar
representative of Yankee attitudes toward the Griersons and thus toward the entire South), and in what is called "the next generation with its more modern ideas" all represented the present time period (Norton Anthology, 2044). Miss Emily was referred to as a "fallen monument" in the story (Norton Anthology, 2044). She was a "monument" of Southern gentility, an ideal of past values but fallen because she had shown herself susceptible to death (and decay). The description of her house "lifting its stubborn
a gigantic Green Knight rides in on a green horse with an immense axe in his hand to offer them a challenge. His offer is: "I shall bide the fist blow, as bare as I sit…….., but in twelve month and one day he shall have of me the same." (Norton Anthology,208) After a moment of consideration, Sir Gawain accepts the terrifying challenge. As he tries to perform the first part of the challenge, he stumbles into an even bigger surprise. As Gawain hits the Green Knight with an ax, the head of the Green
Nuts Which Are Not Nuts in A Book of Showings Note: Because of the specific nature of the text, I thought it might be useful to attach the whole of it on the cover page for perusal at leisure if you so desire. Below is the text from the Norton Anthology of English Literature (p. 295), and under that the assumptions I make in reading the text. The former is directly from the book, and as it is all on one page, I will refrain from noting that page every time I reference the text. If you wish examples
"On Ethnic Definitions" is one of the shortest poems in Eleanor Wilner's anthology Reversing the Spell, but it is arguably one of the most powerful. In "Definitions," Wilner addresses issues of Jewish identity. As the title implies, she defines the Jewish people in ten lines. The nature of her definition is not immediately obvious, however. At first, readers unfamiliar with Jewish theology may believe that Wilner's definition is a bleak one that centers around death. It does at first appear that
Emergent-Emerging Writing An essay written by Paul Valéry is titled "Le Situation de Baudelaire," translated in the Collected English Works as "The Place of Baudelaire." Our translators may have taken liberties here, for if Valéry wanted to say "place" would he not have said "lieu" or "endroit"? "Place" comes via Middle English and Middle French alike from Latin "platea," a street or courtyard, whereas both the English and French "situation" are straight from Latin "situ," place. Why
Shakespeare is widely read and studied. But what is Shakespeare trying to say? Though it seems there will not be a simple answer, for a better understanding of Shakespeare's Sonnet 73, this essay offers an explication of the sonnet from The Norton Anthology of English Literature: That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruined choirs, where late the sweet birds sang. In me thou seest
Imagery and Symbolism in David Guterson’s The Country Ahead of Us, The Country Behind In David Guterson’s anthology, The Country Ahead of Us, The Country Behind, characters are portrayed effectively and succinctly through the imagery of their surroundings. Many of his stories are symbolic in that they reflect relationships and feelings of characters. Guterson’s titles have a more complex and deeper connection to the story than is first apparent. They too are often symbolic of a main character
Elizabeth, being a woman on the throne, had to demonstrate to her people that she was fit to rule the country and would do everything for their best interest. In order to do this, Elizabeth had to seem to be something she was not. The Longman Anthology of British Literature states, "throughout her long reign she cultivated two personas . . . As a monarch, she could speak courageously...; as a woman, she could convey understanding..." (475). In this respect, Elizabeth had to be strong and use her
diversity in his writings and remembered perhaps as well for his individuality, character and generosity as for the various poems, essays, and works of fiction that he contributed to literary world. The Vicar of Wakefield, the selection chosen for the anthology, is not only significant because it is often considered his best work, but also as it is the only novel that Goldsmith ever wrote.2[2] The Vicar of Wakefield is an amusing and captivating tale that follows the life and hardships of the Vicar Primrose
throne hall and in the living room where it would have been viewed by distinguished guests. Because of their location and larger than life size, the reliefs "...instill in the beholder a sense of awe and reverence for the king...." (Art History Anthology 28). Moreover, the reliefs overwhelm the viewer by depicting the king's power and god-like divinity through propagandistic iconography and stylization. To portray the king's god-like divinity, the reliefs represent the deities and Assurnasirpal