Author Jerry Frank explains how art not only captures a beautiful scene, but informs the public on what is considered beautiful. “In this light, the paintings of Thomas Cole, Frederick Church, Albert Bierstadt, and others during the nineteenth century provided more than exquisite examples of landscape art. They infused an idealized natural world with the spirit of God, thereby transforming a hectic and dark wilderness of the imagination into places of perceived beauty and reverence. To those fortunate
Albert Bierstadt has mostly painted landscaping or valleys. All his paintings were oil canvases; his canvases were huge and have dramatic colors like green, blue yellow and etc. He was born in Germany and moves to Massachusetts were he did some of his paintings. Later on, he then moved back to Germany and went to the Royal Academy for landscaping painters with Andreas Achenbach and Karl Friedman Lessing. The group travelled together and painted some views. They also went with Albert Bierstadt and
Can’t wait for this new land we’ve all been talkin’ about for the past few days, the new life is not too far away and what the future holds for us. Let us continue towards the bright and golden sun of hope. Emigrants Crossing the Plains by Albert Bierstadt simply seems to exemplify a group of travelers moving through the American flatland outside of Fort Kearney. However, ... ... middle of paper ... ...nown as the Hastings Cutoff. It is seen here that the emigrants are no match for the natural
Albert Camus' The Stranger What if the past has no meaning and the only point in time of our life that really matters is that point which is happening at present. To make matters worse, when life is over, the existence is also over; the hope of some sort of salvation from a God is pointless. Albert Camus illustrates this exact view in The Stranger. Camus feels that one exists only in the world physically and therefore the presence or absence of meaning in one's life is alone revealed through
Masculinity, Femininity and Simone Benmussa’s Singular Life of Albert Nobbs The semiotics of traditional theatrical form reinforce an oppressive patriarchal system. The physical body becomes the catalyst by which gender is assigned and expected. This emphasis on the body is amplified in the theater. Simone Benmussa’s play The Singular Life of Albert Nobbs, adapted from the short story by George Moore, deals with issues of femininity and masculinity and how these are portrayed within the theater
The Contemporary Relevance of Albert Camus ABSTRACT: After 350 years of continual social transformations under the push of industrialization, capitalism, world-wide social revolutions, and the development of modern science, what reasonably remains of the traditional faith in divine transcendence and providential design except a deep-felt, almost 'ontological' yearning for transcendence? Torn between outmoded religious traditions and an ascendant secular world, the contemporary celebration of
they form a huge puddle and eventually roll away. The result is a chain reaction: the larger rain drops influence others, serving as catalysts in society. However, droplets alone, are fragile and vulnerable. In Franz Kafka's The Metamorphosis and Albert Camus' The Stranger, the significant role of communication is portrayed through two extreme examples. Miscommunication causes serious consequences leading to alienation and discrimination within a society like the lonesome raindrops, aloof and out
Celie and Albert in The Color Purple The relationship between Celie and Albert went through many changes throughout this novel. Albert, or Mr._________, was a man who seem to be a person who was very angry, powerful and hateful. His father was a man who believed that love was not the point while trying to find a good wife, obedience was. The woman didn't have to be attractive, rich or one who was in love, all she had to do was cook, clean and tend to the children. Albert was taught that this was
Albert Schweitzer once said, "I don't know what your destiny will be, but one thing I do know. The only ones among you who will be truly happy are those who have sought and found how to serve."12 Schweitzer was a true citizen of the world. Already known as a brilliant expert in music and theology, he decided to study to become a medical doctor to help people who were suffering. He believed in showing love and compassion toward all living things, which he called reverence for life.'1 When Schweitzer
All of the characters in The Plague and Waiting For Godot exist in their fictional worlds. However, none is able to explain why. Neither work gives the reader an explanation of human existence except to say that humans exist. Providing an answer to the question of existence would constitute a paradox. To an existentialist, if you answer the question, then you've missed the whole point. Existentialism is a philosophy that emphasizes the uniqueness and isolation of the individual experience in a
The Life of Albert Einstein Albert Einstein was born on March 14, 1879, in Southern Germany. One year after his birth his fathers business failed, so the family moved to Munich, and began a new business manufacturing electrical parts. His parents Hermann and Pauline were of Jewish descent, but were very lax regarding religion. The Einstein’s sent Albert to a Catholic grade school. Albert’s first scientific revelation came when he was five years of age, and his father showed him a pocket
Albert Einstein's Theory of Special Relativity The theory of Special Relativity, written by Albert Einstein in 1905, describes the laws of motion at velocities close to and at the speed of light. It was written to make the laws of motion consistent with the laws of electromagnetism. Special relativity makes two postulates: the laws of physics are the same for all non-accelerating observers and the speed of light in a vacuum is constant, regardless of motion. One of the consequences of these
The Verdict on Albert Camus’s The Fall As if to mock the crumbling principles of a fallen era, “The Just Judges” preside over a solemn dumping ground of earthly hell. This flimsy legion of justice, like the omnipresent eyes of Dr. T.J. Eckleburg in F. Scott Fitzgerald’s The Great Gatsby, casts a shadow of pseudo-morality over a land spiraling towards pathos. But Albert Camus’s The Fall unfolds amidst the seedy Amsterdam underground--a larger, more sinister prison than the Valley of Ashes,
Albert Camus': "Summer in Algiers" This early essay by Albert Camus presents an eloquent picture of his understanding of what it means to know. But in order for us to assimilate it, we must recognize that Camus is not celebrating a hedonic naturalism, nor engaging in an existential anti-intellectualism. Rather, his articulation of lucidity and the exemplification of it in the artistry of the essay itself presents us with a challenging concept of knowledge. I attempt to explicate this concept with
The Sun Motif in The Stranger Many artists, authors, and composers have put the beauty and warmth of the sun in their work. The Dutch painter Vincent van Gogh created landscapes that expressed his joy with bright sunshine. The American poet Emily Dickinson wrote a poem called "The Sun," in which she described the rising and setting of the sun. The Russian composer Nicholas Rimsky-Korsakov included a beautiful song, "Hymn to the Sun," in his opera The Golden Cockerel. Uniquely, Camus' usage of
Unemotional Meursault in Camus’ The Stranger (The Outsider) In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist
The Value of Life in Camus' The Stranger (The Outsider) In Albert Camus' existentialist novel “The Stranger,”the alienation of Meursault from society conveys to the reader the theme of the novel: In light of the lack of a higher deity, all promise of value rests in life itself. To express this theme, Camus develops Meursault’s persona, satirizes many institutions, alludes to religion, and creates many moral and ethical questions. The universal nature of these questions reveal why “The Stranger”
Hopelessness in Albert Camus' The Plague and Samuel Beckett's Waiting for Godot Does Existentialism deny the existence of God? Can God possibly exist in a world full of madness and injustice? Albert Camus and Samuel Beckett address these questions in The Plague and Waiting for Godot. Though their thinking follows the ideals of existentialism, their conclusions are different. Camus did not believe in God, nor did he agree with the vast majority of the historical beliefs of the Christian religion
Albert Camus is one of the most renowned authors in the twentieth century. With works such as Caligula, The Stranger, Nuptials, and The Plague, he has impacted the world of literature to a great extent. This great success was not just "given" to him "on a silver platter" however. He endured many hardships and was plagued with great illness in his short life. Camus is a great role model and idol for us all. 	Camus was born into poverty on November 2, 1913 in Mondovi, Algeria (a former French colony
Christian nobleman and an existential, indifferent common man separated by roughly four hundred years have in common? Furthermore, what could Sir Thomas More, an eventual saintly martyr as portrayed in Robert Bolt’s A Man For All Seasons, and Albert Camus’ Meursault from The Outsider, an apparent murderer who does not believe in God, possibly have in common? For starters, both men have led similar lives in a search for the truth, and have very strong personal belief systems. It is for this