Procedural Approach Versus The ADDIE Model Similarities Between Both ISD Curriculum approaches significantly influences a teacher 's value and the nature of learning for a student in the classroom (Coleman, 2015). Moreover, curriculum methods provide educators with the skills to developing creative, useful curriculum that is building a better discernment of a subject matter or a stronger connection across fields in everyday life. According to Marsh and Willis (2007) all learning is arranged and
Addie Bundren in William Faulkner’s As I Lay Dying Woman is the source and sustainer of virtue and also a prime source of evil. She can be either; because she is, as man is not, always a little beyond good and evil. With her powerful natural drive and her instinct for the concrete and personal, she does not need to agonize over her decisions. There is no code for her to master, no initiation for her to undergo. For this reason she has access to a wisdom which is veiled from
A Feminist Perspective of Addie Bundren of Faulkner's As I Lay Dying Addie Bundren of William Faulkner's As I Lay Dying has often been characterized as an unnatural, loveless, cold mother whose demands drive her family on a miserable trek to bury her body in Jefferson. For a feminist understanding of Addie, we have to move outside the traditional patriarchal definitions of "womanhood" or "motherhood" that demand selflessness from others, blame mothers for all familial dysfunction, and only lead
comes right after his mother Addie’s death. Frightened, he runs out of the house and tries to rationalize what has just happened. He describes his earlier chore of gutting and chopping up a fish in the yard and then directly relates this experience to Addie: “If I jump off the porch I will be where the fish was, and it all cut up into not-fish now. I can hear the bed and her face and them and I can feel the floor shake when he walks on it that came and did it” (53-54). Here, Vardaman is confused as to
breaks a sweat again. Anse becomes lazy, and turns Addie into a baby factory in order to have children to do all the work. Addie is inbittered by this, and is never the same. Anse is begrudging of everything. Even the cost of a doctor for his dying wife seems money better spent on false teeth to him. "I never sent for you" Anse says "I take you to witness I never sent for you" (37) he repeats trying to avoid a doctor's fee. Before she dies Addie requests to be buried in Jefferson. When she does,
with the “reality” of what was happening was with Cora and Darl. “He did not answer. He just stood and looked at his dying mother, his heart too full for words.” This is how Cora views Darl, as a kind and loving son, the private favourite and love of Addie. Darl however, appears to be indifferent to his mother and the three dollar load. Everyone else knows that Jewel is, in fact, the favourite child; this makes the characters unreliable in relaying the actual events to the reader. Each monologue is “clouded”
to predatory birds in order to expose the similarities of the nature and behavior, of the human and the animal species. Anse resembles a vulture when Addie first sees him. She describes him as a tall bird hunched in the cold weather (170). Anse is often depicted as having a humped, motionless, and cold silhouette (51-52). While he gazes at Addie lying in bed, he partakes an "owl-like quality of awry-feathered, disgruntled outrage within (49)." Anse is often unshaven, dirty, seeming dark and dreary
difference between the characters Anse and Addie appears in his/her contrasting depiction of word meaning. According to the mother, Addie, words are bad and do not signify their designated meaning. In comparison, her husband, Anse, continually stresses and believes in his spoken promise or word to bury Addie in Jefferson. Incidentally, the juxtaposition between the two character’s theories of word meaning emphasizes an alternative comical view toward the burial of Addie. Her burial is sacred to the family
that contribute to or cause the breakdown of their relationship. Anse Bundren is a poor farmer, who was married to Addie for more than thirty years. He is lazy and selfish and relies greatly on his family and friends. Anse’s selfishness is what separates him from his two sons-Darl and Jewel. For example, the journey to Jefferson, to bury his dead wife was a promise he made to Addie, but his continued perseverance to better himself reveals his true selfishness. Despite the trials along the way and
during the journey to Jefferson, however, readers know that everything did not go as planned. Darl, the most rational of the group, “goes off the deep end”, so to speak because of his mother’s death. While Darl and Jewel are away getting Tull’s horses, Addie dies and Darl can see what is going on back at home. His omniscent nature makes him a wonderful narrator becau...
shown very well In this chapter Darl uses a flashback to let us get a more in-depth look at the Bundren family; to let us see why it is so "dysfunctional." In this chapter we learn more about the relationships within the family, and more about Addie, about whom we previously have not learned much. We see how keen Darl's sense of intuition is, and we learn an important family secret. Darl is often used as an objective speaker, although he is indeed involved with the situation he is speaking
was even awarded the Nobel Prize for Literature in 1949. Until death, Faulkner continued to create works of literature, including both short stories and novels. The Bundren family has recently suffered the loss of their most beloved mother, Addie. When Addie was young and fresh out of labor with her second of five children, she made her husband promise that when she died he would burry her in Jefferson, the town where Addie’s family lived. Generally Jefferson was a one or two day trip, but when a
returned just in time to meet Peabody, the doctor, going into his house. He is instructed, by Dewey Dell, to clean and gut the fish, and to get it ready for her to cook for dinner. This scenario sets us up for our first insight into the mind of Vardaman. Addie dies shortly after Vardaman arrives home, and, because Peabody had arrived on the scene directly before the incident, Vardaman decides that Peabody is the offending party in the death of his mother. The incident that follows reveals Vardaman’s aptitude;
The action of William Faulkner's As I Lay Dying is simple: Addie Bundren dies; and in answer to her wishes, the body is taken for burial to Jefferson, some forty miles away. But the weather intervenes, and floodwaters require that the cortege take detours. Some nine days pass before the coffin, which before long clearly announces its passing to neighboring places, is finally laid to rest. These days involve battling flood water and a fire set by one of the children, the threat of buzzards, the hazards
in that though they all reveal information about the Bundren family and their struggles to exist they are all limited by the perspective of the character providing the revelations. The story centers on the death of the mother of the Bundren clan, Addie, whose imminent death creates fragmentation and chaos in the Bundren family because Anse, Addie's husband, has promised to travel to Jefferson to bury her with her family. Floods, fires, injuries and poor decisions mar the journey, but the family
different characters in 59 chapters (Tuck 35). Nearly half (7) of the characters from whose perspective the story is narrated are members of the same family, the Bundrens. The other characters are onlookers of the Bundrens’ journey to bury their mother, Addie. Each character responds to the events that are unfolding in a unique way and his or her reactions help to characterize themselves and others. “…each private world manifests a fixed and distinctive way of reacting to and ordering experiences” (Vickery
The Nature of a Crazy Family in Faulkner’s As I Lay Dying "My mother is a fish." (p. 79) I think that this statement typifies the entire family. There is something not-quite-right about all of them. Vardeman, as Cora Tull says on page 70, is "outen his head with grief and worry" for his mother. He has confused her with the fish because they both died on the same day. In his child's mind he cannot differentiate between the two. Throughout the novel he refers to his mother as a fish, as on
Point of View in Eudora Welty’s A Visit of Charity Every now and then point of view is worth writing about, because only every now and then is point of view actually seriously considered. In Eudora Welty’s “A Visit of Charity,” the third-person limited point of view of the little girl, Marian—her self-consciousness, descriptions, and fear—exactly portray what a little girl might experience in a nursing home. To Marian, this is probably the first time in a nursing home. She is there simply
Dying Addie Bundren conjures up the central darkness derived from her death and directly or indirectly causes actions in which each Bundren character takes advantage of Addie. With the character's actions revolving around her death, William Faulkner's As I Lay Dying reveals the truth about the people who surround a person may take advantage of him or her. The death of Addie Bundren shapes all of the character's actions in life including Addie's final request before her death. Addie takes advantage
eating bananas out of a sack, and sitting around a record player at home. There were two members of the family, however, with no ulterior motives for going into town. Jewel and Darl seem to have no object in getting to town other than the burial of Addie Bundren. Both Darl and Jewel have special connections with their mother. It is tempting to draw the conclusion that Darl loved his mother the most. He narrated the majority of the chapters in the novel, and as readers we grow most accustomed to his