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opionions of thomas hardy
BIOGRAPHICAL SKETCH OF THOMAS hardy
BIOGRAPHICAL SKETCH OF THOMAS hardy
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Thomas Hardy’s novels frequently shift on dastardly turns of chance. Wrong turns and minor mishaps on the way to churches, mistaken impressions of deaths, unexpected inheritances, and unreceived letters all affect the outcomes of the decisions made by the characters in Hardy’s fiction. These twists of luck outside the character’s control makes judging the morality of their actions more complex. Should Hardy’s characters be judged by their actions or their intentions? Chengping Zhang asserts in “Moral Luck in Thomas Hardy's Fiction” that Hardy uses “moral chance” to cause readers to question their moral judgments. Some critics and moral readers disagree with Zhang and follow a Kantian ideology and argue that characters should be judged by their intentions. A close reading of “Hap” reveals that Hardy believes that chance is a fact of life and that it cannot mitigate or excuse personal moral responsibility. Hardy’s denial of an all powerful presence directing his life and acceptance of chance implies personal responsibility. The concept of personal responsibility expressed in Hap is supported by moral judgments of the narrator and protagonist of Hardy’s own novel Far From the Madding Crowd. Hap concludes “Hap” with the stirring declaration that “These pureblind Doomsters had as readily strown / Blisses about by pilgrimage as pain.” (13-14). Hardy uses this declaration to assert that mortal men and women have little control over the quality and content of their lives. However, Hardy does not use this lack of control to excuse or justify the joys or pains of life. In “Hap”, Hardy stoically accepts chance as a part of life, neither condemning it nor disputing its control. Hardy’s acceptance of chance shows that men are ultimately respon...
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...od that is found in accepting the chance happenings of the world and working through them. Gabriel’s eventual marriage to Bathsheba shows that, although it is rare, a man can overcome chance and find bliss in a world overrun with misery.
“Hap” articulates Thomas Hardy’s denial of fate and the morality of actions in the face random chance. The lack of appeal or excuse is the true indicator of Hardy’s belief in personal responsibility for ones actions in a world ruled only by chance. Hardy’s extreme emphasis on acceptance and lack of excuse shows the need for personal moral responsibility for ones actions. This concept is readily seen not only in the Far From the Madding Crowd but also in many of his other narratives. In “Hap” Hardy makes an eloquent statement on the condition of the Victorian world and offers his opinions on how best to endure life in it.
Hardy attempts to illustrate Michael as a common man, which ultimately serves his purpose of exposing the archetypal and somewhat psychological realities of typical, everyday people. According to archetypal literary critics, “archetypes determine the form and function of literary works and … a text's meaning is shaped by cultural and psychological myths.” For that reason, Henchard is a perfect example of the archetypal fall because Thomas Hardy is demonstrating how Henchard reacts to situations like a real person would and that life is not always as simple as it is depicted in fictional fairytales. The archetype of Michael’s fall functions as Hardy’s vehicle to relay the meaning behind his work.
Although these literary works have a bleak perspective that societal values are insuperable, the characters in “The Garden Party” and “Shooting an Elephant” feel guilty for ignoring their personal moral obligations. In contrast, the main characters in “A Cup of Tea” and “July’s People” remain blissfully unaware of their blatant disregard of an ethical code; they cannot even recognize the immoral nature of their actions as it has become second nature.
With this, his last novel, Hardy is moving away from the convention of the "inner life of the characters to be inferred from their public behavior" (Howe 513), so, although Sue...
Throughout history, the effects of guilt on society have often prompted writers to express their emotions, beliefs, and ways they approach life through their literary works. While some authors use the concept of guilt to express their feelings and attract readers, other authors, like Nathaniel Hawthorne and Edgar Allan Poe, use the convention of guilt to teach the society a lesson. Like in Hawthorne?s ?Dr. Heidegger?s Experiment? and Poe?s ?The Masque of Red Death?, both authors employ the theme of guilt to teach a common lesson to the society that one cannot escape guilt. While Hawthorne primarily focuses on the idea of initiation in his story to teach that people cannot forget their guiltiness from their past, Poe utilizes the concept of alienation to teach that people must overcome their guilt, or else their guilt will plague them for the rest of their lives. However, both these concepts of initiation and alienation will later converge into a unified theme and lesson of guilt.
Throughout the course of her work, Persuasion, Jane Austen offers much insight into the social aspect of English life at the beginning of the 19th Century. Austen’s characters, through their lives, demonstrate how the landed aristocracy has seen their dominant grasp on the social scene loosened. In addition, through various degrees of personal illnesses, Austen’s characters portray the human body as fragile and delicate creation. Yet as separate and distinct as these two themes may seem, Austen relates them to each other in the theme of sickness; the aristocracy has taken a turn for the worse in light of the successes of the navy in the war, while the individual characters suffer through relations’ deaths and personal injury to their bodies. Within Persuasion, Austen demonstrates how sickness has pervaded the established English order of life on both the societal and personal levels.
... of the works of D.H. Lawrence Study of Thomas Hardy and Other Essays, D. H. Lawrence, page 99, Cambridge University Press, 25 Jul 1985
Romantic literature, at its very essence, attempts to deal with the subject of human nature (Wang, 2011). Both Mary Shelley’s ‘Frankenstein’ and Herman Melville’s ‘Moby-Dick,’ being Romantic texts, each offer their own perspective on the true essence of humanity. While their perspectives are largely similar due to the era they originated in, with both reasoning that humanity possesses an excessive pride in the desire to exceed its limits that is capable of immense devastation and corruption of others (Penguin Group, 2011; Ross, 2001), they are also somewhat different when it comes to the ability characters possess to recognise the damage they cause (eNotes.com, 2010; Macmillan Publishers Ltd., 2010), a separating factor that differentiates just how destructive each author believes human nature can be (Kim, 2011).
The history and religious background of Hawthorne’s life exemplifies his penchant for the topic of morality. In Melvin Askew’s article, the author proposes that Hawthorne was specifically concerned with consequences in a life. In Askew’s article, he provides a summation with an insightful statement of Hawthorne’s intention, “…the profound, psychological complex of experience and knowledge that leads to maturity of mind and heart” (Askew). The historical and religious framework must be considered when analyzing Hawthorne’s works.
Colombia University English Professor Mark Van Doren once said that “ the theme in them is moral: an individual violates nature by pursuing his chosen art past the point of human usefulness…he follows his bent so fiercely that he…commits the unpardonable sin…he stands alone in a universe where love is law." The previous statement was about author, Nathaniel Hawthorne’s, stories. After reading the following stories, The Birthmark, The Artist of the Beautiful, Dr.Heidegger’s Experiment, Ethan Brand, and Roger Malvin’s Burial I do agree with what Professor Mark Van Doren had to say for the following reasons. In each of the stories one or more of Van Doren’s points is made. A character that completely goes
In his short fiction, “Young Goodman Brown,” Nathaniel Hawthorne demonstrates how a man isn’t depraved by nature. In fact, the story becomes an allegory of the power of reason and how it can destroy a person’s life, if one only trust on reason alone. Through his tale, Hawthorne is speaking to his intended audience, the Calvinist Puritans, whose belief of predestination, Hawthorne disagrees with. In his attempt to shed light into the past transgression of the Puritan community, regarding the witch trials, Hawthorne is trying to make their wrong doing known through his story. In this story, the main character of the story, Goodman Brown is a representation of the Puritan community, who becomes blinded by his own reliance on reason which leads
The poem's major theme seems to be this sense of the world being ruled by a hostile and blind fate, not by a benevolent God pushing all of the buttons. This is clearly stated within the poem itself as Hardy writes "If but some vengeful god would call to me / From up the sky, and laugh: 'Thou suffering thing, / Know that thy sorrow is my ecstasy, / That thy love's loss is my hate's profiting!' / Then would I bear it, clench myself, and die, / Steeled by the sense of ire unmerited; / Half-eased in that a Powerfuller than I / Had willed and meted me the tears I shed. / But not so." (Hardy, Longman p. 2255: ll. 1-9). As you can see, this poem shows that Hardy has indeed lost all faith in a benevolent God that deals out suffering and joy to his creations as he willfully deems they deserve and need. Instead of this idea of a benevolent God up above pulling all of the strings of the world and dealing out everyone's personal fate, Hardy believes fate is...
One of the most interesting aspects of Victorian era literature reflects the conflict between religion and the fast gathering movement aptly dubbed the enlightenment. Primarily known for its prude, repressed, social and family structure beneath the surface of the Victorian illusion many conflicting, perhaps even radical, ideas were simmering and fast reaching a boiling point within in the public circle. In fact writers such as Thomas Hardy and Gerald Manly Hopkins reflect this very struggle between the cold front of former human understanding and the rising warm front know only as the enlightenment. As a result we as readers are treated to a spectacular display of fireworks within both authors poetry as the two ideas: poetics of soul and savior, and the poetics of naturalism struggle and brutality, meet and mix in the authors minds creating a lightning storm for us to enjoy.
Thomas Hardy was a famous author and poet he lived from 1840 to 1928. During his long life of 88 years he wrote fifteen novels and one thousand poems. He lived for the majority of his life near Dorchester. Hardy got many ideas for his stories while he was growing up. An example of this was that he knew of a lady who had had her blood turned by a convict’s corpse and he used this in the story ‘The Withered Arm’. The existence of witches and witchcraft was accepted in his lifetime and it was not unusual for several people to be killed for crimes of witchcraft every year.
Clarke, R. (n.d.). The Poetry of Thomas Hardy. rlwclarke. Retrieved February 1, 2014, from http://www.rlwclarke.net/Courses/LITS2002/2008-2009/12AHardy'sPoetry.pdf
Hardy originated from a working class family. The son of a master mason, Hardy was slightly above that of his agricultural peers. Hardy’s examination of transition between classes is usually similar to that of D.H. Lawrence, that if you step outside your circle you will die. The ambitious lives of the characters within Hardy’s novels like Jude and Tess usually end fatally; as they attempt to break away from the constraints of their class, thus, depicting Hardy’s view upon the transition between classes. Hardy valued lower class morals and traditions, it is apparent through reading Tess that her struggles are evidently permeated through the social sufferings of the working class. A central theme running throughout Hardy’s novels is the decline of old families. It is said Hardy himself traced the Dorset Hardy’s lineage and found once they were of great i...