One of the major themes surrounding the Man 'yōshū is the concept of loss and separation as it relates to both people and nature, this theme is explored throughout the texts and explores it’s complicated effect on love and people. This theme also touches on people’s responsibility to nature and love in this context of the inevitability of loss due to the permeance of time. The Man 'yōshū’s historical relevance as one of Japan’s oldest surviving poetry anthologies and its subsequent “immortalization” provides a very unique context. A context in which we have the ability to look into a very different culture and time and the concepts and observations they were pondering about the world around us and the reality we face. There are many examples …show more content…
“We pluck and marvel for sheer joy. And the ones still green, sighing, leave upon the boughs…” (14-16). This emphasis on nature reflects the respect and connection to the natural world the culture was trying to convey in their poetry. The colorful and illustrative descriptions of the physical world are indicative of the mindset and focus of these poems. Namely the fact that they were concerned with the world around us and the reality we experience as opposed to that of abstract concept of god or the supernatural as seen in other historical texts. This focus on nature is important because it sets the context in which the major theme of loss and separation originate from. In this poem the poet chooses to emphasize the passing of time in the choice of comparing the two seasons. Spring, in which life begins a new, and fall, in which the leaves begin to fall off and die. The poem reads “And the ones still green, sighing, leave upon the boughs- Those are the ones I hate to lose. For me, it is the autumn hills” (15-18). This juxtaposition of these two …show more content…
Kakinomoto begins by describing the history of the land and the rulers and then shifts his gaze to the physical ruin emphasizing the effect and return of nature in the place where the palace once stood. “Where now spring grasses Choke the earth in their rife growth, and mists rise up” (31-33). We see a reversal of the meaning of nature, whereas in princess Nukata’s poem she uses nature to symbolize both death and rebirth, Hakinomoto uses it to emphasize the inevitability of loss. This emphasis on nature further showcases the cultural awareness of time and its inevitability. It’s this awareness of loss that seems to affect the poet’s perception of the past and what exactly is lost. The poet laments, speaking the grandness of the palace and the rulers who were located there only to be reminded that even the most beautiful palace and sage rulers eventually fade away. While the Kakinomoto acknowledges this loss, he is still emotionally moved, “Where once the mighty palace stood, And it is sad to see.” (35-36) It’s also important to note that this questioning of values and meaning in relation to the inevitability of time is a very prominent theme that’s surfaced throughout the ages even in today’s modern western literature. Further questions are posed or implied while observing life through the context of loss as in the Man 'yōshū. For example, with the
Throughout the lives of most people on the planet, there comes a time when there may be a loss of love, hope or remembrance in our lives. These troublesome times in our lives can be the hardest things we go through. Without love or hope, what is there to live for? Some see that the loss of hope and love means the end, these people being pessimistic, while others can see that even though they feel at a loss of love and hope that one day again they will feel love and have that sense of hope, these people are optimistic. These feelings that all of us had, have been around since the dawn of many. Throughout the centuries, the expression of these feelings has made their ways into literature, novels, plays, poems, and recently movies. The qualities of love, hope, and remembrance can be seen in Emily Bronte’s and Thomas Hardy’s poems of “Remembrance” “Darkling Thrush” and “Ah, Are you Digging on my Grave?”
For each seasonal section, there is a progression from beginning to end within the season. Each season is compiled in a progressive nature with poetry describing the beginning of a season coming before poetry for the end of the season. This is clear for spring, which starts with, “fallen snow [that] lingers on” and concludes with a poet lamenting that “spring should take its leave” (McCullough 14, 39). The imagery progresses from the end of winter, with snow still lingering around to when the signs of spring are disappearing. Although each poem alone does not show much in terms of the time of the year, when put into the context of other poems a timeline emerges from one season to the next. Each poem is linked to another poem when it comes to the entire anthology. By having each poem put into the context of another, a sense of organization emerges within each section. Every poem contributes to the meaning of a group of poems. The images used are meant to evoke a specific point in each season from the snow to the blossoms to the falling of the blossoms. Since each poem stands alone and has no true plot they lack the significance than if they were put into th...
The poem “Thanatopsis” by William Cullen Bryant reveals a very unusual aspect of nature. While most people think of nature as beauty and full of life, Bryant takes a more interesting approach to nature. He exposes a correlation between nature, life, death, and re-birth. Using nature as a foothold, Bryant exercises methods such as tone, setting, and imagery in a very intriguing way while writing “Thanatopsis.”
The poem, “Field of Autumn”, by Laurie Lee exposes the languorous passage of time along with the unavoidability of closure, more precisely; death, by describing a shift of seasons. In six stanzas, with four sentences each, the author also contrasts two different branches of time; past and future. Death and slowness are the main motifs of this literary work, and are efficiently portrayed through the overall assonance of the letter “o”, which helps the reader understand the tranquility of the poem by creating an equally calmed atmosphere. This poem is to be analyzed by stanzas, one per paragraph, with the exception of the third and fourth stanzas, which will be analyzed as one for a better understanding of Lee’s poem.
Frost uses a religious allusion to further enforce the objective of the poem. Whether Frost's argument is proven in a religious or scientific forum, it is nonetheless true. In directly citing these natural occurrences from inanimate, organic things such as plants, he also indirectly addresses the phenomena of aging in humans, in both physical and spiritual respects. Literally, this is a poem describing the seasons. Frosts interpretation of the seasons is original in the fact that it is not only autumn that causes him grief, but summer.
“Death, the end of life: the time when someone or something dies” (Merriam-Webster, 2014). The definition of death is quite simple, the end of life is inescapable. I chose to write about death and impermanence because it is something we all must inevitably face. People often deal with death in a number of different ways. Although it is something that we must eventually face, it can be hard to come to terms with because the idea can be hard to grasp. Some of us fear it, others are able to accept it, either way we all must eventually face it. In this essay I will look at two different literary works about death and impermanence and compare and contrast the different elements of the point of view, theme, setting, and symbolism. The comparison of these particular works will offer a deeper look into words written by the authors and the feelings that they experiencing at that particular time.
As the first poem in the book it sums up the primary focus of the works in its exploration of loss, grieving, and recovery. The questions posed about the nature of God become recurring themes in the following sections, especially One and Four. The symbolism includes the image of earthly possessions sprawled out like gangly dolls, a reference possibly meant to bring about a sense of nostalgia which this poem does quite well. The final lines cement the message that this is about loss and life, the idea that once something is lost, it can no longer belong to anyone anymore brings a sense...
age. The poem later personifies Autumn as "sitting careless on a granary floor" (14). Granaries hold grain that has already been harvested and threshed. It is in the last phase of its existence before its "death" by consumption. Likewise, old age is the last phase of human existence. Also, a common characteristic of old age is baldness. In the poem, autumn's hair is "soft-lifted by the winnowing wind" (15). To winnow something to is eliminate the unnecessary parts, like chaff from grai...
The theme throughout the poetry collection is the emotion of melancholy and the speaker speaking with a wise and philosophical tone. She has also used the repetition of nature and religion-based implications in her poems. Most of the poem titles is named after a specific plant because it fits in the meaning of her entire poem collection. The title of the poems hold symbolism because of the flower language. You can constantly see the cycle of rebirth through the beautiful description of a nonphysical form of a soul and develop into beautiful flowers in her garden. The vivid imagery of the flowers by describing the color and the personification of these living beings. She is also trying to explore the relationship between humans and their god. The poet is a gardener who tends to the flower and she prefer the flowers in her garden over her god, “knowing nothing of the
Death is a great wave whose shadow falls upon the lives of all beings below Olympus. Amidst this shadow and its immediacy in war, humans must struggle to combat and metaphysically transcend their transitory natures. If they fail to forge a sense of meaning for themselves and their people in what often seems an inexorably barren world, they are lef...
One of the oldest and most prominent issues that mankind has faced throughout history is that of their own mortality. In every society mankind has wrestled with the inevitable problem of their eventual death, and literature often reflects each society’s take on their mortality. For instance one of the most pronounced motifs in the epic poem Beowulf is the impending doom that each and every character knows will eventually come for them. This is most clearly illustrated by the protagonist himself in his dialogue with other characters. It is also perpetuated by the compelling need for glory and renown that many of the characters continuously search for. Lastly, the issue of mortality is presented by the preeminence of the history of the clans
It is nature that destroys humankind when the sun disappears and the volcano erupts in “Darkness” and in “Ozymandias,” it is the sand and wind that causes the statue to fall. In Byron’s poem, humans lose the fight for their lives, and in Shelley’s poem, Ozymandias’s statue is powerless because it is lifeless, emphasizing the importance of the themes of life and death to the shared topic of destruction. Although they explore destruction using different language, they share the use of ideas about the destruction of civilization, and the fall of humankind because of nature, life and
In Noh there are many things that are significant, and that have deeper meanings. For instance the simple way that they walk, sing, and move all mean something more. While doing the presentations on a Noh play I noticed something beautiful about the play that I had chosen. Spring was mentioned a lot, it had many cameos in the play. In Yuya the entire back story of the play is the discussions of going to see the cherry blossoms. Spring in Japan means a whole lot more than just another season. It means new life, and new beginnings, a way for family to come together and start anew. So while taking this course I really picked up on the seasonal aspect of Noh whether it be spring, autumn, summer, or winter. Each setting gave a new feeling of how people reacted, and it’s true in real life also. So in this essay even though spring will be the main topic I will be discussing all of the seasons and what they mean in Japanese culture, with some symbolic things and Noh examples also.
Paul Celan composed his feelings for his mother regarding both her life and her passing in his poem “Aspen Tree.” The entire work is a vessel for his emotions toward her early departure and comparisons of the life she lived with various objects in nature. However, one emblem in particular perfectly represents Celan’s idealization of his mother. It can be argued that Celan uses the dandelion to epitomize his mother’s life because it highlights his themes of transiency, the light of life within darkness, and the cheating nature of death. Comparison between the dandelion, other wonders in nature, and his mother’s life support this claim as well as contextual hints from the piece itself.
Robert Frost is known for his poems about nature, he writes about trees, flowers, and animals. This is a common misconception, Robert Frost is more than someone who writes a happy poem about nature. The elements of nature he uses are symbolic of something more, something darker, and something that needs close attention to be discovered. Flowers might not always represent beauty in Robert Frost’s poetry. Symbolism is present in every line of the nature’s poet’s poems. The everyday objects present in his poems provide the reader an alternative perspective of the world. Robert Frost uses all the elements of poetry to describe the darker side of nature. After analyzing the Poem Mending Wall and After Apple Picking it is clear that nature plays a dark and destructive role for Robert Frost. This dark side of Frost’s poetry could have been inspired from the hard life he lived.