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fate in literature
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Merriam Webster defines the word idealist as “one guided by ideals; especially: one that places ideals before practical considerations.” Throughout the novel Catherine clearly displays characteristics of idealism, such as her overly romantic ways, and her inability to often think rationally. In the novel while talking about other girls Frederic has been with, Catherine says “It’s alright. Keep right on lying to me. That’s what I want you to do.” She asks to be lied to by Frederic, even though what he is saying is clearly not true and he is not even actually in love with her yet. This seems irrational and unrealistic but her romanticism outweighs her ability to think clearly. Later on in the novel Catherine and Frederic also contemplate being married legally, but Catherine does not seem to particularly care, since they are already “married” in her mind. She does not see any reason to make it legal even though they are risking becoming pregnant out of wedlock, which in fact does happen later in the novel. While most women at that time would insist on being married, especially if they were having relations as Frederic and Catherine were, her idealistic manner keeps her from thinking marriage is necessary. Catherine clearly lets her heart guide her throughout the novel, and although it is not always correct or rational, she does remain true to her ideals, making her a true idealist. Fate plays an immense role in A Farewell to Arms with Catherine and Frederic as a couple, but also with Frederic on his own. For example, If Lt. Henry had not gone to meet Catherine with Rinaldi the novel would not have even had a story. Also, when Frederic gets seriously injured and is taken to the hospital, it as if fate steps in, by putting Catheri... ... middle of paper ... ...Catherine are not married. She tries to comfort Ferguson instead of becoming angered, as Frederic does. Also when fleeing to Switzerland Catherine keeps her calm to successfully acquire visas so that they can stay and Lt. Henry will not be captured. The most obvious place in the novel where Catherine shows she is not scared of death and how well she remains graceful, even under pressure is during her painful labor. She does her best to stay positive even though she becomes certain she is going to die, and she is constantly reassuring Frederic. She says everything from “Don’t mind me, darling. Please don’t cry. Don’t mind me,” to “Don’t worry darling, I’m not a bit afraid. It’s just a dirty trick,” in hopes of comforting Frederic. Even though she is in great pain she is not thinking about herself, but instead Frederic just as she does for the duration of the novel.
Henry and Catherine hold a steady, loving and trustworthy relationship even through the tough times of war. Even though there are disputes on whether Henry and Catherine really loved each other, they held a good relationship. They tended to each others needs. Catherine took it slow while Henry wanted to rush into things to quickly. "Hello," I said. "When I saw her I was in love with her. Everything turned over inside of me." (91) Catherine and Henry were inseparable. Throughout the novel, their relationship became more serious and Henry had finally decided that he was in love with Catherine Barkley. "I really love you. I'm crazy about you." (92) This quote displays how Henry just can't get enough of Catherine how he wants to rush into things to quick. Henry doesn't like Catherine for who se really is but is taken over by the power of her looks.
Catherine has an extremely naive, novel-like view of love. “[Henry’s] name was not in the Pump-room book, and curiosity could do no more. He must be gone from Bath.yet he had not mentioned that his stay would be so short! This sort of mysteriousness, which is always so becoming in a hero, threw a fresh grace in Catherine's imagination around his persona and manners, and increased her anxiety to know more of him,” (34-35). She is obsessed with Henry’s “mysteriousness”, not so dissimilar to the heroines in her novels, who were all in love with tall, dark and mysterious men. Although her naivete and imagination almost get her in trouble with Henry when she thinks his father has killed his mother, her naive obsession with him is the only reason their relationship ever
As a famous author Ernest Hemingway has been credited for the creation of multiple critically acclaimed books. One in particular, A Farewell to Arms, while having received its fair share of approval, has also received multiple threats throughout the years to be banned by certain organizations and school systems. As respectful as I am on these groups’ opinions, I myself cannot help but disagree with their statements and viewpoints. In my point of view the book should not be banned because while it may contain some undesirable components, it is overall a moderate work of literature that has a deep foresight into heartfelt issues such as war, life, and love.
The love story is circled around two people, Frederic Henry and Catherine Barkley. Frederic is a young American ambulance driver with the Italian army in World War I. He meets Catherine, a beautiful English nurse, near the front of Italy and Austria. At first Frederic’s relationship with Catherine consists of a game based on his attempts to seduce her. He does make one attempt to kiss her, and is quickly slapped by an offended Catherine. Later in the story, Frederic is wounded and sent to the American hospital where Catherine works. Here he finds a part of him he has never had before, the ability to love. This is where his feelings for Catherine become extremely evident. Their relationship progresses and they begin a passionate love affair.
Catherine is put into several events full of pressure, and she reacts gracefully and with courage. “People have babies all the time. Everybody has babies. It’s a natural thing” (138). After finding out she is pregnant, Catherine does not seem to worry about herself or the baby, and is more worried Frederic will be upset or feel trapped. She takes it upon herself, and tells him she can have the baby on her own, Frederic does not have to be there, and she will be fine. "I'm not afraid of it though. I won't die darling" (319). Catherine says this during the delivery of her son, where she experiences several complications and outstanding pain. She reassures Frederic that she will be okay, and not die. The complications of the delivery worsen as the book ends. She is graceful although this situation is demanding and full of pressure, she continues being courageous and brave through the entire delivery. Catherines courage is displayed throughout this book as well as her grace under
Death is often represented by traditional symbols ranging from the color black to the common tombstone. Besides these icons, other signs can stand for mortality including rain. In A Farewell to Arms, Ernest Hemingway associates rain with death many times. Although rain is not usually considered a symbol of death, the main character Fredric Henry discovers this natural occurrence is a personal theme he relates with death.
Fate is a supernatural force that will rearrange the timing of events beyond the control of anyone to lead to a particular outcome. Some people believe that it is fate that determines our destiny, others believe that it is determined by ones self. In Romeo and Juliet by William Shakespeare, fate is a very prevalent theme that has a mass effect on the outcomes of the play. Fate is foreshadowed through the characters consistently throughout the play showing the reader that destiny is not in the hands of the character, but instead in the hands of fate. The timing of certain actions in the play will impact the results of said actions hence showing fates prevalence. Fate is present when Romeo meets the nameless servant. It is
Fate, for better or worse, interrupts everyone’s daily life, whether he/she chooses to acknowledge it or not. Thinking about fate conjures up different feelings for different people; some people believe strongly in it, some people think of fate as ridiculous, and some do not care one way or the other. However, in many instances, such as in William Shakespeare’s The Tragedy of Romeo and Juliet, far too many coincidences occur to be strictly coincidental. Fate creates a powerful effect throughout the entire play, starting in the prologue, continuing as Romeo and Juliet meet and fall in love, and tragically ending in the lovers’ deaths.
In the beginning of A Farewell to Arms, background information is given on Frederick Henry and Catherine Barkley. Henry lived in America before he came to live in Italy. His main interest is architecture, but decides to join the Italian army as an ambulance driver after the war keeps growing. "It's not really the army. It's only the ambulance." (Hemingway 18) His two companions become Rinaldi and the priest. As for Catherine Barkley, she is a nurse from England. Helen Ferguson, one of her close friends, works with her in Gorizia. While both of them become attached to their profession, they also start to become attached to each other.
Fate is one of the key reason why the play ends in tragedy. The two
In the play of Romeo & Juliet fate can easily be seen as a bad thing which prevents the two lovers from being with each other. A example of how fate plays into the story as a theme is the unlikely fact of Romeo accidentally letting Tybalt kill Mercutio. Romeo with good intentions yells “Gentlemen, for shame! Forbear this outrage. Tybalt, Mercutio!” telling them to put their weapons down. Romeo then jumps
Catherine was born into a rich solid family, where her father, Mr. Earnshaw, was a strict man, and her mother, Mrs. Earnshaw, was a pretentious woman. Through her conceited youth Catherine’s immaturity is clearly explained. Born with a very strong attitude; she is the type that throws a fit when doesn’t get what she wants. An example is, “when she learnt the master had lost her whip in attending the stranger, showed her humor by grinning and spitting at the stupid little thing” (33). Catherine was never love by her father, whom felt the need to tell her, “Nay Cathy, I cannot love thee; thou’rt worse than thy brother. Go, s...
Catherine’s revenge does not make things better for her. Her revenge on Heathcliff by blaming him for her upcoming death does not meliorate her mind. Just before she dies, she ascribes Heathcliff for her “murder.” “You have killed me, and thriven on it, I think” (Bronte 158). Catherine resembles what Oliver Goldsmith said, “When lovely woman stoops to folly, and finds too late that men betray, what charm can soothe her melancholy?
Just as Marianne must experience a considerable amount of maturity, so too must Catherine Morland of Northanger Abbey (1818) when she is first meet by readers. Unlike the characters of Elizabeth and Elinor, who are known for their cleverness and good sense, Catherine’s: “mind [is] about as ignorant and uniformed as the female mind at seventeen usually is” . Despite her immaturity Catherine has an affectionate heart “disposition cheerful and open, without conceit or affection of any kind – her manners just removed from the awkwardness and shyness of a girl; her persona pleasing, and, when in good looks, pretty” . In the development of both her protagonist and plotline, Austen parodies the popular Gothic novel of the day by calling Catherine a “heroine” in the very first sentence of the book: “No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine” . Austen is of course using irony, as she is comically referring to the usual heroine portrayed in such novels, beautiful damsels in distress who are waiting to be rescued by a handsome man. Catherine is not one of these heroines; she is simply an ordinary girl waiting for something to happen. Before she is able to discover her hero she must learn how to assess the character of others, and learn how to understand herself before she can claim the title of “heroine”.
From the beginning, Frederic and Catherine's relationship started in a strange state. Frederic knew Catherine was a little cooky, but he still continued to pursue her. He did not even love her at first, but he still needed a way of escaping his present situation, so he decided what the hell, and went after her. Plus, he really didn't think he had anything to loose. There were no stakes named from the start. He didn't really care if he lost anyway.