Essay on Theme of Death

Essay on Theme of Death

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The year was 1967, technically. In a mostly darkened hall somewhere in London two characters dashed about a stage whilst looking somewhat foolish. They were performing the same actions that they had repeated for nearly three centuries, technically. These two were Rosencrantz and Guildenstern, and they had been given life anew by a certain Tom Stoppard, a technical sort of person. Their story is one of gaps in that it was designed to fill those left by Hamlet as well as create new ones entirely. It is a story of questions and of answers that are in and of themselves questions.
To explain this assertion, it is best to approach the problem chronologically and with regards to a group simply known as the Tragedians. Through their interactions with Rosencrantz and Guildenstern, it is possible to find insight into one of the philosophical constructs woven into the text. When the Tragedians, and specifically their leader the Player, are introduced the question of moral dictation is brought to light. What is its source? There appear to be two forces at work. The first, which is embodied by the titular characters, is a type of personal morality. They know their beliefs and express displeasure along with near-outrage when those are encroached upon. Yet at the same time they find that same anger mollified and even swayed the longer they interact with the Tragedians. The second force is dictated by societal influence. This is embodied by the Tragedians themselves who, in public, cautiously wink at the idea of sexuality, if not full prostitution, as being a part of their repertoire. They do this not from personal conviction but because the times are "indifferent," according to the lead Player. They attempt what they can and stretch bound...


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...st suggested. It is perhaps one of my greatest joys in life to delve into a text that has layer upon layer of meaning within it. This is not to say that I have the intellectual capability or the words to explain those complexities thoroughly. I merely wish to get across the fact that I enjoy it. As a slight tangent, the second reason that I enjoy absurdist comedy of this sort is that I feel it's quite in line with how my brain generally views the world. I recall with remarkable clarity thinking as a child that I had cartoon mice in my head that ran my body like some kind of organic robot. They had a typewriter with which to give me words.
That aside, the point here is that my love of this play is in the way in which it suggests philosophical concepts. I do not always agree with the conclusions made but I will always appreciate the manner in which they were shown.

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