Essay on Their Eyes Were Watching an Emmy, Not God

Essay on Their Eyes Were Watching an Emmy, Not God

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Their Eyes Were Watching An Emmy: Not God
Throughout the novel, Their Eyes Were Watching God, the reader is painted a picture by Ms. Hurston but completely blindsided if they ever sat down to actually watch this horrid slaughter of what was a classic piece of literature. The screen play just another “ pet project “ for Oprah Winfrey, diminishes the light in which Ms. Zara Neal Hurston herself, portrayed is completely altered to fit the television, sex driving industry in which Ms. Winfrey subdues to the viewers. However, the vision is not totally out of sight but it is indeed farfetched from its original point of view; the movie focused almost entirely on a love story aspect between characters and how love doesn’t conquer all in the end. “ It was the most beautiful and poignant love stories I’ve ever read” ( Dir Darnell ). Love that is genuine is hard to come by on a daily, everyone was not meant to experience the marvelous wonders it has to offer.
Not only is the subject matter cropped for modern day television but the supporting characters in the novel are remade to fit Winfrey’s impression of Their Eyes Were Watching God. Males who would not perceive to be the typical sex to gossip, partake in many female characteristics in the movie. Janie’s character is broadcast to be a voice to be reckoned with in the screenplay as a vital denotation of women’s entitlement and place in this world as more than just a caregiver. Winfrey portrays Janie as more than your typical women in this historic error in time, rebellious in the movie but soft spoken in the book shows two different versions of our character but they all show an ongoing change that is about to take place. “ De nigger woman is de mule uh de world so fur as Ah can see”...


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...hat with spiteful drama that tries to tear the duo apart but fails in the end. ( Pheoby )
Numerous themes are highlighted in Their Eyes Were Watching God, a switch of racism where the tables turn and Caucasian vs. Native American in the screenplay instead of the original African American vs. Native American set up in the novel. Making the white man superior to blacks, the narrator presents an oppression filled atmosphere whose constituents apotheosize the white man by praising him like a “ God. “ “Humph! Y’all let her worry yuh. You ain’t like me. Ah ain’t got her to study ‘bout. If she ain’t got manners enough to stop and let folks know how she been makin’ out, let her g’wan!” (Hurston 3). The novel shows a darker side to the black community, shining light on the vivid jealousy, racism based on skin color, and a striving desire to tear down their prosperous peers.

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