Charlotte Perkins Gilman 1892 gothic and horror short story “The Yellow Wallpaper” traces the mental decline of a woman while undergoing a “rest cure”. This captivating story illustrates the stifling plight of the protagonist in a patriarchal society. Her husband, John, a physician, has taken the narrator, a new mother, to a rented country home for the summer in order for her to recover from postpartum psychosis. He isolates her in an upstairs nursery, a room with barred windows, a nailed down bed, and odious yellow wallpaper, and forbids her to write, in accordance with the philosophy of the “rest cure”. Although the constraints placed on the protagonist proved to be repressive, it leads her to an intriguingly dangerous obsession with “the yellow wallpaper” that causes her to triumph over societal oppression and constraints within her marriage, giving her a heroic identity. The writer conveys all this through her ingenious usage of the image of “the yellow wallpaper”, which functions as a part of the setting, an object correlation to the narrator’s physical and mental repression, and lastly as a symbol of her life.
According to one critic “The subjection of women originated in prehistoric times when the males first monopolized all social activity and women were confined to motherhood and domestic duties” (Degler 178). During the nineteenth century these societal traditions were still imposed on women. Quawas confirms this statement when she states “In the nineteenth century, women, as agent of moral influence, [are] expected to maintain the domestic sphere as a cheerful, pure haven for their husbands to return to [home] each evening” (A New Woman’s Journey into Insanity). Because of these expectancies the protagonist is a power...
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...lpaper” Gilman clearly illustrates by the use of symbols, imagery, characters to display how women were treated in a patriarchal society. The writer appears to have semi-melancholic mood throughout the story. Gilman clearly shows how the stifling plight of the narrator who was kept in isolation becomes defiant and gains a deeper understanding of her life and role in society. The woman in the wallpaper does not only represent the narrator’s own divided self but all women who are overly restrained and bound by a society that deem these women incapable of self-actualization. As a result of her preoccupation with the “the yellow wallpaper” she descends into madness, which ultimately enabled her to triumph over marital and societal constraints. Therefore the writer demonstrates that in order to gain liberty one suffers immensely before change is accomplished.
"The Yellow Wallpaper" by Charlotte Perkins Gilman is a story about a woman’s gradual descent into insanity, after the birth of her child. The story was written in 1892 after the author herself suffered from a nervous breakdown, soon after the birth of her daughter in 1885. Gilman did spend a month in a sanitarium with the urging of her physician husband. "The Yellow Wallpaper" is a story about herself, during the timeframe of when Gilman was in the asylum.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
Through a woman's perspective of assumed insanity, Charlotte Perkins Gilman comments on the role of the female in the late nineteenth century society in relation to her male counterpart in her short story "The Yellow Wallpaper." Gilman uses her own experience with mental instability to show the lack of power that women wielded in shaping the course of their psychological treatment. Further she uses vivid and horrific imagery to draw on the imagination of the reader to conceive the terrors within the mind of the psychologically wounded.
When first reading the gothic feminist tale, “The Yellow Wallpaper” written by Charlotte Perkins Gilman, one might assume this is a short story about a women trying to save her sanity while undergoing treatment for postpartum depression. Gilman herself had suffered post-natal depression and was encouraged to undergo the “rest cure” to cure her hysteria. The treatment prescribed to Gilman resulted in her having a very similar experience as the narrator in the short story. The “perfect rest” (648), which consisted of forced bed rest and isolation sparked the inspiration for “The Yellow Wallpaper.” This story involving an unreliable narrator, became an allegory for repression of women. In “The Yellow Wallpaper”, Gilman illustrates the seclusion and oppression of women in the nineteenth century society by connecting the female imprisonment, social and mental state, and isolation to the objects in and around the room.
The Yellow Wallpaper, Written by Charlotte Perkins Gilman, is comprised as an assortment of journal entries written in first person, by a woman who has been confined to a room by her physician husband who he believes suffers a temporary nervous depression, when she is actually suffering from postpartum depression. He prescribes her a “rest cure”. The woman remains anonymous throughout the story. She becomes obsessed with the yellow wallpaper that surrounds her in the room, and engages in some outrageous imaginations towards the wallpaper. Gilman’s story depicts women’s struggle of independence and individuality at the rise of feminism, as well as a reflection of her own life and experiences.
In the late 1800’s and early 1900’s, women were often portrayed as submissive to men. Women were seen as oppressed by society as well as by the males in their lives. Both of Gilman’s bodies of works, “The Yellow Wallpaper” and “Turned”, illustrate the fight for selfhood by women in a demoralized and oppressive environment. The narrator’s escape from her unbalanced marriage and captivity is her complete loss of sanity. Mrs. Marroner overcomes her husband’s infidelity and emotional control by taking in the vulnerable Gerta and leaving her husband. Their situations cause them and readers to start questioning the “naturalness” of gender roles.
In a female oppressive story about a woman driven from postpartum depression to insanity, Charlotte Gilman uses great elements of literature in her short story, The Yellow Wallpaper. Her use of feminism and realism demonstrates how woman's thoughts and opinions were considered in the early 1900?s.
Charlotte Perkins Gilman's "The Yellow Wallpaper" is an observation on the male oppression of women in a patriarchal society. The story itself presents an interesting look at one woman's struggle to deal with both mental and physical confinement. Through Gilman's writing the reader becomes aware of the mental and physical confinement, which the narrator endures, and the overall effect and reaction to this confinement.
Gilman creates a horrific tone that helps explore the idea of freedom and confinement within a certain place. The story is created to follow the situation of the narrator and how slowly she begins to deteriorate psychologically due to the wallpaper. The narrator is never assigned a name, therefore it can be assumed that the story is suppose to serve as a voice for the women who have been in a similar situation and have lost their freedom and say on their own lives. However, the narrator appears to come from a wealthy family with privilege so there cannot be this idea that all women who have been through this form of depression and inequalities have experienced it in the same form. Through the use of imagery, the reader was able to understand and clearly visualize the situation in which the narrator is in and see how she has begun to slowly deteriorate, even though she is finally freed in the end of the story, or at least that is what is assumed. “The Yellow Wallpaper” is indeed a very profound image of what it was like to be a female during the 19th century while emphasizing the themes of freedom and confinement. Even though it illustrates the impact that confinement can have on a person, it restricts the situation to fit only women who had similar social backgrounds as the narrator, which is
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
When looking at two nineteenth century works of change for two females in an American society, Charlotte Perkins Gilman and Stephen Crane come to mind. A feminist socialist and a realist novelist capture moments that make their readers rethink life and the world surrounding. Gilman’s “The Yellow Wallpaper” was first published in 1892, about a white middle-class woman who was confined to an upstairs room by her husband and doctor, the room’s wallpaper imprisons her and as well as liberates herself when she tears the wallpaper off at the end of the story. On the other hand, Crane’s 1893 Maggie: A Girl of the Streets is the realist account of a New York girl and her trials of growing up with an alcoholic mother and slum life world. The imagery in Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Stephen Crane’s Maggie: A Girl of the Streets uses color in unconventional ways by embedding color in their narratives to symbolize the opposite of their common meanings, allowing these colors to represent unique associations; to support their thematic concerns of emotional, mental and societal challenges throughout their stories; offering their reader's the opportunity to question the conventionality of both gender and social systems.
Charlotte Perkins Gilman uses her short story “The Yellow Wallpaper” to express her opinions about feminism and originality. Gilman does so by taking the reader through the terrors of one woman's psychological disorder, her entire mental state characterized by her encounters with the wallpaper in her room. She incorporates imagery and symbolism to show how confined the narrator is because of her gender and mental illness.
“Yellow Wallpaper” by Charlotte Gilman was analyzed by many perspective readers and writers. In my research paper I analyzed work by Ann Oakley and Karen Ford. These two authors had similar but yet different arguments. During my review process on both articles, I found that there can be many interpretations of any literary work. When you typically see topics written about women, you tend to see biased explanations. Reading these from a female standpoint you would go on to assume the writer will only defend what is morally right.
The Yellow Wallpaper is a very astonishing story written by Charlotte Perkins Gilman that daringly reaches out to explore the mental state of a woman whose mind eventually begins to be broken down to a state of insanity by the appearance of a creeping woman who is trapped behind a revolting yellow wallpaper. This short story takes a look at the causes of the narrator’s insanity by how she was confined in a house alone, trapped with only her mind and a dull wallpaper; while dealing with depression and consuming strong
Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through such treatments. Because of her experience with the rest cure, it can even be said that Gilman based the narrator in "The Yellow Wallpaper" loosely on herself. But I believe that expressing her negative feelings about the popular rest cure is only half of the message that Gilman wanted to send. Within the subtext of this story lies the theme of oppression: the oppression of the rights of women especially inside of marriage. Gilman was using the woman/women behind the wallpaper to express her personal views on this issue.