Elisa Allen and the narrator of “The Yellow Wallpaper” are both trapped in various ways and the sexuality leads to this entrapment. Elisa feels confined and limited; “the high grey-flannel fog of winter closed off the Salinas Valley from the sky and from all the rest of the world” (226). Trapped inside the house and feels isolated from the world outside. The chrysanthemums symbolize her scope of life where she devotes most of her time with this activity. The chrysanthemums, strong and thriving, portray Elisa’s current physical condition. She treats the chrysanthemums like her children; “she held the flower po...
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...e husbands possess a male ego of power that leads to lack of understanding in their marriages.
The wallpaper symbolizes the trapped narrator and the structure of the tradition. Also, Elisa’s chrysanthemums are discarded and the narrator’s feelings are disowned which portrays the rejection of women. Elisa ends up “crying weakly like an old woman” and settles for wine (233). The narrator’s actions lead to her husband fainting “but he did, and right across my path by the wall, so that I had to creep over him every time” (447). The narrator is insane and causes faintness in her husband, hoping that she now has an escape. To conclude, John Steinbecks “The Chrysanthemums” and Charloette Perkins “The Yellow Wallpaper” show two different outcomes mainly arisen due to being trapped inside an isolated house or a garden and having a limited life under a husband's control.
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