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Psychological effects of war on soldiers 2019
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It can be hard to fully comprehend the effects the Vietnam War had on not just the veterans, but the nation as a whole. The violent battles and acts of war became all too common during the long years of the conflict. The war warped the soldiers and civilians characters and desensitized their mentalities to the cruelty seen on the battlefield. Bao Ninh and Tim O’Brien, both veterans of the war, narrate their experiences of the war and use the loss of love as a metaphor for the detrimental effects of the years of fighting.
Bao Ninh’s novel The Sorrow of War tells a very realistic and explicit story of Kien, a North Vietnamese soldier and writer, during the Vietnam War. Kien manages to survive, usually by luck, through battles and situations in which survival seems futile. When Kien’s entire platoon is killed in battle, he is one of the few to survive. This seems to be a blessing and a curse as Kien had “perhaps watched more killings and seen more corpses than any other contemporary writer” (Ninh, 89).
As one can imagine, Kien is haunted daily by gruesome hallucinations and memories from the battlefield. Kien begins to write about his war experiences, which turns into an obsession. He claims it is obligated as his duty to write about the war, and yet “seems to write only to rid himself of his devils” (Ninh, 49). His motivation is to “expose the realities of war and the tear aside conventional images” (Ninh, 50).
It is not just Kien whose life is destroyed by the war. Kien tells of a driver Vuong who, before the war, drank very little and was kind a timid. Vuong disappears for many months and when he returns his life has collapsed. “I’ve given up driving, fellas. Now alcohol drives me,” Voung states (Ninh, 152). Kien tou...
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...hard times together and we reunited multiple times. Cross and Martha, however, were distant apart for the duration of the war. Cross’s deep love for Martha stemmed from his obsessive longing to be with her and to be loved back by her. Cross eventually concedes that Martha belongs to another world and would never love him (Obrien, 17).
The two novels use love as a strong metaphor for the losses of war. Ninh often explicitly states that both Kien and every other solider would be forever warped due to the senseless cruelties witness in the long conflict. Kien’s deep love for Phuong is destroyed by the war, as is Lieutenant Cross’s love for Martha. This paralleled metaphor speaks for both sides of the war and the suffering endured by all involved. The tragic loss of love and innocence illustrates the destruction the Vietnam War had on both veterans and society.
Dien Cai Dau by Yusef Komunyakaa is a collection of poems based on Komunyakaa’s personal experiences of the Vietnam War. He describes his experiences and observations in a way that isn’t as gritty and raw as some veterans, but still shows the horrors of war and the struggle to survive. What makes Komunyakaa’s work different is the emotion he uses when talking about the war. He tells it like it is and puts the reader in the soldiers’ shoes, allowing them to camouflage themselves and skulk around the jungles of Vietnam from the very first lines of “Camouflaging the Chimera.” Komunyakaa’s title Dien Cai Dau means “crazy” in Vietnamese and is an appropriate title based on the mind set of this veteran soldier. Two common themes I have found in Komunyakaa’s
The Vietnam War has become a focal point of the Sixties. Known as the first televised war, American citizens quickly became consumed with every aspect of the war. In a sense, they could not simply “turn off” the war. A Rumor of War by Philip Caputo is a firsthand account of this horrific war that tore our nation apart. Throughout this autobiography, there were several sections that grabbed my attention. I found Caputo’s use of stark comparisons and vivid imagery, particularly captivating in that, those scenes forced me to reflect on my own feelings about the war. These scenes also caused me to look at the Vietnam War from the perspective of a soldier, which is not a perspective I had previously considered. In particular, Caputo’s account of
War is often thought about as something that hardens a soldier. It makes a person stronger emotionally because they are taught not show it and deal with it internally. People say that death in war is easier to handle because it is for the right reasons and a person can distance themselves from the pain of losing someone. However, there is always a point when the pain becomes too real and it is hard to maintain that distance. In doing so, the story disputes the idea that witnessing a traumatic event causes a numbing or blockage of feelings. Rat Kiley’s progression of sentiment began with an initial concern for the buffalo, transforming into an irate killing of the animal, and then ending with an ultimate acceptance of death. These outward displays of feeling suggested that witnessing the death of a close friend caused him to become emotionally involved in the war.
...f Martha) by burning the tangible ones (her letters). But he realizes “it was only a gesture…the letters were in his head” (370). He also discards the pebble she gave to him but cannot rid himself of the boulder that is the emotional burden of his love for her.
The impact of the Vietnam War upon the soldiers who fought there was huge. The experience forever changed how they would think and act for the rest of their lives. One of the main reasons for this was there was little to no understanding by the soldiers as to why they were fighting this war. They felt they were killing innocent people, farmers, poor hard working people, women, and children were among their victims. Many of the returning soldiers could not fall back in to their old life styles. First they felt guilt for surviving many of their brothers in arms. Second they were haunted by the atrocities of war. Some soldiers could not go back to the mental state of peacetime. Then there were soldiers Tim O’Brien meant while in the war that he wrote the book “The Things They Carried,” that showed how important the role of story telling was to soldiers. The role of stories was important because it gave them an outlet and that outlet was needed both inside and outside the war in order to keep their metal state in check.
Bao Ninh's The Sorrow of War is a contrapuntal reading to American literature on the Vietnam War. But rather than stand in stark contrast to Tim O' Brien's The Things They Carried, The Sorrow of War is strangely similar, yet different at the same time. From a post-colonialist standpoint, one must take in account both works to get an accurate image of the war. The Sorrow of War is an excellent counterpoint because it is truthful. Tim O' Brien writes: ". . . you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil." (O' Brien, 42) Bao Ninh succeeds in this respect. And it was for this reason that the Vietnamese government initially banned The Sorrow of War. A thorough textual and historical examination of both the war and post-war experience of Vietnam reveals that its experience was similar to, if not worse than, that of America.
Tim O’Brien served in the Vietnam War, and his short story “The Things They Carried” presents the effects of the war on its young soldiers. The treatment of veterans after their return also affects them. The Vietnam War was different from other wars, because too many in the U.S. the soldiers did not return as heroes but as cruel, wicked, and drug addicted men. The public directs its distaste towards the war at the soldiers, as if they are to blame. The also Veterans had little support from the government who pulled them away from their families to fight through the draft. Some men were not able to receive the help they needed because the symptoms of Post-traumatic Stress Disorder (PTSD) did not show until a year
The Vietnam War was not a “pretty” war. Soldiers were forced to fight guerilla troops, were in combat during horrible weather, had to live in dangerous jungles, and, worst of all, lost sight of who they were. Many soldiers may have entered with a sense of pride, but returned home desensitized. The protagonist in Louise Erdrich’s “The Red Convertible,” is testament to this. In the story, the protagonist is a young man full of life prior to the war, and is a mere shell of his former self after the war. The protagonists in Tim O’Brien’s “If I Die in a Combat Zone,” and Irene Zabytko’s “Home Soil,” are also gravely affected by war. The three characters must undergo traumatic experiences. Only those who fought in the Vietnam War understand what these men, both fictional and in real life, were subjected to. After the war, the protagonists of these stories must learn to deal with a war that was not fought with to win, rather to ensure the United States remained politically correct in handling the conflict. This in turn caused much more anguish and turmoil for the soldiers. While these three stories may have fictionalized events, they connect with factual events, even more so with the ramifications of war, whether psychological, morally emotional, or cultural. “The Red Convertible,” and “Home Soil,” give readers a glimpse into the life of soldiers once home after the war, and how they never fully return, while “If I Die in a Combat Zone,” is a protest letter before joining the war. All three protagonists must live with the aftermath of the Vietnam War: the loss of their identity.
In conclusion the soldiers use dark humor, daydreaming, and violent actions which all allow an escape from the horrors they had to go through in Vietnam. These coping mechanisms allowed the men to continue to fight and survive the war. They wouldn’t have been able to carry on if it wasn’t for the outlets these methods provided. Without humor, daydreaming, and violent actions, the war would have been unbearable for the men, and detrimental to their lives going forward.
Thus, Lieutenant Cross is weak because he loved Martha, he was always distracted from the real world, and he always wished to return to his normal life not in the war. This will make him both physically and mentally weak, making him an easy target for enemies. This is how love may affect soldiers during battle. Therefore, I think that soldiers should not love when they are at war.
The woman that Cross is in love with is named Martha. She's barely a junior from Mount Sebastian College in New Jersey. Although he is madly in love with her, Martha doesn't return the feelings back for him. This one-sided love causes him to ponder and lose focus of what is really important, keeping himself and his troops alive and well. As he is lying in his foxhole, he looks at pictures of Martha; he can't help to feel, "More than anything, he wanted Martha to love him as he loved her " As shown, he just wants to be with her and to share a love with her. Over and over again, he would think about her; sometimes in foxholes, sometimes while marching, even at times of danger. This lack of focus on the real dilemma, their situation in the war, will be a costly one.
The author, Tim O'Brien, is writing about an experience of a tour in the Vietnam conflict. This short story deals with inner conflicts of some individual soldiers and how they chose to deal with the realities of the Vietnam conflict, each in their own individual way as men, as soldiers.
War is cruel. The Vietnam War, which lasted for 21 years from 1954 to 1975, was a horrific and tragic event in human history. The Second World War was as frightening and tragic even though it lasted for only 6 years from 1939 to 1945 comparing with the longer-lasting war in Vietnam. During both wars, thousands of millions of soldiers and civilians had been killed. Especially during the Second World War, numerous innocent people were sent into concentration camps, or some places as internment camps for no specific reasons told. Some of these people came out sound after the war, but others were never heard of again. After both wars, people that were alive experienced not only the physical damages, but also the psychic trauma by seeing the deaths and injuries of family members, friends or even just strangers. In the short story “A Marker on the Side of the Boat” by Bao Ninh about the Vietnam War, and the documentary film Barbed Wire and Mandolins directed by Nicola Zavaglia with a background of the Second World War, they both explore and convey the trauma of war. However, the short story “A Marker on the Side of the Boat” is more effective in conveying the trauma of war than the film Barbed Wire and Mandolins because of its well-developed plot with well-illustrated details, and its ability to raise emotional responses from its readers.
Usually when someone is murdered, people expect the murderer to feel culpable. This though, is not the case in war. When in war, a soldier is taught that the enemy deserves to die, for no other reason than that they are the nation’s enemy. When Tim O’Brien kills a man during the Vietnam War, he is shocked that the man is not the buff, wicked, and terrifying enemy he was expecting. This realization overwhelms him in guilt. O’Brien’s guilt has him so fixated on the life of his victim that his own presence in the story—as protagonist and narrator—fades to the black. Since he doesn’t use the first person to explain his guilt and confusion, he negotiates his feelings by operating in fantasy—by imagining an entire life for his victim, from his boyhood and his family to his feeling about the war and about the Americans. In The Man I Killed, Tim O’Brien explores the truth of The Vietnam War by vividly describing the dead body and the imagined life of the man he has killed to question the morality of killing in a war that seems to have no point to him.
As we got further and further into the Vietnam War, few lives were untouched by grief, anger and fear. The Vietnamese suffered the worst hardship; children lay dead in the street, villages remained nothing but charred ashes, and bombs destroyed thousands of innocent civilians. Soldiers were scarred emotionally as well as physically, as