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Mp3 players and the industry
Mp3 players and the industry
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Corporate Fear of the MP3
The mp3 audio format is widely championed as the new great leveling format in the music business and the savior of local and unknown performers in the face of conglomerate-owned record labels, portrayed as giant, bloated entities who fear and despise the new format and seek to curtail its popularity and accessibility. In reality, the mp3 format is no different than previous innovations in portable recorded music software -- vinyl, cassette tapes, or compact discs all improve on their predecessors in sound quality and portability -- the mp3's novelty is its extreme accessibility, and once a conglomerate fully realizes the potential with which to exploit the new medium, the format becomes the latest appropriated technology. Corporate fear of the mp3 will only last as long as it takes for someone to figure out how to regulate and enforce the new format.
Opposition to the mp3 by large corporations rests on the grounds of property and copyright law enforced by the Recording Industry Association of America (RIAA), the trade group which oversees "the recorded music you enjoy every day" (www.riaa.com). In addition to certifying gold and platinum sales records of albums, the RIAA lobbies against censorship of artists but conversely proposed and enforces placement of "parental advisory/explicit content" stickers on what they judge to be "offending" albums. The RIAA's concern with the mp3 format is how easily the format lends itself to the illegal industry of CD piracy. Added to a personal computer-run CD creator software/hardware package (a CD "burner" plus blank CD-R discs), the mp3's economic use of byte space while preserving digital CD sound quality is a potential gold mine for would-be pirates, and despite RIAA efforts ("confiscation of 23,858 illegal CD-Rs during the first half of 1998, as compared to 87 in the same period last year"), CD pirates in the U.S. as well as many countries around the world continue to peddle "counterfeit" discs at "flea markets, from street vendors, at swap meets, and in a concert parking lots" (ibid.).
The discs are regarded as counterfeit by the RIAA as well as the federal government because duplication of the work, which is copyrighted to the artist, their record label, or both, or others, is a violation of federal copyright law. Such fear over unauthorized duplication is not unprecedented; the proliferation of blank cassette tapes in the 1980s created a similar furor within the industry over
In America, there is currently a lawsuit pending that threatens to change the face of the music industry. The lawsuit is against Napster it has been brought by the Recording Industry Association of America (RIAA) as well as other major music labels.
Singers and songwriters need to make a living somehow. They know that downloading music is a way to get their voice heard, but they also know that it is significantly hurting the business. "When your product is being regularly stolen, there comes a time when you have to take appropriate action," said RIAA president Cary Sherman (RIAA 1). There are a lot of people involved in the music scheme when it comes to who needs to get paid by the revenue. From the sale of one CD, singers get one small fraction of the cost, another fraction goes to song writers, musicians also get some of the profit along with retailers, engineers, technicians, warehouse working, and ever...
We have all watched over the last year and a half as the controversy over the digital music provider Napster has clogged our television screens and lined our floors in the forms of newspaper articles. We are also well aware of the implications and revenue losses that the service either directly or indirectly causes. What I am going to investigate more in-depth in this article is, more specifically, the effect that Napster has on the operations of record stores worldwide. I am going to try to describe the most profound effects that Napster has on this industry.
“The Law”. http://www.riaa.com - http://www.riaa.com. RIAA, Oct. 2011 -. Web. The Web.
The Napster Controversy From the writings of Burke I get the understanding that he believes that representation is done through the idea of symbols; symbol making, symbol using and symbol misusing. He believes that we use language, that we use it best in a nonverbal way in which we all can understand. And that language verbal or not is the essential key to all representations through any lens or idea. He also believed that we invented the idea of anything to be negative and that we are what makes things negative.
“It is estimated that such illegal product costs the music industry more than 300 million dollars a year domestically.” This is why the Recording Industry Association of America (RIAA) is taking a strong stance against MP3 piracy. The damage done to the recording industry in lost profits, increased prices, and lost jobs is overwhelming. In an attempt to put a damper on file swapping, and recapture lost revenue the RIAA has been suing people ...
It is not unusual to find hostile response of audio-visual industry against a new copying technology. Every time when a new copying technology was invented and introduced into the market, the industry responded argued that the new technology would cause significant damage to them by promoting piracy; It was true with the cases of Xerox, audio tape recorder, video tape recorder, compact disc (CD), and finally with the online file sharing through Peer-to-Peer (P2P) service. Usually, introduction of new copying technology led to series of legal disputes just like what we are witnessing in the current case of the Record Industry Association of America’s (RIAA) lawsuits against KaZaA and its individual members. Quite contrary to the industry’s usual arguments, however, new technologies eventually have proved additional revenues of profit for them so far. (Bettig, 1996)
What trends in networking in the 1990’s and early 2000’s drove the popularity of Napster? What other technologies contributed to Napster’s success?
Along with the development of a file format (MP3) to store digital audio recordings, came one of the new millennium’s most continuous debates – peer-to-peer piracy – file sharing. Internet companies such as Napster and Grokster became involved in notable legal cases in regards to copyright laws in cyberspace. These two cases are similar in nature, yet decidedly different. In order to understand the differences and similarities, one should have an understanding of each case as well as the court’s ruling.
Back in the early 1980’s, record labels controlled what people could hear through airplay, record distribution and manufacturing, and selective promotion of music based on their judgement of their audience. An artist’s only feasible option was to go through this system. To obtain music of high quality, people had to buy vinyl singles or albums or tape, and later, only CDs. There was no practical way to listen to music before buying it without listening to or taping off the radio. Music was very restricted by several different record companies.
There are six key new market disruptions concerning the digital distribution of music: the creation of a new and broad customer base, the possibility of an annuity versus a per-unit revenue model, the gatekeeper advantage for a record company having proprietary access to a new digital distribution infrastructure, understanding of a technology that could be applied to other digital content, need for balance between physical and digital distribution strategies, the strategy the incumbent should adopt with respect to the evolving war over digital distribution standards. Was there a disruption or an evolution?
The music industry impacts the lives of people from around the world. With the implementation of technology, the influence of the music industry has spread to affect anyone with access to technology. Streaming services have contributed to the increased popularity of music. While there are positive effects to being able to stream music and have multiple ways of listening to it, the music industry suffers from the lack of revenue and illegal activity associated with technology. Technology has had both positive and negative effects on the music industry by affecting how people access music and how music is produced
...en the biggest hurdles the music industry has overcome. Thanks to iTunes and Google Music record labels and artist can reach almost anyone in the world with their music and know that their work won’t be infringed upon. In the next five years copyrights will still have the respect it has today. As technology moves along copyrights will be right behind it revising the rules and regulations to make sure that an artist intellectual property is safe and that the artist or label can receive compensatory damages for copyright infringement.
The music industry started in the mid 18th century with Wolfgang Amadeus Mozart. Through the decades there has been a great increase in this industry; however, the revenues for this industry have declined by half in the last 10 years. This has been caused by music piracy, which “is the copying and distributing of copies of a piece of music for which the composer, recording artist, or copyright-holding record company did not give consent” . After 1980’s, when the Internet was released to public, people started to develop programs and websites in which they could share music, videos, and information with...
Although there was a period where the Recording Industry Association of America (the RIAA), an organization that investigates the illegal production and distribution of sound recordings, went after a few users, including a twelve year old ...