Edith Wharton’s novel of manners The House of Mirth is a satirical representation of upper society. The personification of this satire is the character Lily Bart. The leader is led to believe that Lily is trapped by her upbringing in higher society, which is seen in Wharton’s use of characterization, imagery, and motifs throughout the novel. Wharton’s characterization of Lily Bart focuses on her beauty as the reason for her acceptance into high society. During the tableaux vivants at the Welly Brys’, Lily’s simple costume was the main focus of the men at the party: “This was the world [Lily] lived in, these were the standards by which she was fated to be measured! Does one go to Caliban for a judgement on Miranda?” (130). Wharton notes through …show more content…
Wharton’s concept of fate associated with Lily furthers the idea that Lily is trapped because of the predetermination of life and Lily’s upbringing culminate into Wharton’s trapped character of Lily Bart. The next time that Selden sees Lily again, it is on the train to Nice when he comments on her beauty: “[At the Brys’, Lily’s beauty] had had a transparency through which the fluctuations of the spirit were sometimes visible; now its impenetrable surface suggested a process of crystallization which had fused her whole being into one hard brilliant surface… to Selden it seemed like that moment of pause and arrest when the warm fluidity of youth is chilled …show more content…
The first time Lily’s indecisiveness was introduced was when she was talking to Selden: “ ‘I threw away one or two good chances when I first came out--I suppose every girl does; and you know I am horribly poor--and very expensive. I must have a great deal of money’ ” (8). Wharton creates Lily as a character that wants both love and money but is destined to have neither. Wharton creates Lily’s need for money from her fear of dinginess and necessity to marry money for power, inherited by her mother, but a fascination with love and happiness. This introduction of Lily’s mistakes early on shows that Wharton has Lily’s indecisiveness act as a character flaw instead of a temporary mistake in judgement. The next time Lily was indecisive was at Bellomont when she was wooing Gryce but drawn towards Selden: “[Lily] was like a water-plant in the flux of the tides, and today the whole current of her mood was carrying her towards Lawrence Selden” (50). At this point, Lily has Gryce in her hands and he would be her permanent acceptance into higher society with money and power. However, Wharton has Lily’s flaw come forth and draw her towards Selden, thus ruining her chances with Gryce and society. Even with Selden, though, Lily is unable to commit to love because she still desires money and power. Wharton creates Lily with her character flaw of indecisiveness to lead her down her fated
Throughout “Ethan Frome,” Edith Wharton renders the idea that freedom is just out of reach from the protagonist, Ethan Frome. The presence of a doomed love affair and an unforgiving love triangle forces Ethan to choose between his duty and his personal desire. Wharton’s use of archetypes in the novella emphasizes how Ethan will make choices that will ultimately lead to his downfall. In Edith Wharton’s, “Ethan Frome.” Ethan is wedged between his duty as a husband and his desire for happiness; however, rather than choosing one or the other, Ethan’s indecisiveness makes not only himself, but Mattie and Zeena miserable.
Ethan Frome is the main character of Edith Wharton’s tragic novel. Ethan lives the bitterness of his youth’s lost opportunities, and dissatisfaction with his joyless life and empty marriage. Throughout the story Ethan is trapped by social limits and obligations to his wife. He lives an unhappy life with many responsibilities and little freedom. Ethan Frome studied science in college for a year and probably would have succeeded as an engineer or physicist had he not been summoned home to run the family farm and mill. Ethan quickly ended his schooling and went to run the family farm and mill because he feels it is his responsibility. He marries Zeena after the death of his mother, in an unsuccessful attempt to escape silence, isolation, and loneliness. Ethan also feels the responsibility to marry Zeena as a way to compensate her for giving up part of her life to nurse his mother. After marring Zeena he forgets his hope of every continuing his education and he is now forced to remain married to someone he does not truly love.
Although when we are young, we commonly find ourselves gravitating to books with predictable endings that leave the protagonist and us with what we want, as we mature we develop a hunger for different, more thoughtful or realistic solutions. This is not to say, however, that we can be satisfied solely through the reading of any story that concludes with mere tragedy. The reason why the book Ethan Frome is so widely read is because there is a great deal of technique behind the element of mere tragedy. Edith Wharton is able to distinguish her novel through the use of irony. Irony has been the defining element of many great pieces of literature throughout time. The use of irony dates back all the way to ancient Greece when it was used by Sophocles in the play Oedipus Rex. Irony was also a key element in many of Shakespeare's works and appears in many famous short stories. In Ethan Frome, Ethan ends up falling in love with Mattie who at the time seems young and effervescent in comparison to his sickly, deteriorating wife. In attempting to free himself and Mattie from his commitment to Zeena, Ethan ends up causing Mattie to become paralyzed, taking with it her previous, lively characteristics. All the household responsibilities then fall into the hands of Zeena who is ultimately the most vivacious of the three.
The time and way people are brought up in society makes a huge difference on how they will climb up the social scale in life. In the classic novel House of Mirth, by Edith Wharton and Call it Sleep, by Henry Roth the main characters experience totally different upbringings into society. While Lily Bart is brought up into a high class society, David is born into an immigrant family in a part of the city, which has similar people as his own country. The two characters in the novels both have different and some similar views on how to climb up on the social scale. Although they would give different advice to each other on how to climb the social scale, and have different views on life, one thing that would be common would be to have money.
... lavishness now seemed to beckon her with open arms to a life a where she could live expensively. Despite she sadness she was facing Lily knew she could not return to the realm of elites, “it was happiness she still wanted and the glimpse she had caught of it made everything else of no account” (449). At this stage of the novel, the demise of the Lily whose most ardent desire was money, power and prestige was complete. Lily’s loneliness and lack in what Lawrence show Lily that there is a fate that will cause greater pain than lack of wealth. Near her tragic end, Lily finds herself without both of her competing desires. It is then she finally understand that a life without love, happiness and freedom causes greater misfortune that a life without wealth.
The novel signals this pattern from its opening. In the first scene we are introduced to Selden, engaged in what we discover is a typical activity for the novel's personae, the silent, personal, interrogation of another person. "If she had appeared to be catching a train," we are told, "he might have inferred that he had come on her in an act of transition between one and another of the country houses which disputed her presenceŠ"(5‹emphases mine). Here, Selden, at his first glimpse of Lily, has taken to conjecturing all manner of explanations for her simple presence in the train station. He, like all members of his social niche, does not shy away from judgement until he is more fully appraised of her situation. Even, the slightest "air of irresolution" gives him license to divert his at...
... when his son learns a story of his relations with Ellen and speaks to him about it many years after (Wharton 41). The lesson that he learns is that society is very concerned with the affairs of its members and even his wife had heard the rumors about the two cousins. While May was busy upholding her traditional role as faithful wife, she also was acting within social norms and ignoring his infatuation with her cousin Ellen, and allowing a facade of a strong marriage to continue. The violence presented in this book, while not as obvious as that in The Piano or Medea, is no less intense. May's innocent look but underlying manipulation of Archer's feelings towards her and his feelings of obligation demonstrate a great struggle between the "innocent" May Welland who looks "blankly at blankness" and the "fiery beauty" of Ellen, and both of their desires for Archer.
The novel “Jane Eyre” by Charlotte Bronte, and the novella “The Turn of the Screw” by Henry James, both display the treatment of pride for upper and lower class similarly. Furthermore, the treatment of pride will be compared and contrasted in this essay to examine and understand how pride is treated. In novel and novella both the lower class characters believe their pride makes them superior beings. Although the pride of lower and upper-class characters led them to their corruption. Moreover, the upper-class characters in each narrative maintain their respectability by their pride. However, in “Jane Eyre” all casts must have their emotions controlled by their pride, or this will lead to inappropriate behavior. Nevertheless, in “The Turn of
The Age of Innocence by Edith Wharton is a book that gave the word “love” many other meanings, such as impossible, meaningless and incomplete. There were many unbearable obstacles that Countess Ellen Olenska, one of the main characters, had to face because of love. She was treated badly by many people and always longed for love but never obtained it. With everyone cursing her, betraying her and hurting her, there was one person who was always there for her. Newland Archer wasn’t only sympathetic towards her; he also began to fall in love with her. The love she always wanted. He was the man who truly cared for her and always helped her make decisions. Out of all the selfish people in New York who degraded her, including her very close relatives, Newland Archer was one person who was there to listen to her problems and helped her solve them.
Edith Wharton, belonging to the bourgeoisie, perpetrates the stereotype of the pitiful, unfortunate lower class by not allowing Ethan or his family a way out of their predicament. While she does not allow Ethan and his family financial support, she also does not allow them any happiness within the relationships they have with each other. Ethan is in a unhealthy relationship with Zeena, Mattie and Zeena do not get along, and Ethan and Mattie have fallen in love with each other. None of these relationships works out in the end, leaving all of them to live in eternal misfortune. A symbol that supports the entrapment of the poor is winter. The winter cold does not allow agriculture to thrive in Starkfield, limiting their source of income. The imagery of snow is also associated with being miserable and being stuck or trapped within its icy grip. Wharton uses these images to further limit her lower class characters, dooming them to live seemingly terrible lives. This story perpetrates the idea of the proletariat constantly being under the economic and social control of the bourgeois. Just like how the poor inhabitants of Starkfield were under the constant looming influence of bourgeois culture, Wharton was literally in control of the way the poor are depicted in her novel. This shows that the bourgeois acknowledge the proletarian life, but do nothing to change it because it would not benefit
The title of Edith Wharton's novel The House of Mirth waxes poetic irony in the case of the old money society of turn-of-the-century New York. The individual as part of the collective of society which seeks to oppress individuality is representative of the "house" in the novel's title. To remain ignorant and play by the "rules," therein lies the "mirth." Clearly, the victimization of the story's heroine, Lily Bart, by the elite social "set" she associates herself with illustrates Wharton's disdain for the rigidity of this society against the individual. Lily is, at first, an example of the collective society she is a product of; however, as she finds herself being victimized for embracing individuality, a metamorphosis of her character takes place through an internal struggle over the faults of her external world, leading to her discovery of the truth and the loss of her innocence.
The characters in the novel get caught up in a frenzy of hate, scandal, and love. Newland Archer is a wealthy societal man who views his wife, May, as the reason for his unhappiness. In addition, Newland Archer get swept into the scandal and falls in love with Ellen, who he sees as a route to independence. Ellen Olenska, the cousin of May, brings a tornado of scandal to New York and becomes the center of criticism in society. In The Age of Innocence by Edith Wharton, Archer and Ellen describe the desire for freedom in order to portray society as an oppressor.
In order to analyze Austen’s treatment of class system in Persuasion, the novel can be split into two somewhat contradictory halves. Austen spends much of the first half of the novel attempting to convince the audience of the importance of a system of manners, upon...
Throughout The House of Mirth, Edith Wharton uses many themes and motifs; gambling being a dominant one. Lily Bart is constantly testing her luck with her need to feel as if she has the upper hand in many situations. Lily always seems to throw out winning cards because she thinks that a better hand will come to her in the next round. Many readers might think that Lily is merely a careless, self-centered, and money-hungry tease. She very well may be all of those things; however, I believe it is all due to her addiction to gambling. Gambling gives Lily the rush that she craves in her boring upper class life, which has taught her to be cool, calm, and collected—the perfect poker face to disguise her addiction. Lily Bart’s incessant addiction to gambling with money, men and her own life, in due course leads to her demise.
In Jane Austen’s “Pride and Prejudice” the story of two unlikely lovers unfolds. Elizabeth Bennett, the second eldest of five sisters, unfortunately has a mother who wants her to marry rich. When Elizabeth first encounters Fitzwilliam Darcy they mutually dislike each other. The two characters undergo conflicts that revolve around each other. As the story progresses Mr. Darcy finds a likeness for Elizabeth that she does not return. After Mr. Darcy proposes to Elizabeth, that she rejects, he clears up all the mistakes that Elizabeth believed he had made. Elizabeth then realizes that Mr. Darcy evolves much like herself, she falls in love with him, and he finally proposes to her, which she accepts. Through Austen’s use of strong character’s she illustrates how society and class can produce prejudice between two people madly in love.