Margaret Atwood’s The Handmaid’s Tale, like so many other dystopias before it, seeks to warn of disaster to come through the lens of its author’s society. In the breadth of its dystopian brethren, Huxley’s Brave New World and Orwell’s 1984, The Handmaid’s Tale reflects not a society destroyed, but a society reorganized to disastrous effect. The reorganization of Offred’s world is not one of simple misogyny, corruption, or political ideas, instead, as in 1984; the focus of this new world order lies in the destruction of the individual and with that, all concepts of personal gain, satisfaction, and desire. In its place, the new world order thrusts a quasi-communist idea of community. Personal sacrifice is instilled in the populace as the greatest good, and the death or misery of one individual is negligible when compared to the decided ‘good’ of the community. In a true echo of communism, the handmaids bear children for those who cannot, truly in the stead of “from each according to their ability, to each according to their need” (Marx). In this Americanized distortion of communism, the community is placed on a pedestal above all else, and through this emphasis the cross-class destruction of individuality is assured. By echoing the most prominent issue of the time, communism, and detailing it with unique aspects of American society, Atwood creates a realistic nightmare that warns not of the dangers of a particular political ideology, but of the loss of individual identity and the concept of self.
The first people to have their individuality stripped away are, perhaps surprisingly, not the women of Offred’s world, but the low ranking men. This destruction of masculine individuality begins long before the events of the book...
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...as A Handmaid’s Tale’s most potent warning. With Gilead, the dangers of deifying society at the cost of its people are shown to be damning, dooming the society to eventual collapse and obscurity. In this, Atwood argues against excessive ideas community and for individualism and a reasonable amount of selfishness, as Ayn rand puts it, “man’s right to exist for his own rational self-interest” (Rand 42). By creating a world of such individual belittlement, Atwood provides a powerful example of the dangers something much like communism, the destruction of the self.
Works Cited
Atwood, Margaret Eleanor. The Handmaid's Tale. New York: Ballantine, 1985.
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Marx, Karl Heinrich. Critique of the Gotha Program. Moscow: Progress, 1970. N.
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Rand, Ayn. The Virtue of Selfishness. New York: Signet, 1970. WorldCat. Web. 7
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Gender inequality has existed all around the world for many centuries. Women were seen as property of men and their purpose of existence was to provide for the men in their lives. Men would play the role of being the breadwinners, whereas women played the role of being the caregiver of the family and household and must obey the men around her. The Handmaid’s Tale, written by Margaret Atwood portrays how women in society are controlled and demeaned by men, and how men feel they are more superior over women.
Often in life, people take their freedoms, a gift that allows them to express their individuality, for granted. However, in the dystopian societies of The Handmaid’s Tale by Margaret Atwood and Never Let Me Go by Kazuo Ishiguro, people are reminded of just how easily their freedoms and humanity can be stripped away. Attwood and Ishiguro urge people to never lose sight of the core values that define who they are. The compelling novels chronicle the life journey of two protagonists as they fight to define their own existence and worth in life. Offred, the central character in The Handmaid’s Tale is exploited as a baby making machine, while Kathy, the leading role in Never Let Me Go, is degraded as a lifeless android in a sea of clones. From Atwood and Ishiguro’s provocative coming-of-age novels emerge two beautiful and inspiring heroines. Whether it is through their remembrance of the past, their loss of innocence, their capability to hope, or their ability to establish relationships, Offred and Kathy prove that they are every bit as human as the rest of society. Ultimately, despite the many differences in their distinct masterpieces, Atwood and Ishiguro share the same intent in their haunting portrayal of the protagonists’ dehumanizabtion—to shed light on the true essence of what it is to be human.
Thesis: In The Handmaid’s Tale, Atwood characterizes Handmaids, as women with expectations to obey the society’s hierarchy, as reproducers, symbolizing how inferior the Handmaid class is to others within Gilead; the class marginalization of Handmaids reveals the use of hierarchical control exerted to eliminate societal flaws among citizens.
In life, people don’t always stand up for what they believe in in order to avoid exclusion – this is called apathy. In specific situations, people will blindly follow a primitive ideology without any regard for morality. Margaret Atwood’s The Handmaid’s Tale is an excellent example of how apathy can affect an entire population. This novel is by and large a feminist novel that addresses the ignorance in imperialistic and religious ideologies, but also addresses the issue of human apathy. In this novel, Atwood offers a disturbing look into what could be. The alterior motive of the society is to purify and improve the country as a whole. However, it is not only nationalism and imperialism
A new society is created by a group of people who strengthen and maintain their power by any means necessary including torture and death. Margaret Atwood's book, A Handmaid's Tale, can be compared to the morning after a bad fight within an abusive relationship. Being surrounded by rules that must be obeyed because of being afraid of the torture that will be received. There are no other choices because there is control over what is done, who you see and talk to, and has taken you far away from your family. You have no money or way out. The new republic of Gilead takes it laws to an even higher level because these laws are said to be of God and by disobeying them you are disobeying him. People are already likely to do anything for their God especially when they live in fear of punishment or death. The republic of Gilead is created and maintains its power structure through the use of religion, laws that isolate people from communication to one another and their families, and the fear of punishment for disobeying the law.
In the novel The Handmaids Tale by Margaret Atwood the themes of Religion and inter-human relationships are the themes that are most evident in the text. This novel shows the possibility of the existence of an all-powerful governing system. This is portrayed through the lack of freedom for women in society, from being revoked of their right to own any money or property, to being stripped of their given names and acquiring names such as Offred and Ofglen, symbolizing women’s dependant existence, only being defined by the men which they belong to. This portrayal of women demonstrates the idea that individuals are unimportant, that the goals of the society as a whole are more pertinent. “For our purposes, your feet and your hands are not essential” (chapter 15) is a quote revealing that Gilead denies rights to individuals and to humankind. In The Handmaids Tale, handmaids are only considered of value for their ability to reproduce, otherwise they are disposable. Religion is an aspect very prominent in the society of Gilead. We see this in chapter 4, where Ofglen and Offred meet and th...
Margaret Atwood's renowned science fiction novel, The Handmaid's Tale, was written in 1986 during the rise of the opposition to the feminist movement. Atwood, a Native American, was a vigorous supporter of this movement. The battle that existed between both sides of the women's rights issue inspired her to write this work. Because it was not clear just what the end result of the feminist movement would be, the author begins at the outset to prod her reader to consider where the story will end. Her purpose in writing this serious satire is to warn women of what the female gender stands to lose if the feminist movement were to fail. Atwood envisions a society of extreme changes in governmental, social, and mental oppression to make her point.
The Handmaid's Tale is a dystopian novel in which Atwood creates a world which seems absurd and near impossible. Women being kept in slavery only to create babies, cult like religious control over the population, and the deportation of an entire race, these things all seem like fiction. However Atwood's novel is closer to fact than fiction; all the events which take place in the story have a base in the real world as well as a historical precedent. Atwood establishes the world of Gilead on historical events as well as the social and political trends which were taking place during her life time in the 1980's. Atwood shows her audience through political and historical reference that Gilead was and is closer than most people realize.
Margaret Atwood's The Handmaid's Tale: Novel and Film. The Handmaid's Tale, a science-fiction novel written by Margaret Atwood, focuses on women's rights and what could happen to them in the future. This novel was later made into a movie in 1990. As with most cases of books made into movies, there are some similarities and differences between the novel and the film.
In Margaret Atwood’s novel, The Handmaid’s Tale, Atwood creates a society of oppression in which she redefines oppression in common culture. Gilead is a society characterized by highly regulated systems of social control and extreme regulation of the female body. The instinctive need to “protect and preserve” the female body is driven by the innate biological desires of the men. The manipulation of language, commodification, and attire, enhances the theme of oppression and highlights the imbalance of power in the Gilead society.
The dystopian genre often presents an abhorrent alternative society, constructed through the author’s extrapolation of their contemporary contexts in order to provide critical reflections and warn against potential disasters. Dystopian texts reflect on the idea that individuals are subject to the laws and regulations of corrupt systems, thus possessing a role, to act as a catalyst for change. These ideas are presented in the novel, the Handmaid’s Tale (1985) by Margaret Atwood, where the authoritarian theocracy represses individuals’ sexual and reproductive freedom, as well as their desires for social progress. This is contextually reflected in society’s fears of rising Christian fundamentalists and fascism to government power, as well as
In Margaret Atwood’s ‘The Handmaids Tale’, we hear a transcribed account of one womans posting ‘Offred’ in the Republic of Gilead. A society based around Biblical philosophies as a way to validate inhumane state practises. In a society of declining birth rates, fertile women are chosen to become Handmaids, walking incubators, whose role in life is to reproduce for barren wives of commanders. Older women, gay men, and barren Handmaids are sent to the colonies to clean toxic waste.
The Handmaid’s Tale and Do Androids Dream of Electric Sheep? draw on different narrative techniques to establish our relationship to their protagonists. Margaret Atwood allows the reader to share the thoughts of the main character, while Philip K. Dick makes the reader explore the mysteries behind the story. Atwood’s style works because she can directly show her readers what she wants. Dick’s opposing style works for him because he can present paradoxes and mysteries and let the reader form the conclusion. Both of these styles are skillfully utilized to create complex stories without losing the reader along the way.
Within every literary work there lies a resounding truth which perfectly displays the dangers of a broken world or society. In her novel The Handmaid’s Tale, Margaret Atwood uses different ideas in her novel to convey how passivity in a broken society has detrimental effects for everyone. Throughout the novel, it is displayed that in such a dystopian society, nothing can progress in the right direction if nobody has the courage to defy the system. Through Atwood’s context given throughout her text, her stance on passivity is clearly shown as one that urges others to stand and fight instead of becoming submissive to a fragmented society. Only then can there be hope to restore the future.
Though Offred is developed as a character through her opinions on female sexuality, she is further characterized by her individuality and willingness to defy her social expectations as a female, assigned to her by her government. In Atwood’s work, the narrative is told by an intelligent individual named Offred who is oppressed by Gilead’s female expectations but is not afraid to defy these assigned roles despite not being a traditional heroine (Nakamura). Even as Offred’s previous identity is stripped away from her, she retains small pieces of her womenhood and individuality through defiant actions such as manipulating men with her feminity from swaying her hips slighty in their line of sight to making direct eye contact with certain men, which she is forbidden from. On the other hand, a major act of rebellion from