Abandoned by her husband and left penniless, Amanda Wingfield in The Glass Menagerie by Tennessee Williams, lived in a small alley apartment on the lower middle-class section of town with her two adult children Tom and Laura. This was far cry from Amanda’s youth during the Victorian era at Blue Mountain to her present situation of poverty and uncertainty. As a single mother, Amanda was worried about her family’s financial security along with concerns regarding her daughter’s lack of marital prospects; for that reason, her need to enrich her life by molding the lives of her children resulted in illusions overpowering reality that also brought out destructive illusions within herself, her son Tom, and her daughter Laura. Endowed with beauty, charm, and elegance, Amanda remembered living an affluent life at Blue Mountain where she was courted by several prospective suitors along with having spent many nights attending social balls and galas. The world she envisioned was one of formality and manners in which high expectations of a person were part of being a socialite. Amanda explains, “My callers were gentlemen—all! Among my callers were some of the most prominent young planters of the Mississippi Delta—planters and sons of planters!” (1617) As time went by, Amanda married a man who did not fulfill the expectations of sophistication and monetary abundance that she had visualized; hence, shattering the lifestyle she imagined for herself and her children. Amanda’s demanding and idealistic views along with the stories of past suitors were too much for her husband to bear so he ultimately abandoned her and their children for another woman he had a long distance affair. Poverty stricken, Amanda and her family relied heavily on th... ... middle of paper ... ... damaging that it held her son’s confidence in himself back and diminished any dreams of a normal life for her daughter. Amanda confessed, “Why can’t you and your brother be normal people? Fantastic whim and behavior!” (1639) Amanda’s illusion affected the family and herself mostly because she did not want to appreciate the bright, beautiful, and kind children she had around her for the reason that she was too blinded by paranoia and the belief that nothing and no one was ever good enough. The result of her actions drove her son Tom to finally leave home to join the Merchant marines and her daughter to seek shelter in her own world of fantasy with no hope for a normal life. Amanda proclaims,”My devotion has made me a witch and so I make myself hateful to my children.” (1627) Amanda was a mother trapped in her perception of a reality that was only an illusion.
The Glass Menagerie is a play written by Tennessee Williams. It involves a mother, Amanda, and her two children, Tom and Laura. They are faced with many problems throughout the play. Some of these problems involve: Amanda, the mother, only wants to see her kids succeed and do well for themselves. How does her drive for success lead the book?
Amanda is also well characterized by the glass menagerie. The glass sits in a case, open for display and inspection for all. Amanda try’s to portray herself as a loving mother, doing everything she can for her children, and caring nothing for herself, when in fact, she is quite selfish and demanding. Amanda claims that she devotes her life to her children, and that she would do anything for them, but is very suspicious of Tom’s activities, and continually pressures Tom, trying to force him in finding a gentleman caller for Laura, believing that Laura is lonely and needs a companion, perhaps to get married. Like the glass, her schemes are very transparent, and people can see straight through them to the other side, where ...
Learning how to remain optimistic and fulfilled in a rough situation is one of the most important skills a person can develop.. In Tennessee William’s The Glass Menagerie, the Wingfield family has trouble separating what is real and what is not, but they always manage to stay pleased with themselves. Laura spends her time with her glass menagerie and trinkets. Tom uses art, literature, and substance abuse to distract him from his current situation. Amanda indulges into the past and lives vicariously through her daughter as to not be in the moment. When an individual is forced to comply to a certain standard of living, then they must artificially escape their reality, because if they do not, they will never be able to sustain
The power within the mind provides people with the opportunity to create an illusion of one’s life. These illusions sprout from dreams that often are unobtainable, as they strive to reach perfection in life which is known to be impossible. The mind crafted images provide people with an outlet to escape the terrifying truth of reality. Shielding oneself from reality is only a temporary solution, and can create social struggles as well as tension. The struggle between wanting to live in a fantasy of dreams to escape the world, and accepting the hardships of reality has existed in society since the beginning of time. Tennessee Williams demonstrates that many fall into the temptation to escape reality by living in an imagination where truth and responsibilities are neglected in his novel The Glass Menagerie.
really a place for someone like him and his mind rebelled. Lastly you can see
The Character of Tom Wingfield in The Glass Menagerie Tom Wingfield is a determined young man. He has decided against everyone else in his family's wishes that he wants to leave the dismal life of a factory job, to pursue a chance in the Merchant Marines. He realizes that he would be running off like his father and this is probably the only thing that kept him from leaving this long. Amanda, Tom's mother, deep down knows the day is coming that Tom will leave. She says "But not till there's someone to take your place."
Amanda uses the word “devotion,” instead of the word “obsession,” like Tom uses. The word “devotion” has a positive stigma around it, which suggests that Amanda’s intentions are good. Yet, in spite having the right intentions, her approach to helping her family backfires. Amanda uses the metaphor of a witch to show how her obsession of having a perfect family has a negative impact on her behavior. She understands that her controlling ways are causing her children to resent her. Although she is aware of how her behavior is affecting her family, anxiety is brushed under the rug during this time period (Dworkin 49). Therefore, she does not have anyone to help tame her anxious ways, which damages her relationships with her
In Williams, Tennessee’s play The Glass Menagerie, Amanda’s image of the southern lady is a very impressive. Facing the cruel reality, she depends on ever memories of the past as a powerful spiritual to look forward to the future, although her glory and beautiful time had become the past, she was the victim of the social change and the Great Depression, but she was a faithful of wife and a great mother’s image cannot be denied.
The Glass Menagerie, written by Tennessee Williams in 1944, tells a tale of a young man imprisoned by his family. Following in the footsteps of his father, Tom Wingfield is deeply unhappy and eventually leaves his mother and sister behind so he may pursue his own ambitions. Throughout the play, the reader or audience is shown several reasons why Tom, a brother to Laura and son to Amanda, is unhappy and wishes to leave his family. However, the last scene describes Tom’s breaking point in which he leaves for the last time. Amanda tells Tom to “go to the moon,” because he is a “selfish dreamer.” (7. Amanda and Tom) The reasonings for Tom’s departure are due to his mother’s constant nagging, hatred for
In Tennessee Williams' play, The Glass Menagerie, each member of the Wingfield family has their own fantasy world in which they indulge themselves. Tom escaped temporarily from the fantasy world of Amanda and Laura by hanging out on the fire escape. Suffocating both emotionally and spiritually, Tom eventually sought a more permanent form of escape.
In The Glass Menagerie, Tennessee Williams uses the roles of the members of the Wingfield family to highlight the controlling theme of illusion versus reality. The family as a whole is enveloped in mirage; the lives of the characters do not exist outside of their apartment and they have basically isolated themselves from the rest of the world. Even their apartment is a direct reflection of the past as stories are often recalled from the mother's teenage years at Blue Mountain, and a portrait of the man that previously left the family still hangs on the wall as if his existence is proven by the presence of the image. The most unusual factor of their world is that it appears as timeless. Amanda lives only in the past while Tom lives only in the future and Laura lives in her collection of glass animals, her favorite being the unicorn, which does not exist. Ordinary development and transformation cannot take place in a timeless atmosphere such as the apartment. The whole family resists change and is unwilling to accept alteration. Not only is the entire family a representation of illusion versus reality, each of the characters uses fantasy as a means of escaping the severity of their own separate world of reality. Each has an individual fantasy world to which they retreat when the existing world is too much for them to handle. Each character has a different way of dealing with life when it seems to take control of them, and they all become so completely absorbed in these fantasies that they become stuck in the past.
The Glass Menagerie by Tennessee Williams is a touching play about the lost dreams of a southern family and their struggle to escape reality. The play is a memory play and therefore very poetic in mood, setting, and dialogue. Tom Wingfield serves as the narrator as well as a character in the play. Tom lives with his Southern belle mother, Amanda, and his painfully shy sister, Laura. The action of the play revolves around Amanda's search to find Laura a "gentleman caller. The Glass Menagerie's plot closely mirrors actual events in the author's life. Because Williams related so well to the characters and situations, he was able to beautifully portray the play's theme through his creative use of symbolism.
Tennessee Williams’ play, The Glass Menagerie, depicts the Wingfield family in a naturalistic viewpoint that highlights the importance of a man in the life of a woman. Without a husband in the play, Amanda’s son Tom is rendered as “the man of the house.” Williams attributes the monetary stability of the Wingfields entirely to Tom. Williams stresses the necessity of a working man through Tom so that women and children can be financially stable. As a naturalist, Tennessee Williams illustrates the characters’ reactions to various events and circumstances in accordance with man’s natural instincts of survival. Williams reveals Amanda in this approach, and he portrays naturalistic tendencies in her personality and character, her relationship with her son, and her connection with her hopeless daughter, Laura. Amanda is trying to survive and raise her children without a husband to support her economically.
At first glance, Amanda Wingfield from Tennessee Williams’s The Glass Menagerie seems like a selfish women stuck in her past. In some ways this observation is correct; however, she is much more than that. Her kind and caring nature, and her insatiable love for her children has been overshadowed by her brash and insensitive dialogue. Her character is extremely complex and each one her actions reveals more of her overwhelming personality. Amanda loves her children and tries her best to make sure they do not follow in her path to downfall. Unfortunately, while she is trying to push her children toward her ideals of success; she is also pushing them away. Amanda Wingfield is a kind women stuck the wrong place and time; she
The role of abandonment in The Glass Menagerie can best be described as the plot element that underlies the overall tone of despondence in the play because it emphasizes the continuous cycle of destruction and hardship that the Wingfield family experiences; indeed, abandonment in the play is a reiterative element that strips the excesses from the three main characters in the play and leaves them in their barest forms, united by a sorrowful reality and clutching each other through the ever-present need to sink into a self-constructed oblivion. The first, and perhaps the most notable and most frequently discussed, example of abandonment in the play would be that of Amanda Wingfield’s husband’s abandonment of his family; he left them at an unspecified time in the past because “he fell in love with long distances,” and evidently forsook any obligations and emotional affiliations that he may have had with his wife and offspring (Williams 5). Having been abandoned by a man who was both husband and father affected Amanda, Tom, and Laura in that it established many of their familial dynamics...