Flannery O’Connor’s short-story work occurred during the 1950s and 1960s, a time in which race caused significant tensions among Americans. Raised in the south, Flannery grew up in an atmosphere of overt racism and Catholic fervor. Both of these influences affected the way she wrote. Flannery O'Connor conveyed both her moral and religious values in her writing, and she consistently wrote about religion and race within this narrow perspective. “Many of my ardent admirers would be roundly shocked and disturbed if they realized that everything I believe is thoroughly moral, thoroughly Catholic, and that it is these beliefs that give my work its chief characteristics” (O'Connor Habit 147–8).She showed this narrowness repeatedly by her choice of themes, styles and views, and included them in stories such as “Everything That Rises Must Converge,” “The Geranium,” “The Artificial Nigger,” and “Judgment Day.”
Flannery O'Connor was born and raised in Savannah, Georgia. She was raised by her mother and father, though a hereditary disease, lupus, took her father away from her at the age of fifteen. Her religion came directly from the Bible Belt, and her views on race reflected the issues going on at the time. She witnessed the first black Americans go to the world championships, the KKK tormenting of black Americans, Martin Luther King Jr.’s fight for black American’s rights, and the beginning of the de-segregation of society. At the time, many white Americans in the south rebelled against the tide of racism, and O’Connor was drawn to this moral stance. She wrote her short stories during this time period, a writer clearly enmeshed in the social, juristic and economical events of her time. O'Connor's subject in her fiction, she once said,...
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...ople are often classified with more than one ethnicity in America. Does that stop society from making comparisons between races? No, it does not. The United States President, Barack Obama, is known as the first black president. Technically, he is the first black president but there is no need to bring up his race. The color he does not seem to affect the decisions he makes. Society is still just as guilty of trying to make ethnicity an easy thing to understand.
We are all blameworthy of making assumptions off of race or religion and refusing to acknowledge the individual truths that lie beyond those things. So, as we continue to teeter along that wall between as racism and acceptance, think of Flannery O'Connor's writing. Holding views for one side while sympathizing with the other is something that has been around for centuries. She, however, made it an art form.
What defines an individual’s racial characteristics? Does an individual have the right to discriminate against those that are “different” in a specific way? In Octavia Butler’s works, which are mostly based on themes that correlate to one another, she influences the genre and fiction in ways that bring light to the problems of societies history. Through Kindred and the Parable of the Sower, Octavia Butler examines themes of community, racial identification, and racial oppression through the perspective of a black feminist. In each novel, values and historical perspective show the hardships that individuals unique to an alien world have to face. Through the use of fictional works, Butler is able to delve into historical themes and human conditions, and with majority of works under the category of science fiction, Butler is able to explore these themes through a variety of settings. This essay will discuss two of Butler’s popular works, Kindred and the Parable of Sower, and will interpret the themes of women, race, independence, and power throughout the two novels.
Religion is a pervasive theme in most of the literary works of the late Georgia writer Flannery O'Connor. Four of her short stories in particular deal with the relationship between Christianity and society in the Southern Bible Belt: "A Good Man Is Hard to Find," "The River," "Good Country People," and "Revelation." Louis D. Rubin, Jr. believes that the mixture of "the primitive fundamentalism of her region, [and] the Roman Catholicism of her faith . . ." makes her religious fiction both well-refined and entertaining (70-71). O'Connor's stories give a grotesque and often stark vision of the clash between traditional Southern Christian values and the ever-changing social scene of the twentieth century. Three of the main religious ingredients that lend to this effect are the presence of divine meanings, revelations of God, and the struggle between the powers of Satan and God.
Flannery O’Connor believed in the power of religion to give new purpose to life. She saw the fall of the old world, felt the force and presence of God, and her allegorical fictions often portray characters who discover themselves transforming to the Catholic mind. Though her literature does not preach, she uses subtle, thematic undertones and it is apparent that as her characters struggle through violence and pain, divine grace is thrown at them. In her story “Revelation,” the protagonist, Mrs. Turpin, acts sanctimoniously, but ironically the virtue that gives her eminence is what brings about her downfall. Mrs. Turpin’s veneer of so called good behavior fails to fill the void that would bring her to heaven. Grace hits her with force and their illusions, causing a traumatic collapse exposing the emptiness of her philosophy. As Flannery O’Connor said, “In Good Fiction, certain of the details will tend to accumulate meaning from the action of the story itself, and when this happens they become symbolic in the way they work.” (487). The significance is not in the plot or the actual events, but rather the meaning is between the lines.
Although Flannery O’Connor didn’t even live to see her 40th birthday, her fiction endures to this day. In “A Good Man is Hard to Find” and “Everything that Rises Must Converge,” O’Connor effectively deals with the two huge themes (topics) of religion and racism. These two themes are crucial to understanding much of O’Connor’s great works and are relevant to all readers of O’Connor throughout all ages.
...American often assumes a person ethnicity by their appearance rather than their ancestries. The race relations in the U.S are nowhere near the idea of a blurred color line.
Flannery O' Connor's short story “Everything That Rises Must Converge” is about racial judgment in the south in the 1960's. O' Conors main focus in this story is how the white middle class viewed and treated people from different races in the 1960's. The story is an example of irony, redemption as well as a struggle of identity among the characters. The main characters in O'Connor's story are Julian an aspiring writer, who works as a typewriter salesmen, and his mother who is a low-middle class racist white woman who has strong views about thvxe African-American race. Both Julian and his mother are great depictions of the white mindsets of racial integration in the 1960's in which full equality for African-Americans was a new concept.
Duhamel, Albert. Flannery OConnors Violet View of Reality. Catholic World Feb 1960: 280- 285 Friedman, Melvin J. Flannery OConnor: Another Legend in Southern Fiction. English Journal Apr. 1962: 233-243
Hayes, John, and Charles E. May. "The "Christ-Haunted" South: Contextualizing Flannery O'Connor." Critical Insights: Flannery O'Connor (2011): 43-58. Literary Reference Center. Web. 18 Nov. 2013.
Sofia’s encounter with Millie is a daily occurrence in nations worldwide. Her “Hell no” is a justified response to the subservience white people have forced upon African Americans and the constant struggle against black women have against abuse and sexism. Millie is an example of the everyday white woman whose class and social standing prompt her unawareness about social problems and her own racist misgivings. Alice Walker’s novel explores this deep-rooted racism intertwined with social class and sexism. Walker’s writes from the events that have marked her life, other’s lives, and the cruelty that has scarred the black community for years. Hence, the softened racism in the form of stereotypical comments, white superiority complexes, and the sexism towards women of color that fills the
“Writing saved me from the sin and inconvenience of violence” -Alice Walker (Lewis n.pag) Walker is considered to an African American novelist, short story writers poet, essayist, and activist. Most of her literature are mostly from her personal experiences and are morale to numbers of African American all over the world. Walker defines herself as a “womanist” which means “The prophetic voice concerned about the well-being of the entire African American community, male and female, adults and children. Womanist theology attempts to help black women see, affirm, and have confidence in the importance of their experience and faith for determining the character of the Christian religion in the African American community. Womanist theology challenges all oppressive forces impeding black women’s struggle for survival and for the development of a positive, productive quality of life conducive to women’s and the family’s freedom and well-being. Womanist theology opposes all oppression based on race, sex, class, sexual preference, physical ability, and caste” (Wikipedia n.pag) The works of Alice Walker had a great influence on the African Americans community.
Walker’s publication of her latest novel, The Temple of My Familiar, has raised the criticism bar. They complain that Alice Walker has adopted a mushy new age philosophy to confront historical Christianity that has misled and misplaced black women. (Hall 8)
Zora Neale Hurston’s writing embodies the modernism themes of alienation and the reaffirmation of racial and social identity. She has a subjective style of writing in which comes from the inside of the character’s mind and heart, rather than from an external point of view. Hurston addresses the themes of race relations, discrimination, and racial and social identity. At a time when it is not considered beneficial to be “colored,” Hurston steps out of the norm and embraces her racial identity.
The main recurring theme in Flannery O’Connor’s stories is the use of violence towards characters in order to give them an eye-opening moment in which they finally realize their true self in relation to the rest of society and openly accept insight into how they should act or think. This theme of violence can clearly be seen in three works by Flannery O’Connor: A Good Man is Hard to Find, Good Country People, and Everything That Rises Must Converge.
There are numerous works of literature that recount a story- a story from which inspiration flourishes, providing a source of liberating motivation to its audience, or a story that simply aspires to touch the hearts and souls of all of those who read it. One of the most prevalent themes in historical types of these kinds of literature is racism. In America specifically, African Americans endured racism heavily, especially in the South, and did not gain equal rights until the 1960s. In her renowned book The Color Purple, Alice Walker narrates the journey of an African American woman, Celie Johnson (Harris), who experiences racism, sexism, and enduring hardships throughout the course of her life; nonetheless, through the help of friends and family, she is able to overcome her obstacles and grow into a stronger, more self-assured individual. While there are numerous themes transpiring throughout the course of the novel, the symbolism is one of the strongest prospects for instigating the plot. In The Color Purple by Alice Walker, numerous symbols influence and drive the plot of the novel.
The Black woman struggles against oppression not only as a result of her race, but also because of her gender. Slavery created the perception of Black inferiority; sexism traces back to the beginning of Western tradition. White men have shaped nearly every aspect of culture, especially literature. Alice Walker infuses her experiences as a Black woman who grew up in Georgia during the Civil Rights era into the themes and characters of her contemporary novels. Walker’s novels communicate the psychology of a Black woman under the Western social order, touch on the “exoticism of Black women” and challenge stereotypes molded by the white men in power (Bobo par. 24). In The Color Purple Walker illustrates the life of a woman in an ordinary Black family in the rural South; in his article “Matriarchal Themes in Black Family Literature”, Rubin critiques that Walker emphasizes not only that the Black female is oppressed within society, but also that external oppression causes her to internalize her inferiority. Every theme in Walker’s writings is given through the eyes of a Black woman; by using her personal experiences to develop her short stories and novels, Walker gives the Black woman a voice in literature. Walker demonstrates through her writings that the oppression of Black women is both internal and external.