The Burgundian chanson, also know as Netherlandish, is the secular song of the Low Countries, which today consists of Belgium, Luxembourg and the Netherlands. This style of chanson spawned from the older troubadour and trouvère traditions of the Middle Ages These chansons were specifically written to please the court of the four grand ducs d”Occident, cousins to the king of France: Philip the Bold, John the Fearless, Charles the Bold, and Philip the Good. Kemp eloquently describes the Burgundian chanson style as, “a tapestry woven not only of the dominant stylistic threads of French and Flemish composers but also the interacting artistry of English, Swiss, German, Italian, Spanish, and Portuguese musicians…”
While Burgundian chanson in some respects continued the traditions of the troubadours and trouvères with overriding themes of courtly love, the texts o...
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...t. UDKC60710287. 1994. Online via Naxos.
Lute Society of America, The. “Susanne un jour.” Dartmouth University. www.cs.dartmouth.edu (accessed May 5, 2014).
Miller, Leta Ellen. “The Chansons of French Provincial Composers, 1530-1550: A Study of Stylistic Trends Volume 1.” PhD diss., Stanford University, 1977. proquest.com (accessed May 1, 2014).
Munrow, David. “The art of courtly love.” Oxford Journals vol. 1, No.4 (1973), jstor.org (accessed May 5, 2014).
Roden, Timothy. Anthology for music in western civilization. Boston: Schurmer Cenegage Learning, 2010.
Sermisy, Claudin de. “Je n’ay point plus d’affection.” In Antology of Renaissance Music, ed. Allan W. Atlas. New York: W.W. Norton & Company, 1998.
Sermisy, Claudin de. Les cris de Paris chansons de Janequin et Sermisy. Ensemble Cleément Janequin. ocm36863959. 1981. Compact Disc.
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