To understand the appeal of Gothic architecture at the time, it is critical to start in the small suburb of Paris called St. Denis. There, lived a worldly member of the monastery named Abbot Suger. When he took over as Abbot in 1122, his first priority was to “fatten the monastery’s purse” (Gilgoff 59). He was able to procure more land for the abbey through royal donations and even won favor for one of the region’s large annual trade events. Thus, with the revenues he had collected, “he felt justified in spending lavishly” (Gilgoff 59). But, in his heart, he was very religious and sought to create a welcoming environment for his parishioners and saw the need to expand the church because “The narrowness of the place forced the women to run toward the altar upon the heads of men as upon a pavement with much anguish and noisy confusion" (Gilgoff 59...
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...ic lighting thanks to intricate stained glass windows. These glorious structures built by some of the humblest of men have offered a vestige of the divine for people in the past and the present and will carry on into the future.
Bony, Jean. French Gothic Architecture of the Twelfth and Thirteenth Centuries. Los Angeles: University of California Press, 1983.
Frankl, Paul. Gothic Architecture. Yale University Press, 1962.
Gilgoff, Dan. "GOTHIC GLOW. (Cover story)." U.S. News & World Report 134.23 (2003): 59. Academic Search Complete. EBSCO. Web. 12 Apr. 2010.
"Gothic architecture and art." Columbia Electronic Encyclopedia, 6th Edition (2009): 1-3. Academic Search Complete. EBSCO. Web. 12 Apr. 2010.
Scott, Robert. The Gothic Enterprise: A Guide to Understanding the Medieval Cathedral. Los Angeles: University of California Press, 2003.
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