“How many years can some people exist before they're allowed to be free...How many times can a man turn his head pretending he just doesn't see?” The lyrics of Blowin’ in the Wind strike the painful feeling when our dignity is smothered by unbearable fear. In the short story “On the Rainy River”, Tim O’Brien explores the idea that we cannot follow our heart in the face of terror. Through his experiences, O’Brien suggests that when our insecurity clashes with our self-respect, our moral conscience is often torn into pieces until we are left with no choice but to accept the ruthless reality with a desperate heart.
A society, a place, an attitude, an expectation---all of these contribute to a character’s response to threatening forces. Tim’s insecurity ignites in the Cold War, where the world tatters into two extreme ideologies, and “certain blood [is] shed for uncertain reasons”. Tim remains “politically naïve” until one day a draft notice flies into his pocket. He is conscripted to “fight a war he [hates]”---the Vietnam War. Confusion, rage, exasperation freeze his mind: Why me? I am not a hero! I am too good! I hate wars! But all of them melt into a “silent howl” inside his head. Tim’s summer job in a meatpacking plant allows him to envision himself as a soldier. “Standing for eight hours a day under a lukewarm blood shower”, holding a massive water gun, he “[removes] blood clots from the necks of the dead pigs”. The carcasses and the gore evoke the disturbing images of brutal and merciless battles in his mind. His body shivers and sweats run down in his face, as if he is torturing the political enemies, and their blood is splattering everywhere for absurd reasons. When he goes home, Tim is irritated by the obnoxious smell that “...
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...er, leaving only a tranquil mind to believe that life burden is more important than his dignity. He manages to conquer his insecurity and accepts the obligation to go to Vietnam. Tim calls himself a coward---a soldier that finds courage to fight in the “wrong war”.
Through his own experience, O’Brien develops the idea that self-respect erodes like a pebble in a river of insecurity. No matter how hard O’Brien tries to convince himself that he must listen to his conscience, he is unable to retreat from his burden. He might die in the wrong war! He might become one of the carcasses in the slaughterhouse! But he must do what he should do. In life when we believe that our self-respect is right, we are determined to follow our heart. However, when we encounter oppressive situations, we will not swim away from our insecurity, because “[we are] cowards, [we go] to war”.
In his short story, O’Brien unravels step by step the irony in the double meaning of truth, implied in this first statement, “This is true”, to the reader which is then woven through the entire story. By trying to characterize what constitutes a true war story, but never really achieving this goal, the true irony of his short story is revealed. Even though in some instances giving away his opinion explicitly, the sheer contradiction of honesty and reality becomes even more visible in an implicit way by following O’Brien’s explanations throughout the story while he deconstructs his first statement. The incongruity between his first statement and what is actually shown in his examples does not need any explicit statements to drive home his message.
These men are transformed into guilt-laden soldiers in less than a day, as they all grapple for a way to come to terms with the pain of losing a comrade. In an isolated situation, removed from the stressors, anxieties, and uncertainties of war, perhaps they may have come to a more rational conclusion as to who is deserving of blame. But tragically, they cannot come to forgive themselves for something for which they are not even guilty. As Norman Bowker so insightfully put it prior to his unfortunate demise, war is “Nobody’s fault, everybody’s” (197).
He arrives back at his town, unused to the total absence of shells. He wonders how the populations can live such civil lives when there are such horrors occurring at the front. Sitting in his room, he attempts to recapture his innocence of youth preceding the war. But he is now of a lost generation, he has been estranged from his previous life and war is now the only thing he can believe in. It has ruined him in an irreversible way and has displayed a side of life which causes a childhood to vanish alongside any ambitions subsequent to the war in a civil life. They entered the war as mere children, yet they rapidly become adults. The only ideas as an adult they know are those of war. They have not experienced adulthood before so they cannot imagine what it will be lie when they return. His incompatibility is shown immediately after he arrives at the station of his home town. ”On the platform I look round; I know no one among all the people hurrying to and fro. A red-cross sister offers me something to drink. I turn away, she smiles at me too foolishly, so obsessed with her own importance: "Just look, I am giving a soldier coffee!"—She calls me "Comrade," but I will have none of it.” He is now aware of what she is
He talks about the time in his life that he is shameful of which he portrays as a type of confession about being a coward. The reason for the confession is that he debated and almost dodged the draft for the Vietnam War. “Certain blood was being shed for uncertain reasons” (O’Brien 38). The uncertainty that the people being drafted had with the United States agenda for the war was bewildering. The context of O’Brien’s fictional writing in the story has a certain context that is important to the story and with this background you can see Tim O’Brien’s assumed cowardliness in a different
Life can bring unexpected events that individuals might not be prepared to confront. This was the case of O’Brien in the story, “On the Rainy River” from the book The Things They Carried. As an author and character O’Brien describes his experiences about the Vietnam War. In the story, he faces the conflict of whether he should or should not go to war after being drafted. He could not imagine how tough fighting must be, without knowing how to fight, and the reason for such a war. In addition, O’Brien is terrified of the idea of leaving his family, friends and everything he loves behind. He decides to run away from his responsibility with the society. However, a feeling of shame and embarrassment makes him go to war. O’Brien considers himself a coward for doing something he does not agree with; on the other hand, thinking about the outcome of his decision makes him a brave man. Therefore, an individual that considers the consequences of his acts is nobler than a war hero.
After an event of large magnitude, it still began to take its toll on the protagonist as they often “carried all the emotional baggage of men who might die” during the war (O’Brien 1187). The travesties that occurred with the brutality of war did not subside and began to affect those involved in a deeply emotional way. The multitude of disastrous happenings influenced the narrator to develop a psychological handicap to death by being “afraid of dying” although being “even more afraid to show it” (O’Brien 1187). The burden caused by the war creates fear inside the protagonist’s mind, yet if he were to display his sense of distress it would cause a deeper fear for those around him, thus making the thought of exposing the fear even more frightening. The emotional battle taking place in the psyche of the narrator is directly repressed by the war.
After their first two days of fighting, they return to their bunker, where they find neither safety nor comfort. A grizzled veteran, Kat, suggests these ‘fresh-faced boys’ should return to the classroom. The war steals their spiritual belief in the sanctity of human life with every man that they kill. This is best illustrated by Paul’s journey from anguish to rationalization of the killing of Gerard Duval; the printer turned enemy who leaps into the shell-hole already occupied by Paul. Paul struggles with the concept of killing a “brother”, not the enemy. He weeps despondently as war destroys his emotional being.
“War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead,” (80). In the fiction novel The Things They Carried, the author Tim O’Brien reminisces fighting in the Vietnam War and the aftermath of the war with his platoon mates through short stories and memories. He goes in depth about the emotional trauma and physical battles they face, what they carry, and how Vietnam and war has changed them forever. O’Brien’s stories describe the harsh nature of the Vietnam War, and how it causes soldiers to lose their innocence, to become guilt-ridden and regretful, and to transform into a paranoid shell of who they were before the war.
Imagine being in an ongoing battle where friends and others are dying. All that is heard are bullets being shot, it smells like gas is near, and hearts race as the times go by. This is similar to what war is like. In the novel All Quiet on the Western Front, the narrator, Paul Baumer, and his friends encounter the ideals of suffering, death, pain, and despair. There is a huge change in these men; at the beginning of feel the same way about it. During the war the men experience many feelings, especially the loss of loved ones. These feelings are shown through their first experience at training camp, during the actual battles, and in the hospital. Training camp was the first actuality of what war was going to be like for the men. They thought that it would be fun, and they could take pride in defending their country. Their teacher, Kantorek, told them that they should all enroll in the war. Because of this, almost all of the men in the class enrolled. It was in training camp that they met their cruel corporal, Himelstoss.&nbs most by him. They have to lie down in the mud and practice shooting and jumping up. Also, these three men must remake Himelstoss’ bed fourteen times, until it is perfect. Himelstoss puts the young men through so much horror that they yearn for their revenge. Himelstoss is humiliated when he goes to tell on Tjaden, and Tjaden only receives an easy punishment. Training camp is as death and destruction. Training camp is just a glimpse of what war really is. The men do not gain full knowledge of war until they go to the front line. The front line is the most brutal part of the war. The front line is the place in which the battles are fought. Battles can only be described in one word- chaos. Men are running around trying to protect themselves while shooting is in the trench with an unknown man from the other side. This battle begins with shells bursting as they hit the ground and machine guns that rattle as they are being fired. In order to ensure his survival, Paul must kill the other man. First, Paul stabs the man, but he struggles for his life. He dies shortly after, and Paul discovers who he has killed. The man is Gerald Duval, a printer.&n Having to deal with killing others is one of the horrors of war. The men who are killed and the people who kill them could have been friends, if only they were on the same side. The other important battle leaves both Paul and Kropp with injuries.
The three character perspectives on war are interpreted entirely differently. Tim O’Brien is illustrated as the most sensitive soldier out of the three. “His jaw was in his throat, his upper lip and teeth were gone, his one eye was shut, his other eye was a star-shaped hole.” (124). Tim’s sensitivity is revealed when he shows how bewildered he is as he stares at the lifeless Viet Cong body.
In The Things They Carried, an engaging novel of war, author Tim O’Brien shares the unique warfare experience of the Alpha Company, an assembly of American military men that set off to fight for their country in the gruesome Vietnam War. Within the novel, the author O’Brien uses the character Tim O’Brien to narrate and remark on his own experience as well as the experiences of his fellow soldiers in the Alpha Company. Throughout the story, O’Brien gives the reader a raw perspective of the Alpha Company’s military life in Vietnam. He sheds light on both the tangible and intangible things a soldier must bear as he trudges along the battlefield in hope for freedom from war and bloodshed. As the narrator, O’Brien displayed a broad imagination, retentive memory, and detailed descriptions of his past as well as present situations. 5. The author successfully uses rhetoric devices such as imagery, personification, and repetition of O’Brien to provoke deep thought and allow the reader to see and understand the burden of the war through the eyes of Tim O’Brien and his soldiers.
The relationship you have with others often has a direct effect on the basis of your very own personal identity. In the essay "On The Rainy River," the author Tim O'Brien tells about his experiences and how his relationship with a single person had effected his life so dramatically. It is hard for anyone to rely fully on their own personal experiences when there are so many other people out there with different experiences of their own. Sometimes it take the experiences and knowledge of others to help you learn and build from them to help form your own personal identity. In the essay, O'Brien speaks about his experiences with a man by the name of Elroy Berdahl, the owner of the fishing lodge that O'Brien stays at while on how journey to find himself. The experiences O'Brien has while there helps him to open his mind and realize what his true personal identity was. It gives you a sense than our own personal identities are built on the relationships we have with others. There are many influence out there such as our family and friends. Sometimes even groups of people such as others of our nationality and religion have a space in building our personal identities.
Tim O’Brien is drafted one month after graduating from Macalester College to fight a war he hated. Tim O’Brien believed he was above the war, and as a result pursued the alternative of escaping across the border to Canada. This understandable act is what Tim O’Brien considers an embarrassment to himself, and to others. When Tim O’Brien finds accommodation on the border to Canada, he meets Elroy Berdahl who eventually influences Tim O’Brien, to change. Elroy Berdahl acts as a mentor to Tim, a figure that remains detached in the sense that he must provide enough support and understanding without being attached to the results.
The author, Tim O'Brien, is writing about an experience of a tour in the Vietnam conflict. This short story deals with inner conflicts of some individual soldiers and how they chose to deal with the realities of the Vietnam conflict, each in their own individual way as men, as soldiers.
Behind every war there is supposed to be a moral—some reason for fighting. Unfortunately, this is often not the case. O’Brien relays to the readers the truth of the Vietnam War through the graphic descriptions of the man that he killed. After killing the man O’Brien was supposed to feel relief, even victory, but instead he feels grief of killing a man that was not what he had expected. O’Brien is supposed to be the winner, but ends up feeling like the loser. Ironically, the moral or lesson in The Things They Carried is that there is no morality in war. War is vague and illogical because it forces humans into extreme situations that have no obvious solutions.