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essay on symbolism in literature
significance of symbolism in literature
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Priestley shows that the tension is within Birling’s family in many ways. He has created the setting of the play in Birling’s dining room where all the traumatic situations occur, it’s also where they hear unpleasant news from Inspector’s arrival. This setting also makes it seem claustrophobic where the audience are controlled by Inspector’s enquiry which heightens the tension of the play between the exit and entrance in the play. An Inspector Calls starts off calmly with ‘pink and intimate’ lighting which once after Inspector’s arrival the atmosphere becomes ‘brighter and harder’. Priestley here is showing us the warning of the forthcoming quandaries. This could also mean the calmness will no longer last as the play goes on just as how Mr. Birling’s optimism is short-sighted.
Priestley has also created certain characters to make them seem ‘fishy’, Eric during a conversation between Gerald and Mr. Birling suddenly ‘guffaws’. This foreshadowing makes it seem that Eric could be carrying burden of secrets yet their parents don’t know, that will be revealed later in the play. There...
The ‘confessions’ in the play are not usually about truth, as they are enforced and arise out of fear. Discuss the role you think confessions play in the dramatic force of this play.
When the Inspector reminds her of a pregnant girl request for help she turned away from a charity organisation she was the Chair of. She also argued that the girl was lying about the father of the child who had stolen money to try to support her which she refused. Mrs Birling then suggests that the father of the child should be made to pay. Meanwhile, Eric has been out and re-enters the house to see suspenseful faces, the reader at this point expect Eric to be the father.
Priestley has presented Birling as an arrogant, egotistical, right wing or capitalist man. Priestley himself was a socialist. He believes that as a society, we have to look after one another and that the government should give the unemployed people or refugees free health cares and free education. This tells us that Priestley wouldn’t make Mr. Birling look good in this story as capitalists like Mr. Birling only care about wealth. This story was set in 1912 which was before WWI and was written in 1946 which was just after the WWII. This means Priestley had lived through the two great wars, which probably had a huge impact on him. He used dramatic irony especially with regards to Mr. Birling. In the play, Mr. Birling was confident about the theories
A Comparison of Characters of Mr. Birling and Inspector Goole in J.B. Priestley's An Inspector Calls
but she seems to be a person who would only marry for love and not for
The music and sound effects are in the same pont with what the author nedded to say in that play. In the smok and sword fight on the first act we thought will be a play where every body is confusing and fight each other. The phone ringing all the time and this help the actors to play around in the hury and action come up with rehearsal process. The purposes of the phone is any time we heart that something is going to happen, so we expectin to change the sequence in the play. Ringing the phone open a problem, hanging up the phone close the problem. Opening and shoutting the door of dressing room as a slamming it create for the audience understanding the flow of the show and leaves the flexibility as we see white and black to the performance. Crying with tears make the player dramatic, but afraid of discover which it trying to keep things together laughting and
These questions prove that Gertrude is much more complex than the reader thinks initially. However, her character in the play is an enigma, shallow in depth. Gertrude seems to put on a facade of ignorance. She must protect her own interests.
Many of Hamlet's themes are revived in the text of Great Expectations. Charles Dickens creates characters and plots that are intertextually linked with the elements of the fatherly ghost and revenge in Hamlet. Pip chronicles his quest for self-discovery and establishing and/or diminishing his relationships with fatherly figures. In doing so he, much like Hamlet, is challenged by situations filled with revenge and dauntless ghosts. By Dickens integrating the Hamlet motif into Great Expectations, he promotes the reader's understanding of the dominant themes and message of Pip's tragedy, which directly correlate to the character of Prince Hamlet. Dickens makes references to Hamlet throughout the novel, but he establishes strong parallels particularly in the first and thirty-first chapters of his novel. Furthermore, Dickens dedicates chapter thirty-one to an actual performance of the play. He connects the roles the reader is to recognize Pip portraying in his life to the actors and scenes being comically reenacted on stage. In order for Dickens to emphasize Pip's inconsistent identity, he relies on a commentary on each of the boy's attempts to play the role of someone else. Besides the resonance of Prince Hamlet in Pip's character, the fatherly figures of Joe and Magwitch are drawn in the image of the Ghost of Hamlet's father. Both Hamlet and Great Expectations bear the struggles of young men striving to fulfill their obligations to a vengeful father figure. The fatherly figures propel their "sons" to attain the place in society which they lacked a chance to themselves, but the fatherly intentions only lead to Hamlet and Pip's self-destruction. Hamlet is defeated by his contempt and lust to satisfy the revenge his father seeks through him. In Great Expectations, Pip is given the fortunate opportunity to escape the constraint of revenge; despite a difficult journey, he ultimately succeeds in becoming a gentleman. Pip, unlike Hamlet, learns to avoid the vengeful behavior which soured his expectations; rather he accepts the just father figure of Joe and distinguishes his identity.
Wycherley’s The Country Wife opens on Horner, the lead, telling his physician about his plan to change his reputation from that of a rake (promiscuous man-about-town) to that of a eunuch in order to gain access to women without anyone knowing. He withholds this plan from everyone but the doctor, who becomes his accomplice by spreading the rumor of Horner’s impotence to the gossipiest women in London. Horner’s sex life constitutes two of the three main plots, in both of which he gains access to a married woman and cuckolds her husband. He comes close to being found out but narrowly escapes discovery when the women of the play and the doctor reaffirm his condition, thus persuading the cuckolded husbands that they have not been made cuckolds. The other plot involves Harcourt, Horner’s best friend, who falls in love with and immediately proposes to Alithea when Sparkish, the would-be wit whom she is arranged to marry, introduces them in an attempt to make Harcourt jealous and thus win his approval. Harcourt then spends the rest of the play making failed attempts to win Alithea away from Sparkish. In the end, Horner’s plots intersect with Harcourt’s, and Horner slanders Alithea to keep his affairs secret. Sparkish had kept Alithea’s loyalty because ostensibly he was not jealous and seemed to trust her, but he believes what Horner says about Alithea without waiting to hear her defense and shows that he is not really who she thought he was, nor did he ever really care about her. Harcourt, on the other hand, defends her honor and trusts her, despite the slander, and once again offers marriage. Alithea, who had fallen for Harcourt but had to keep her feelings secret, is now free t...
Through the use of dialogue, stage directions which enable us to envisage the scene on stage and characterisation we can see how dramatic tension is created by Miller. These aspects are to be explored for each act.
Discuss Priestley's depiction of the Birling household and Gerald Croft, prior to the arrival of Inspector Goole In this submission I hope to fully discuss Priestley's depiction of the Birling household and Gerald Croft, prior to the arrival of Inspector Goole. The play is set in the fictional town of Brumley, an industrial town in the North Midlands. It is evening in the town, in the spring of 1912. At the moment the play starts the characters are celebrating the engagement between Gerald Croft and the Birling family's only daughter Sheila. They are all very pleased with themselves and are enjoying the occasion.
In the beginning, Priestley describes the Birlings’ house as ‘a fairly large suburban house’ with ‘good solid furniture of the period’, showing they are upper-middle class and that they have money. They also have servants such as a maid and a cook. Priestley wants to give us an idea that the Birlings are upper class both in possessions and attitudes.
In order to encourage the audience to apply their critical faculties, Priestley makes them feel superior to Birling.He thoroughly discredits and degrades Birling, and through him, the right wing philosophy. This tells us very early on that Priestley uses Birling as a diametric mouthpiece to voice his left-wing opinions and that the play is completely biased to the socialist perspective. The theatricality of the dramatic irony Priestley uses makes the audience think outside the proscenium arch, about the world and their relationships to it. This is all part of the non-illusory experience.
Many characters in the play have confidence in Horatio because of his trustworthiness. Horatio is very trustworthy, and not only in the way that he can keep a secret if needed, but he is honorable and keeps his word, and is honest to himself, showing integrity. Here, Horatio shows this trait by revealing to Hamlet that Hamlet’s father’s ghost had appeared.
The roles of Mr. and Mrs. Bennet in Jane Austen’s novel Pride and Prejudice are contrasted between a father who cares about what’s inside of people and a mother who only worries about vanity and appearance. Mr. and Mrs. Bennet’s parental guidance is unique to their personalities. Because of their two opposing personas, Mr. and Mrs. Bennet’s ideas of marriage are contradictory for their daughters; Mr. Bennet believes in a loving respectful marriage whereas Mrs. Bennet values a marriage which concerns wealth and social status. Their aspirations for Lydia, Jane, Mary, Kitty and Elizabeth mirror their conflicting ideologies. Mr. Bennet seems to have a quiet deep love for his daughters while, on the contrary, Mrs. Bennet’s love is over-acted and conditional. Both parents help to shape their daughters’ characteristics and beliefs: Lydia reflecting Mrs. Bennet’s flighty and excessive behavior while Elizabeth inherits Mr. Bennet’s pensive and reflective temperament. Looking past their dissimilar personality traits and contradicting convictions, both parents hold the family together and play an integral role in the household structure.