Katherine Minola lived with a fancied sister and a neglecting father. Though Kate yells at her father in public, ties up and beats her little sister Bianca, breaks a musical instrument over the head of a competing suitor, throws tantrums and insults everyone she meets, Katherine’s misbehavior is the only thing protecting her from her inevitable feminine destiny. Katherine’s unhealthy and damaging living environment fed her erratic behavior, thus her shrewishness was simply a response to her mistreatment. When Petruchio approaches Baptista to ask for Katherine’s hand, Petruchio states “Pray have you not a daughter/ called Katherina, fair and virtuous?”, praising Katherine as a suitor should. Baptista oddly responds, “I have a daughter, sir, called Katherina.” (II. i. 43-45), denouncing his own daughter....
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... the audience, reflecting the values within society at the time. Thus the mistreatment towards Katherine enforced the misogynistic ideas of the audience during this era, contributing to the male dominance and societal pressures women struggled with.
Katherine, before her transformation, was a bold girl who in today’s society would not be ostracized but would instead be characterized an inspiration to all girls who aspire to be powerful members of society. Although she ended up submitting to her husband’s ideals, Katherine’s ability to manipulate her original ways of direct defiance to discreet attacks is admirable, for few have the ability to be indirectly straightforward. Katherine acts as an idol for those women who choose to steer away from the stereotypical role of women, for she was able to please her husband and everyone else, while remaining true to herself.
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