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feminism during the late 1800s
the role of women in the late 19th century
feminism during the late 1800s
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During the Nineteenth Century, the gender roles were greatly divided. Women were seen to have a completely differently status and nature from men. The stereotypical woman during this time-period was dependent, passive, domestic, and far weaker then a man. Men on the other hand, were far more dominant, dependent, controlling, ambitious and active. Men were the protectors and providers for the family. As if women weren’t already inferior enough to men, when they got married, essentially everything that was theirs was striped from them. What she once owned, was now her husbands, this included her savings, her land, her slaves, her freedom and especially her independence (Steele and Brislen). Women were expected to just do their household duties and be content with their lives and want nothing more. This lead wives to live in the shadows of their spouse. It is Charlotte Perkins Gilman, a feminist writer of the Nineteenth and early Twentieth Century who illustrates the discord of the gender roles of this time-period. One of her most famed writings is “The Yellow Wallpaper.” In this short story, we read about a spouse who is totally dominated by her husband John, and we follow her while she is away rejuvenating herself from an illness. Feministic literature of this time, really focuses on the inferiority of women against men. Women were under tight jurisdiction and their behaviors were governed by laws that were strict and limited their lifestyles. They were essentially powerless and totally dependent on men. It was this that lead to Charlotte Gilman to examine and write about women’s rights, roles and what it would take to reach equality between genders. Gilman wrote in her “Women and Economics” that for women to gain equality with ... ... middle of paper ... ...ight, and when it became daylight the next day, her imagination played games with her. She imagined the walls laughing at her now. It’s almost like they were laughing that she attempted and even thought that it was possible to escape. When John finally returned to the house, he was caught by surprise when his wife had locked herself inside the room. This was her final attempt to get the woman to escape from behind the bars. John tried to get into the room, but his wife would not let him. She yelled, “I've got out at last, in spite of you and Jane. And I've pulled off most of the paper, so you can't put me back!" (Gilman 1128) This is when we, the readers can tell that she indeed, did see herself as the trapped woman behind the bars of the wallpaper. When she yelled that to her husband, it was as if she was finally freeing herself from his control and manipulation.
When the narrator got up in the middle of the night to see if the yellow wallpaper was moving John said to her, “What is it, little girl?” he said. “Don’t go walking about like that—you’ll get cold” (Gillman). Throughout the entire story, the woman or her husband never reveals her name. The woman is referred to names that carry a subordinate connotation, such as “little girl.” All sense of individuality and self worth is taken way from the narrator when her name is never revealed to the audience. Furthermore, John continues to belittle his wife by giving her the command to not walk around at night. Although the John thinks in his mind that he is looking out for the best interest of his wife, in actuality, he is taking away his wife’s abilities to make choices for herself. There is a possibility that John’s controlling personality is one of the factors that led to his wife’s psychosis. Such a controlling life style more than likely limited the narrator’s ability to live any life outside of the home. Towards the end of the story, the narrator exclaims, “"I 've got out at last," said I, "in spite of you and Jane” (Gilman). The woman had escaped her gender role as being subservient to men, and is possible that the narrator’s real name is Jane. If this is true, then she had relinquished that identity associated with the struggles that she had during her relationship with John. Her
towards African Americans are presented in number of works of scholars from all types of divers
In Charlotte Perkins Gilman’s bodies of work, Gilman highlights scenarios exploring traditional interrelations between man and woman while subtexting the necessity for a reevaluation of the paradigms governing these relations. In both of Gilman’s short stories, “The Yellow Wallpaper” and “Turned”, women are victimized, subjected and mistreated. Men controlled and enslaved their wives because they saw them as their property. A marriage was male-dominated and women’s lives were dedicated to welfare of home and family in perseverance of social stability. Women are expected to always be cheerful and good-humored. Respectively, the narrator and Mrs. Marroner are subjugated by their husbands in a society in which a relationship dominated by the male is expected.
Although women’s suffrage and other rights was a long and hard battle, suffragists like Charlotte Perkins Gilman continually fought in order to promote the independence and liberty that women deserved to have. Nevertheless, Gilman continued to advocate the freedom that women deserved and yearned to have through different lifestyle changes she believed would lead to independence. She continued to advocate the liberties a woman should have in her book by promoting economic independence, examining the new society in which women desire freedom, and lastly, exploring the idea that women are limited by marriage and childbirth.
“The Yellow Wallpaper” by Charlotte Perkins Gilman and “The Story of an Hour” by Kate Chopin were published in nineteenth century and have similarities in some aspects. Both of the stories have discussed on the male-dominated society and the impact of the patriarchal society on women. The women in “The Yellow Wallpaper” and “The Story of an Hour” are being controlled by their husbands physically and mentally. They have been deprived the rights to speak out their own minds and forced culturally to follow and support whatever their husbands say. Both “The Yellow Wallpaper” and “The Story of an Hour” have suggested that the patriarchy-centered society oppresses women and causes unfavorable effects on women, marriages and society.
Gender plays an enormous role in society, it distinguishes the difference between men and women. Men and women has different role to play in society because it is what they have to do in order not to be criticized. Moreover, they have to be the head of the household and they have to provide for their family. On the other hand, women has to be the housewives and have to take care of the family. Gender roles takes place in every single era that people lived in and it always had an influence over every single individual. During the 1700-1900s, women had few rights and they never had a voice in society. They had to stay pure until marriage and men who are sexually inactive are considered less of a man. Women couldn’t divorce their husbands, or own properties. In addition, women were treated more like a property or an animal to be tamed by men. Once a baby is born, s/he has to live up to the expectation of society or
During the 19th century, gender roles in the American society were extremely different in comparison of the roles in the 21st century. Only men could enjoy true freedom, freedom to work in factories, shops, military, vote, etc., while women were left at the house to oversee the domestic duties that once belonged to servants. What this means is that women were not truly free; free to voice their opinion, to work alongside of men, earn pay, and even vote. They were expected to be excellent housewives and nothing else. It was shortly after her husband died, leaving her with six children to raise on her own that she began to write scandalous stories that were way ahead of her time and completely unappreciated. These stories often times placed the
“John is so queer now, that I don’t want to irritate him. I wish he would take another room! Besides, I don’t want anybody to get that woman out at night but myself.”(Gilman) She is now imagining the woman out of the paper and creeping around outside. She wants to catch her even though there is no one to even catch, but she doesn’t know that. Her husband is at work all day which gives her the opportunity to creep around, explore and find this woman. Her husband John would suspect her of something if she left the room at night so she must do it during the day. This quote shows symbolism in relation to the fact that the woman in the paper is symbolizing the narrator wandering around outside. Moreover, she is clearly hallucinating about this woman in wallpaper. Her visibility of insanity is quite clear when the author says, “That was clever, for really I wasn’t alone a bit! As soon as it was moonlight and that poor thing began to crawl and shake the pattern, I got up and ran to help her. I pulled and she shook, I shook and she pulled, and before morning we had peeled off yards of that paper.” (Gilman) The narrator is imagining interactions that have occurred with the woman she sees in the wall. They begin to peel off all the paper, working together in her mind. She then begins to imagine the wallpaper laughing at her when the sun is out. It can be concluded that her husband should not be taking care of her because he is the sole reason she is insane in the first place. This quote demonstrates symbolism because the woman in the wall represents the psychotic state that the narrator’s husband has driven her to. With this in mind, the narrator becomes connected with the woman in the wall. “I have locked the door and thrown the key down into the front path. I don’t want to go out, and I don’t want to have anyone come in, till John comes. I want to astonish him. I’ve got a
Societal expectations of wives during the 19th century ranged from beauty, domestic abilities, and to education. Being able to succeed in these expectations a woman could be able to attract a husband. Women were to acquiesce with their husbands and help their marriage thrive. To be a proficient wife and be a success in society’s eyes would be a challenge. By 19th century standards Georgiana had failed as a wife.
...her to feel despair. Her misery resulted in her doing unthinkable things such us the unexplainable bond with the woman in the wallpaper.
In the short stories “The Yellow Wallpaper” and “The Story of an Hour” by Charlotte Perkins Gilman and Kate Chopin, the authors illustrate the burden women have to carry during the Victorian time. During this period, men believe that their wives should not have the power to make their own decisions. Instead, men often treat their spouse as a child; therefore, they unintentionally take over their wives’ lives. The two authors have a similar feminist idea that women should control their own lives even while keeping family roles.
The short story "The Yellow Wallpaper" by Charlotte Perkins Gilman perfectly portrays and embodies the suppression of late nineteenth-century married women in a male-dominated society which resulted in a whole class of people plagued by the severe mental ramifications of this defective structure. The plot greatly aligns with a personal experience the author (Gilman) had in which the constraint of her freedoms following the advice of her doctor drove her near the edge of madness, nearly making "The Yellow Wallpaper" a personal account of these events. During this period in the nineteenth-century women held very few legal rights and were actively expected to take on the role of homemaker and were often bombarded by oppressive gender stereotypes,
In the 19th century society was from different from what it is today. Women were not in the workforce, could not vote, or even have a say in anything. Women were not permitted to give evidence in court, nor, did they have the right to speak in public before an audience. When a woman married, her husband legally owned all she had (including her earnings, her clothes and jewelry, and her children). If he died, she was entitled to only a third of her husband’s estate. Charlotte Perkins Gilman wanted to change this. She wanted people to understand the plight of women in the 19th century. In her short story The Yellow Wallpaper she tries to convey this to the reader not just on a literal level, but through various symbols in the story. In The Yellow Wallpaper the author uses symbols to show restrictions on women, lack of public interaction, the struggle for equality, and the possibilities of the female sex during the 1800s.
In the final moments of this story, the woman’s husband returns to see her. She writes, “He stopped short by the door. ‘What is the matter?’ he cried. ‘For God’s sake, what are you doing!’ I kept on creeping just the same, but I looked at him over my shoulder. ‘I’ve got out at last,’ said I, ‘in spite of you and Jane. And I’ve pulled off most of the paper, so you can’t put me back!’ Now why should that man have fainted, but he did, and right across my path by the wall, so that I had to creep over him every time!’” This final passage shows that, when this woman rebels, and “escapes the wallpaper”, it is not highly looked upon. The woman made a power statement, by telling her husband that she had, in essence, found a new role in life, and he can not push her back. When he can not handle her actions, she continues her new ways right over him.
No matter the era there have been rights that have been taken away from one person or another. This can be seen heavily during the Victorian Era-- around the time that Pride and Prejudice was published. One of the bigger movements in that era relate to women’s rights. They didn’t have any sort of rights, they couldn’t own property, couldn’t become employed, and much more. These rights affected women’s self values, they became less confident which influenced their actions. This made them think of what to do and how to get it done. Later on women started to actually do what they were thinking which caused society to rethink about the legal rights given to women.