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Batman analysis of the dark knight
What can you say about the character of batman in dark knight character analysis
Batman analysis of the dark knight
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Since the 1940s, comic book readers have been entertained by stories of a mysterious caped crusader. Batman, the symbol of justice on the streets, prowls rooftops and alleys both thwarting common street thugs’ petty misconduct and sinister schemes of criminal masterminds with the same self-righteous zeal. Christopher Nolan’s Batman trilogy is an epic, three-act saga that presents the rise and fall of this famous antihero. Archetypes, recurring symbolism found so often throughout literature that they have turned into tropes, are liberally scattered through Batman comics and movies. Symbolism is taken to its natural extreme in Nolan’s works of art. The movies of the Batman trilogy contain many archetypes in the form of characters such as Batman, The Joker, Scarecrow, and Bane.
Symbolism is an ingrained part of the world’s storytelling toolbox. The way our world views both narrative works and everyday events is in terms of these literary tropes. Batman is a hero operating outside the constraints of the law. A classic antihero, this ruthless vigilante does his best to protect innocent people by using methods such as
Estes 2 lurking in the shadows and terrifying criminals. He saves people’s lives, but often comes into direct conflict with law enforcement. The
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The Joker in Nolan’s Batman movies is, above all, one thing: a master tempter. He has an eerie charisma that seems to attract as much as it repels. Most important, though is the fact that he is constantly trying to corrupt people, especially Batman. He attempts to get a ferry-load of innocents to sink a boat laden with criminals to save their own lives. He seems to say that chaos is the only truth in life, and destruction the universe 's only reality. The Joker’s game is lies and chaos, and time and time again he comes up with all four aces. His silver-tongued, tempting whisper of chaos is the nemesis to Batman’s single-minded quest to make the world an orderly, safe
“A hero can be anyone. Even a man doing something as simple and reassuring as putting a coat around a young boy's shoulders to let him know that the world hadn't ended.” Behind all the action in The Dark Knight Rises is an important portrayal of crime and deviance in society. The superficial analysis of the plot makes The Dark Knight Rises seem like a simple hero and villain story and nothing more. However, the film expresses concepts of justice and provides an important depiction of strain theory and the labeling theory.
Have you ever wondered who the man is under the dark knight mask? Bruce Wayne, is a wealthy American playboy, philanthropist, and owner of Wayne Enterprises, who after witnessing the murder of his parents Dr. Thomas Wayne and Martha Wayne as a child, he swore vengeance against criminals, an oath tempered by a sense of justice. Bruce Wayne trains himself physically and intellectually and crafts a bat-inspired persona to fight crime. But the man riddle to this amazing “Cape Crusader” is brought along with many interesting facts about this dynamic crime fighter, such as, while Bruce was growing up, he learn he had an older brother, or that Batman is actually afraid of something, how about Bruce Wayne’s no drinking alcohol diet, or even batman’s
As is common in Nolan's films, the leading male characters are driven by their need to get the job done. If the audience has seen others of Nolan's works, they will begin to assume that this man will be more important to the film than just a guy who pulls off a bank heist. This idea evolves through the movie with this character, The Joker, as he is definitely motivated by his desire to finish what he started. This shows when he gets worried at the end of the film when the boat of citizens fails to blow up the boat of convicts and vice versa.
The heroic archetype is a creative expression borne of the individual's desire to know and to understand the uncontrollable and often chaotic world in which he lives. In the popular culture of America we can find many reflections of the heroic figure; in writing, in the graphic art of comic books, and most certainly in the aftermath of September 11th, heroes are ever present. Our cultural champions speak to our collective need to make sense of the nonsensical and to establish order in both our external and internal worlds. Indeed it is through the internal world of the psyche and the lens of psychological thought that we may gain a better perspective of the fusion of creativity and knowledge that we have come to call the heroic figure.
In the earliest 1940 's superhero films started to become popular on the big screens. One of these popular films is known as Batman, which came out first as a comic book called "The Killing Joke". Batman is considered to be a superhero possessing great talents and for being a true example of hope towards Gotham city. Although these superheroes are one of the main characters in movies, they also have enemies to confront with which are also known as super villains. In this case, the Joker known for his criminal mastermind plays an important role as a villain. Having a huge impact through films, film viewers have had the chance to appreciate different versions of the Batman 's movies. The Joker, being one of the most classical villains in DC Universe is portrayed in different aspects. Analyzing Tim Burton 's Batman (1989) and Christopher Nolan 's The Dark Knight (2008), viewers can assimilate but also differentiate the Joker in couple ways.
Smoke billows out from a Manhattan skyscraper, damaged by a fiery explosion. This could easily be a scene from 9/11, however we see Batman looking grimly on as a poster advertises the film will be released soon. Clearly this film plays on the fears of terrorism. As depicted in The Dark Knight, the Joker plays the terrorist, while Gotham’s leadership struggles to contain him. The film departs from the superhero ideals of pure good versus pure evil, showing a murky world where moral decisions have to be made in order to stop evil. Because of this, The Dark Knight seems to be an allegory for the War on Terrorism. This paper will look at how the Joker represents terrorism, while Batman represents George Bush and his administration’s War on Terror.
According to Google, symbolism in literature is defined as the use of symbols to signify ideas and qualities by giving them symbolic meanings that are different from their literal sense. Symbolism can be seen throughout media and in many pieces of literature including To Kill A Mockingbird by Harper Lee. In the book, the symbol of the mockingbird represents the character Boo Radley, and how his story teaches people to not always believe what others have to say about someone without being able to prove it true for themselves.
Being one of the world’s most popular art forms, it was inevitable that these archetypes would find their way into film as well. In this essay I will argue that the films Pulp Fiction, Taxi Driver, Watership Down, and Trainspotting are all versions of The Hero’s Journey, consequently demonstrating just how prevalent these archetypes have become in modern cinema. And that mythology and storytelling are important parts of each culture because they prevent the darkness in our hearts from spreading.
In “The Thematic Paradigm,” Robert Ray explains how there are two vastly different heroes: the outlaw hero and the official hero. The official hero has common values and traditional beliefs. The outlaw hero has a clear view of right and wrong but unlike the official hero, works above the law. Ray explains how the role of an outlaw hero has many traits. The morals of these heroes can be compared clearly. Films that contain official heroes and outlaw heroes are effective because they promise viewer’s strength, power, intelligence, and authority whether you are above the law or below it.
As the decade moved along Hollywood continued to build upon these “pick me up” movies with hits like “Back to the Future”, “Three Men and a Baby”, and “Driving Miss Daisy”. As the decade came to a close, the top grossing movie of 1989 brought back a different kind of American hero – Batman. Clearly, that really bad day called the 1970’s had been replaced by a night at the candy store called the 1980’s.
The purpose of this paper is to provide the reader with an insight into the Super Hero Series Batman. This crime fighter originally appeared in Detective Comics issue #27 in 1939. It later became a comic book series, a TV series and a movie series. The character Batman is second only to Superman as a Super Hero. Amazingly Batman has no super powers, but he does have a lot of neat crime fighting gadgets. In this paper, we will explore the creation of Batman, his supporting cast of characters both good and bad and the gadgets he used.
The terms "hero" and "villain" are as distinct as the terms "good" and "evil." They are mutually exclusive; the hero is courageous, popular, strong, morally, and willing to save the people at whatever cost, while the villain is despicable, hated, and heinous to his core. However, when we turn away from the archetypal world of comic books, this distinction is no longer as clear. When we look at real human beings we do not see a hero as a hero or a villain as a villain, but rather individuals composed of varying degrees of both extremes. No hero is perfect, and no villain is completely heinous. The most recent film adaptation of the DC Comic series Batman presents this truth of human nature. The Dark Knight Rises effectively communicates the
Tricksters are both and neither argents of chaos or justice, right and wrong, yin and yang. The Joker within the Dark Knight exemplifies all aspects of what a traditional trickster is. The Joker is very anomalous to what most people would think a veteran of the armed forces is. The cookie cutter definition of what a veteran in the US is would be someone that stands up for social morals and defends the rights of the people whom he shares his country with. The Joker is very much the opposite of this and tells everyone that he is just that. He stands up for the people and organizations that do not support social norms. Throughout the movie the Joker is constantly playing tricks on people and deceiving everyone around him, it is comedic in how much deception he employs throughout his time in the story/movie. Although the movie is supposed give audiences the feeling that this could be real the Joker takes on many different disguises throughout the movie. From masked clown, to police officer, to female nurse demonstrating that no costume is too ridiculous for him. In his exchange with Harvey Dent/Two-Face the Joker tells us himself that he invents situations, albeit on a whim, showing that he is exemplifying the 4th trait of a traditional trickster. The Joker doesn’t hold anything sacred but he does show that he is a messenger of chaos. We know that mythologies have different gods that embody the qualities of chaos or directly represent chaos as their power to manipulate. It is not that much of a stretch to think that the Joker is merely acting as an agent of these gods making him a messenger of something they would hold holy and sacred to themselves. Lastly the Joker is very much a jack-of-all-trades as he has the skills to use many different weapons and explosives and even understands the inner-workings of criminal
To conclude, the graphic novel Watchmen presents the non-fantastic representation of a superhero, implying that not all heroes are like Superman. This notion is explored within the novel by mentioning the realistic motives of the characters choosing to become superheroes, by Rorschach’s representation and through the heroic reactions of the New Yorkers to a street crime. These elements all contribute to Watchmen’s uniqueness and complexity as a superhero comic.
Best known for his unique and non-linear style and to many people as the best director of the past decade, Christopher Jonathan James Nolan or just simply Christopher Nolan, is one of the most talented and influential film directors and screenwriters of our time. He, like most directors have never studied film and is a self-taught filmmaker. In this essay I am going to write about his early life and how he got into filmmaking. His early career and his rise to fame with Batman movies, his personal life and the influences he have had on the film industry which makes him one of the best directors of all time and my personal favorite.