Symbolism is prevalent throughout the play, Long Day’s Journey into Night. The three most notable symbols, the fog, the foghorn and Marys' glasses, interpret the author’s life at best. There is double meaning to fog in this play because it is seen as the substance abuse issue and the atmosphere of the family. These are representations of illusions and the family as a whole not wanting to face actuality. The Tyrone family appears to progress during the day and possess a sense of normality, but pulled into the past and the essence of night they are faced to confront their demons. The fog is representing the substance abuse issue that Mary is struggling with. Mary makes constant reference to the fog and even jokes about it on occasion. The glasses that Mary always seems to misplace represent her not seeing things for what they truly are. For her not to be in a rush to find them shows that she does not want to face reality. However the family has come to realize that the mentioning of it is a sign that the woman of the household is abusing drugs or about to slip up and do so. The fog also is also a reference to the family when they try to obscure the truth or pull the wool over each others eyes. “It hides you from the world and the world from you” is what Mary proclaims about to the fog. The foghorns are the warning as her family concern is to her addictions. The morphine she abuses is her getaway from reality. The dark signifies what the family was to forget or not speak on. Mary is much easier to figure out that there is an issue going on with her. At the start of the First Act, Mary is agitatedly moving her hand about and has a nervous demeanor about herself. There were also references to how ugly her hands are and how beau... ... middle of paper ... ...ry seems to be more at peace in her past as if this is the way to cope with the present. Mary thought that her childhood home was “wonderful,” her days in the convent “happiest,” and her father as “noble.” It is upsetting that she does not speak of the present which includes her husband and children as being joyful times in her life. “That was the winter of senior year. Then in the spring something happened to me. Yes, I remember. I fell in love with James Tyrone and was so happy for a time.” Overall Mary is saying that in a way she regrets getting married and having a family because she says for a small time she was happy. There is not much left at the conclusion of the play for consideration on the future of the Tyrone family since just as the title of the play states it’s just one day, then night falls and it will repeat itself until maybe one day change will come.
The thought of even having to touch the aides disgust Mary because they are a physical representation of the reality she is denying. When she is told that she may have to kill her daughter, she reacts poorly, as most would expect a mother to, however she has gone to extremes. She accuses her husband of having never loved their daughter and that the only thing keeping them married was the daughter and that without Jennifer, Peter would have left Mary (156-158). This intense outburst from a woman who is usually so calm when tragedy affects those outside of her narcissistic bubble only goes to show further the indifferent attitude of denial. When made to recognize the oncoming death, she cannot fathom it, and tries to find other reasons for Peter trying to get her to come to terms with “murdering” her daughter.
This quote was used to show how Mary Anne was starting to act grim and unusual. Also, this quote showed how different she speaks to her boyfriend and the ways she even finds her joy in everything that was and is different.
The story I decided to analyze is “A Worn Path” by Eudora Welty. A Worn Path is about a courageous old woman looking to find medicine for her sick grandson. The old woman is referred to as Phoenix Jackson in the story and her loss of memory and poor eyesight makes it difficult for her along her journey. Welty tells “A Worn Path” in third person limited point of view and uses symbolism and imagery in describing obstacles Phoenix faces as well as the love for her grandson which may have also aided in her perseverance along her journey.
There is no safe place in the world. “Ballad of Birmingham” proves that by telling the tragic tale of a young girl and her mother. No matter what a building symbolizes or how much determination is spent on keeping love ones safe, life or destiny will occur. “Ballad of Birmingham” approaches the bombing of Birmingham in 1963 from a sentimental point of view, providing a unique insight into the story. The story of a mother and daughter, as described in the “Ballad of Birmingham,” cannot be understood unless the loss of a loved one has been experience first-hand.
Because of these factors I can make the assumption that Mary is actually bi-racial and the child of Mrs.Bellmont and a past black slave. It is shown in the book’s glossary that such things, as expected, were taboo and looked down upon. Many mothers would never tell just who the father of their bi-racial child was. “Wilson underscores the politics of skin color under which enslaved and legitimate children in the same family resembled each other, while white women would rather not have the family resemblance spoken of.”
In his memoir Night, Elie Wiesel uses symbolism and imagery to show when people are faced with difficult challenges in life it results in the loss of faith.
In Joseph Conrad's Heart of Darkness, symbolism is quite prevalently used to portray the development of the heart of darkness. Conrad used a variety of symbols, including characters, objects, and ideologies.
Dinaw Mengestu’s novel The Beautiful Things That Heaven Bears is a story about an immigrant from Ethiopia named Sepha Stephanos that discovers the freedoms he travels to the United States for are not easily accessible and that sometimes you can lose yourself trying to figure out who you are. The passage that most clearly represents this notion comes as Stephanos is reflecting at the end of the novel, he says: “What was it my father used to say? A bird stuck between two branches gets bitten on both wings. I would like to add my own saying to the list now, Father: a man stuck between two worlds lives and dies alone. I have dangled and been suspended long enough” (Mengestu, 228). This paper will examine the metaphor of the two worlds Stephanos
A.S. Byatt uses symbolism in her story “The Thing in the Forest” to show how children in England during World War II, like herself, felt and reacted to the events that they knew where bad but didn’t understand. This can easily be shown through the sequencing of the plot, the deeper meanings behind characters and places, and the post effects it had the main characters.
The symbols and imagery used by Kate Chopin's in “The Story of an Hour” give the reader a sense of Mrs. Mallard’s new life appearing before her through her view of an “open window” (para. 4). Louise Mallard experiences what most individuals long for throughout their lives; freedom and happiness. By spending an hour in a “comfortable, roomy armchair” (para.4) in front of an open window, she undergoes a transformation that makes her understand the importance of her freedom. The author's use of Spring time imagery also creates a sense of renewal that captures the author's idea that Mrs. Mallard was set free after the news of her husband's death.
The Veldt, A short story by Ray Bradbury uses symbolism and repetition to show the thoughts inside our head are the most powerful thing on earth. The sun is the burning glare of the children. The sun is uncomfortable for the parents and they want to leave, but can’t. Other people say that the main craft is the mood or tone. The story does set a scary tone. The lions also show the anger of the children. The lions were big and scary and predators in the story. The nursery and the house itself are a big part of the story as well. They symbolise that technology can take over our lives and make them worth nothing. The purpose of using symbolism and repetition in the story is to show that our minds can be one of the most evil places on earth.
Symbolism is one of the most effective and powerful elements in writing. We see various examples of this all throughout "The Things They Carried." Symbolism enables us to tell a story one way, while all along trying to say another. I believe Tim O'Brien has achieved success in doing so in "The Things They Carried."
Near the middle of the story we see Mary exhibit her bad sinister character; her personality and feelings suddenly change when she murders her own husband by hitting him at the back of the head with a frozen lamb leg. After denying all of Mary’s helpful deeds, Patrick told her to sit down so that he can tell her something serious; the story doesn’t tell us what he says to her but Mary suddenly changes after he tells her something, her “instinct was not to believe any of it” (Dahl 2). She just responded with “I’ll get the supper” (Dahl 2) and felt nothing of her body except for nausea and a desire to vomit. She went down the cellar, opened the freezer, grabbed a frozen leg of lamb, went back upstairs, came behind Patrick, and swung the big leg of lamb as hard as she could to the back of his head killing him. This act of sudden violence shows how much she has gone ...
Several symbols in Kate Chopin's "Story of an Hour" create a feeling of comfort, wellness, and wonderfulness within the reader's mind. The first symbol I will speak of is the "comfortable chair" which she sinks into after the news of her husbands' death. Then, I will speak of the open window, which she sits in front of through which she sees many symbols of things that are good. Finally, I will speak of the description of Mrs. Mallard herself and her comfortable situation, which will tie together all the symbols that create the feelings of comfort and wellness in the reader.
In Heart of Darkness by Joseph Conrad, "darkness" represents various parts of reality, human nature, and the corruption of decency when faced with insurmountable obstacles. Darkness is used throughout the novella in reference to skin color, ignorance, actual darkness of the jungle, as well as blackness at the heart of imperialism and anarchy. Marlow uses it regularly, both in a literal sense and in a symbolic sense to show how the Congo affects people morally and ethically.