Protagonist Jake Barnes is living a happy but miserable life. He is emasculated during the war which makes him the primary character with weak masculinity. Jake is not very affected by his own masculinity except that he cannot comply to the wishes of Brett, the love of his life. Brett has affairs with other men like Robert Cohn, Mike and Romero which provoke Jake feeling more vulnerable. At times Jake gets very sentimental when he thinks about Brett. Barnes says, “This is Brett, that I had felt like crying about. Then I thought of her walking up the street and stepping into the car, as I had last seen her, and of course in a little while I felt like hell again. It is awfully easy to be hard-boiled about everything in the daytime, but at night it is another thing” (42). Jake often feels the lack of his masculinity when he longs for Brett. Jake feels jealous about Cohn and in the spur-of-the-moment passes anti-semitic comments towards Cohn who had an affair with Brett. Barnes projects himself as someone who courageously looks into the meani...
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.... His inner energy is so pure that it can actually heal the spirit to an extent that he is not affected emotionally by other people’s impulsive responses. Hemingway has used bullfighting and water as two major symbols which make the character’s like Romero, Jake and Bill experience a feeling of self release and being one with reality.
Pamplona indeed affects the characters from being alienated and lost. Jake decides to go back and have some peaceful time. Romero and Brett leave together. After a while Brett calls on Jake for help so he leaves to Madrid. Jake and Brett go for a ride in the car around Madrid when she says that they would have been great together upon which Jake exclaims: “ Isn’t it pretty to think so.” Jake realises that Brett wants love in the form of sex and Jake believes that love from sex is alienating humans from not experiencing pure sentiments.
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