Essay about The Streetcar Named Desire By ' The New Orleans Street '

Essay about The Streetcar Named Desire By ' The New Orleans Street '

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Human conflict is ever-present in sex and desire. But, not until the streetcar named Desire was first shown in 1947 had the corporeal act of sex been so openly depicted on stage as a basis of dominance and power. The streetcar in the New Orleans Street, Elysian Fields, is an urban harsh world, where the laws of nature are the enduring rules of engagement. As the wild sex and violence are intimately connected, Intercourse is a product of aggressive dominance, competition and submission to a certain extent than romance. Although Williams repeatedly claimed that his piece cautioned against the world where brutes were permitted to reign, the play 's end, shows the sexually imposing dominance placed upon Blanche by Stanley, whom demolished her illusions of love. Blanche is seen as the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. Blanche and the other character show how one 's desires can lead down to the darker avenues of human experience.
In Stanley Kowalski’s first appearing scenes he is carrying a "red-stained package from a butcher 's,”,which he then throws to Stella before exiting. She cries in protest then laughs when she catches it. The opening preview into their domestic life provides a model of their relationship. Like a lion sharing his prey, Stanley tosses his provisions to his mate. His violent behavior gives Stella a fright, but also a spark of pleasure. She may complaint towards his vulgar habits, but she is ultimately drawn to them. Blanche arrives on stage visibly out of place, wearing a fancy white dress and an expression of "shock and disbelief"....


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... against her childhood, she is honest about her desires. "I 'm not in anything I want to get out of," Stella continually tells Blanche who formulates a fantasy of getting money from an old lover for them to escape. Stella understands compromise. She is realistic. She sees Stanley 's gambling, drinking, and violent outbursts as "his pleasure, like hers in movies and bridge". She believes that people "have got to accept each other 's habits". Cleaning up after Stanley 's violent spells is just a part of living with him. Unlike Blanche, she knows that life is no fairytale, negociations must be reached. Stella is proof of the statement that "there are things that happen between a man and a woman in the dark-that sort of make everything else seem-unimportant". She lives in a decrepit house, filled with smashed glass, part of the noisy part of town, and yet she is content.

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