In the past artwork was viewed only in museums, typically by upper-class society. Street art; however, inserts itself into the lives of all citizens by its artist. Rather than go through museums, where a curator decides what to show patrons, street artists present their work directly to the people so they can interpret it in their own way (Gatewood 77). Additionally, while works in museums are valuable, street art is temporary and such typically inexpensive to make (Riggle 249). These works are given wholly with no money or fame expected in return (C.D.H. 44). Moving away from museums gives artists the freedom to present the work they would like without pressure to meet expectations of art critics or museums. Rather than go with what is in style at the time, or receiving critical acclaim, artists are able to create uninhibited works that drive people to think in different ways. An artist presents their work with no desire to gain critical review or notoriety.
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...s. Moving outside the museum and giving art to the people has moved street art past other forms of art into a “higher status” (C.D.H. 44). Without critics, artists have no fear of judgment and are able to let go of the feelings of doing something the “wrong” way (Lacktman 17). Freedom from an elite few deciding which artworks will be given attention gives art back to the everyday citizen. Handing art to the people allows for more topics and styles to be presented by artist and for a new group who would not normally appreciate art to do so. Street art is a movement of art for the common man. Thus, with a larger audience comes a larger freedom of artists. With more freedom and a larger base modern artists are also gaining a louder voice. Street artists to some are glorified vandals but to many they are beautifying the urban landscape and giving a voice to the layman.
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