Filmmakers are granted artistic license because filmmaking is an art and because film and literature are not always exactly compatible. There are many artistic components in the making of a film. The plot or the story behind the film is one the most important of these components. The makers of The Joy That Kills in making a film version of Kate Chopin's short story The Story of an Hour took artistic license to its limits. The entire story was dismantled and then completely reinvented. Many characters that are barely present or do not even appear in the story emerge to play important roles in the life of this young woman with heart trouble in the film. Louise along with the other characters has changed drastically in the transition to celluloid. The filmmakers in trying to make a more appealing movie have forgotten the story they were supposed to be telling.
Louise has turned into a little girl that must depend on man to take care of her. Louise pleads with Brently to go to the gardens of Paris. She begs like a child begging for something that is impossible to give. Brently must lock her up in their home to protect her from her curiosity and need to see the world. The filmmakers do not give her the commonsense to realize the dangers she would face in seeing Paris and all the other places she would like to visit. Louise remains the little girl in the flashbacks and Brently has replaced her dead father as the soul keeper of her world. Brently must protect her from the world and herself. She is made to be completely dependent on him from her everyday needs to being her only window into the outside world. There are no female positions of authority in her life. Aunt Joe is left in the background and Marjorie must ultimately answer to Brently. Louise is left to see men as the only authority in her life. She herself as a woman must feel powerless to the will of men. Brently even chooses the destinations of their daily visits to far off and exotic places. These excursions are Louise's only escape. Brently is made to be her captor and savior at the same time. Her fate is completely dependent in his yet she is given no control of either.
Louise left the country to go stay with Albert Hardy and his family in the city, so she could attend school. Louise was very lonely growing up, her mother died when she was an infant and her father never showed her much love. When moving to the city she found herself to be even lonelier than before. Although she was living with the Hardy family which consisted of Mr. Albert, his two daughters, and his son John Hardy. Louise craved some type of companionship. Louise had a plan to make John Hardy her new companion, she
She seemed to have felt free for the first time in who knows how long. “She was drinking in the very elixir of life through the open window.” [18] Louise’s seemed to be getting a fresh start at life and she seemed so relieved to be able to enjoy it. Her marriage sounded problematic in her eyes. She could have been a house wife who grew bored after countless years of the same song and dance. I see marriages all the time that seem to have “stood the test of time” and both the husband and the wife seem miserable. The death of Brently may have opened up a door to a new life that Louise was anxious to
In The Story of an Hour Kate Chopin gives a very inside look at her feelings about marriage, female independence, and the human will. The first description that Chopin gives of Louise (the main character of the story) is her heart trouble. The way that it is suggested, gives the reader reason to believe that the ailment may not only be physical but also mental. Louise's sister, Josephine and Richards treat Louise with great care as though she is fragile. They are afraid that breaking the news of her husband's death to her may be harmful to her condition. When Louise hears the news of her husband's death, Chopin tells us that she "wept with wild abandonment." This apparently was not the expected response. This is known, because Chopin tells the reader that many women would have received the message and been so paralyzed by it that they would not have been able to show emotion. Therefore, it is assumed that Louise is a rather passionate person.
Why do directors choose to stay faithful to or depart from a text when they are producing a film? Many directors choose to either alter or maintain literary elements such as characters, plot, and resolution from a text. The presence or lack of these specific features affects the audience. For instance, in the story “The Monkey’s Paw”, a classic short horror story written by W.W. Jacobs, and its accompanying film, the similarities and differences in the characters, plot, and resolution have an effect on the readers and viewers.
For women, the 19th century was a time of inequality, oppression, and inferiority to their male counterparts. A woman's social standing depended solely on her marital status. For these reasons many women were forced to lead a life of solitude and emotional inadequacy, often causing depression. In Kate Chopin's short story "The Story of an Hour," setting plays a significant role in illustrating the bittersweet triumph of Mrs. Mallard's escape from oppression at the ironic cost of her life.
Irony can often be found in many literary works. “The Story of an Hour” by Kate Chopin is masterfully written full of irony. The characters of the short story, Mrs. Mallard, Josephine, Richards, Mr. Brently Mallard, and the doctors all find their way into Chopin’s ironic twists. Chopin embodies various ironies in “The Story of an Hour” through representations of verbal irony, dramatic irony, and situational irony.
Both Nora and Louise's lives have been shaped and molded to conform to their husbands' wishes. At the time these stories took place, it was basically unheard of for women to assert their beliefs or to act upon their ideas. As a result, Louise was forced to succumb to the role of an obedient wife, in order to abide by the norms of society. This is apparent because of the way she reacts when she learns of a false rumor regarding her husband's sudden death. While in deep thought, and staring out the window by herself, she has a sudden realization of complete happiness and total freedom. As she tries hard to repress these fresh, new feelings, she speaks the words, "free, free, free" (23)! These words help the audience to understand the repression she has been forced to withstand for many years. She feels sudden exhilaration as she reflects on what her new life will bring her. She speaks of the treatmen...
Kate Chopin wrote a short piece called “The Story of an Hour” about a woman’s dynamic emotional shift who believes she has just learned her husband has died. The theme of Chopin’s piece is essentially a longing for more freedom for women.
Brently opens the door at the end of the story, and Louise is surprised to find her husband alive. She was shocked and died of a heart attack. Ironically, the doctor declares “she died of heart disease--of the joy that kills” (Chopin). In the movie we saw, it was different. Louise was kept in the house because Brently is afraid that she might die or because he is afraid that seeing the world could give her an idea to rebel against him.
The aspirations and expectations of freedom can lead to both overwhelming revelations and melancholy destruction. In Kate Chopin’s “ The Story of an Hour” Louise Mallard is stricken with the news of her husband’s “death” and soon lead to new found glory of her freedom and then complete catastrophe in the death of herself. Chopin’s use of irony and the fluctuation in tone present the idea that freedom can be given or taken away without question and can kill without warning. After learning of her husband’s death in a railroad disaster, Mrs. Mallard sinks into a deep state of grief, as one would be expected to do upon receiving such news.
Louise is trapped in her marriage. The lines of her face "bespoke repression" (paragraph 8). When Louise acknowledges that her husband is dead, she knows that there will "be no powerful will bending her" (paragraph 14). There will be no husband who believes he has the "right to impose a private will upon a fellow creature" (paragraph 14). Louise knows that her husband loved her. Brently had only ever looked at Louise with love (paragraph 13). This tells the reader that Brently is not a horrible ma...
In the short story “The Story of an Hour” by Kate Chopin, the reader is introduced to Louise Mallard, the wife of Brently Mallard who supposedly died in a train accident. The story uses multiple literary devices such as irony, conflict and symbolism to convey Mrs. Mallard’s emotions within the hour that she discovers the sudden death of her husband.
Analysis of “The Story of an Hour”. In her story “The Story of an Hour,” Kate Chopin (1894) uses imagery and descriptive detail to contrast the rich possibilities for which Mrs. Mallard yearns, given the drab reality of her everyday life. Chopin utilizes explicit words to provide the reader with a background on Mrs. Mallard’s position. Chopin uses “She wept at once,” to describe Mrs. Mallard’s emotional reaction once she was told her husband had been “Killed.”
Key Elements:The story of an hour · Plot: Standard plot. A woman who receive the notice of her husband's death, and when she begins to felt freedom her husband appear again and she can't accept it and fall died. · Characterization: Few characters a. Mrs. Mallard or Louise: Mallard's wife. Was afflicted with hearth trouble.
Coming to the end of this class I have learned a lot about what it takes to make a piece of literature leave you feeling a certain way. A lot goes into setting up a atmosphere in a story because you are not really seeing it in front of your face so you must imagine it. The author wants you to imagine a certain scene and feel a certain way through their words and descriptions. An important component to making a reader understand the atmosphere and visualize the scene is by the setting. Setting is where a specific event is taking place. Without setting it would be hard for a reader to not only visualize but to even understand the theme, tone and the atmosphere. Throughout this semester we learned this from genres such as short story, poems and