In Kate Chopin’s unraveling story The Story of an Hour, shows Mr. Mallard’s marriage behind closed doors and in the public. Mrs. Mallard has just found out that her husband has passed away in an accident, and her sister fears that it’s something that she will not be able to handle with her failing heart. After she finds out she find out from her sister, Josephine, Mrs. Mallard weeps a little but behind closed doors she ponders the idea. She comes up with the idea that she can be free and happy again. Mrs. Mallard get excited about the fact that she can now live her life as her own, but then something shocking happens. Her husband walks through the door, and she is beyond shocked, so shocked that her heart actually gives out. The doctor said it was “… of the joy that kills” (Chopin 58). In this story Chopin exhibits symbolism, the spring that represents her new life and her new found happiness, the armchair represents a place of rest and letting go of her old life, and the heart trouble that represents her the emotions of her marriage and the freedom being ripped away when Mr. Mallard returns, to show how Mrs. Mallard had been oppressed and unhappy in her marriage
First, the symbol of spring represents new life and new found happiness. To Mrs. Mallard now that her husband has died she sees a new future for herself. “Patches of blue sky showing here and there through the clouds” (57). This is the hope of new life even though the past was dark. The sun peeking through the clouds shows that even at the darkest moments there is still light, there is still hope of getting through everything regardless of the doubt that appears. She begins to think about his death and then she finds all the opportunities that are ahead of her. She wants...
... middle of paper ...
...ally wasn’t, and seeing him literally killed her. The doctors said it was the “ joy that kills”, but the reality of the situation is that the fact that her freedom was ripped away without even getting to live it broke her heart to the point of a death. Spring was the hope of a new life and the happiness that she found after the “death” of her husband. The armchair was where she got to rest her exhausted soul and where she was comforted. The heart was the a unhappy marriage, and the oppression that she dealt with her whole marriage. Although the roles were reversed at the end of the story with Mr. and Mrs. Mallard in a sick way Mrs. Mallard got her freedom that she always wanted.
Works Cited
chopin,kate. "the story of an hour" literature for composition.
ed. sylvan barnet, william burto, and william e. cain
9th ed. new york: longman.2011 45-47. print.
In Kate Chopin’s “The Story of an Hour”, Mrs. Mallard, who suffers from heart trouble, is notified that her husband had been killed in a railroad disaster and she falls into her sister’s arms weeping. At one point, she truly was in love with her husband. This
In the opening of this short story, “The Story of an Hour”, written by Kate Chopin, Mrs. Mallard is identified as a woman with “heart trouble”. Although it is never specified in the story as being strictly physical, “heart trouble” alludes to the emotional distress Mrs. Mallard is in at the time according to the heavy burden her marriage lays upon her and her freedom. After her husband’s tragic death in a railroad incident, Louise realizes that now without the weight of a husband upon her, she is free to live her life for herself and as is satisfies her. By being circumscribed to a constricting marriage and not possessing the free will to express thoughts of her own, she is lead to a unique conclusion of her current condition. Louise is
To be inconsistent with traditional communities beliefs it is hard for many to accomplish. Nevertheless, writer Kate Chopin fights that conflict to deliver the readers a few of the greatest thought vexing literature that a human can get their hands on. Applying to her improvement reflections of narrative stories, such as plot control, irony, and character development, Kate is capable to take the reader towards a world of feelings that humanity would despise. Chopin shows her unbelievable literary ability in “The Story of an Hour” by joining character development and plot, with her use of thought-provoking vocabulary and narrative irony.
In "the story of an hour" Chopin discuss how getting married can lead you to live a life of anguish. In the beginning of the short story Mrs. Mallard revives terrible news that her husband has been recently killed, she "Wept at once, with sudden, wild abandonment." This intense reaction is how society would expect her to act if your husband dies. Mrs. Mallard then goes into her bedroom to grieve alone: "She could see in the open square before her house the tops of the trees that were all aquiver with the new spring life." Seeing the open square makes her crave freedom, something she doesn't remembering having. The new spring life will eventually represent her new-found freedom and happiness. As she stares outside the window she thinks, but "It was not a glance of reflection, but rather indicated a suspension of intelligent thought." She is critically thinking of what will come and what has just happened, she has not ever has to think for herself, her husband always did that for her. This is the first time her feelings start to stir, she tries to process the information more to figure out what they mean.
“Story of an Hour”, Kate Chopin unveils a widow named Mrs. Louise Mallard in which gets the news of her husband’s death yet, the audience would think she would feel sorrowful, depressed, and dispirited in the outcome her reaction is totally unusual. Meanwhile, day after day as time has gone by Mrs. Mallard slowly comes to a strange realization which alters a new outlook over her husband's death. "And yet she had loved him- sometimes. Often she had not. What did it matter! What could love the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being!" (Chopin, 2). The actuality that she finds a slight bit of happiness upon the death of a person who particularly is so close to her is completely unraveling w...
Mrs. Mallard is the example of a typical housewife of the mid 1800’s. At the time, most women were not allowed to go to school and were usually anticipated to marry and do housework. During that time, the only way women could get out of a marriage was if they were to die or their husbands was to die. In that time period, the husband had control of all of the money, so it would not be wise if the wife were to leave the financial freedom that was provided by the husband. This is most likely why Mrs. Mallard never leaves her husband’s death, she is sad at first but then experiences an overwhelming sense of joy. This shows that she is not in a fulfilling marriage as his death means she will finally have own individual freedom, as well as financial freedom being the grieving widow who will inherit her husband’s wealth. In the words of Lawrence I. Berkove he states, “On the other hand, Chopin did not regard marriage as a state of pure and unbroken bliss, but on the other, she could not intelligently believe that it was desirable, healthy, or even possible for anyone to live as Louise, in the grip of her feverish delusion, wishes: to be absolutely free and to live totally and solely for oneself.” (3) Mrs. Mallard’s reaction to her husband’s death is Chopin’s way of expressin...
In "The Story of an Hour" Kate Chopin tells the story of a woman, Mrs. Mallard whose husband is thought to be dead. Throughout the story Chopin describes the emotions Mrs. Mallard felt about the news of her husband's death. However, the strong emotions she felt were not despair or sadness, they were something else. In a way she was relieved more than she was upset, and almost rejoiced in the thought of her husband no longer living. In using different literary elements throughout the story, Chopin conveys this to us on more than one occasion.
A common feeling when a spouse loses his or her significant other is devastation like Mrs. Mallard initially felt when “she wept at once, with sudden, wild abandonment,” but then she began to feel free (Chopin 236). She expresses her feelings for freedom by repeating the word “Free! Body and soul free!” (237). She was exalting with glee as she came to more of a realization that her husband’s death meant “she would live for herself;” however, right after her celebration, her husband walked in the front door (237). This shocked Mrs. Mallard to the point of death, ending her emotional breakdown.
Most women in Mrs Mallard’s situation were expected to be upset at the news of her husbands death, and they would worry more about her heart trouble, since the news could worsen her condition. However, her reaction is very different. At first she gets emotional and cries in front of her sister and her husbands friend, Richard. A little after, Mrs. Mallard finally sees an opportunity of freedom from her husbands death. She is crying in her bedroom, but then she starts to think of the freedom that she now has in her hands. “When she abandoned herse...
... This woman suffers a tremendous amount from the commitment of her marriage, and the death of her husband does not affect her for long. A marriage such as this seems so unbelievable, yet a reader can see the realistic elements incorporated into the story. This begs the question of how undesirable marriage was during Chopin’s life. The unhappiness felt by Mrs. Mallard seems to be very extreme, but Chopin creates a beautiful story that reflects upon the idea of marriage as an undesired relationship and bond to some women in the nineteenth century.
Not attempting to hide, Mrs. Mallard knows that she will weep at her husbands funeral, however she can’t help this sudden feeling of seeing, “beyond [the] bitter moment [of] procession of years to come that would belong to her absolutely” (Chopin, 16). In an unloving marriage of this time, women were trapped in their roles until they were freed by the death of their husbands. Although Mrs. Mallard claims that her husband was kind and loving, she can’t help the sudden spark of joy of her new freedom. This is her view on the release of her oppression from her roles of being a dutiful wife to her husband. Altogether, Mrs. Mallard claims that, “there would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature” (Chopin, 16). This is the most important of Mrs. Mallard’s thoughts, as she never officially states a specific way when her husband oppressed her. However, the audience can clearly suggest that this is a hint towards marriage in general that it suffocates both men and women. Marriage is an equal partnership in which compromise and communication become the dominant ideals to make the marriage better. It is suggested that Mrs. Mallard also oppressed her husband just as much as he did to her when she sinks into the armchair and is, “pressed down by a physical exhaustion
There are many stories with twists and turns, and you never truly know what happens until you live it yourself. One story that has a twist in the plot is The Story of an Hour by Kate Chopin. The story is about a lady whose husband is believed to be dead; but, in all actuality he is not. In addition, she is happy that he is dead until she finds out that he is alive. The theme is how she gave up on life until she heard the death of her husband, she then had her life to look forward to until she finds out he is alive and it shock her so much and she died.
In Kate Chopin’s short story, a woman named Louise Mallard suffered of a heart disease. When her sister Josephine reveals to Louise about her husband’s tragic train accident, causing his death, her reaction was bizarre. After she is notified about her husband’s decease, she goes upstairs and locks herself in her room. She sits on her armchair, looks out her window, and fantasizes about what her life will be like without her husband, Mr. Mallard. Shortly after, Josephine comes for her, thinking Louise will get ill about the news and they both walk down the stairs. To Mrs. Mallard’s dismay, the door flings open: Mr. Mallard was alive! Mrs. Mallard was in shock but mostly disappointed, for the future she dreamed of without her husband was ruined, and dies. According to the doctor she had died of the joy that kills. There is no doubt that Kate Chopin included an abundant of symbolic and ironic references in her short story “The Story of an Hour.”
In the short story, “The Story of an Hour,” author Kate Chopin presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. The relief, however, is short lived. The shock of seeing him alive is too much for her bear and she dies. The meaning of life and death take on opposite meaning for Mrs. Mallard in her marriage because she lacked the courage to stand up for herself.
My belief on marriage is a sacred vow taken by two people which joins them in union. Most people carry the belief that marriage should occur only when two people are in love; although this belief is common it is not always the case and people marry for a variety of reasons. In the short story "The Story of an Hour" Kate Chopin suggests that in the case of Mrs. Mallard and Mr. Mallard, love was not a deciding factor for their reason to get married. Though the response of three readers, one being myself, we will explore the character of Mrs. Mallard and the idea of love in her marriage. Kate Chopin has given little detail about the Mallards and therefore left much to the imagination of the reader. Although there are similarities in details between readers such as: point of view, setting, and character, each reader brings new perspective and ideas. This type of analysis of the text allows a richer and more knowledgeable outlook; not only by enhancing ones own ideas by introducing new ones.