Mary Chase’s comic play, “Harvey” is about the adventures a man named Elwood P. Dowd and his friend Harvey, an imaginary rabbit pooka. Because Elwood sees Harvey his sister, Veta, and niece, Myrtle Mae, try having him admitted him into a sanitarium. But because of the sister’s hysteric, the sanitarium doctors admit her into the hospital instead of her Elwood. The rest of the play is about the doctors and family trying to find Elwood and Harvey so that the doctors can give Elwood a shot that would make him stop seeing Harvey. However, in the end Veta decides not to allow the doctors to give Elwood the shot, in fear of how he might act after the shot is given to him. Chase’s, “Harvey” approaches, in a very light, comically way, the stigma surrounding mental illness. The text parallels how society treats individuals who suffer with mental illness. People with mental illnesses are treated poorly compared to the average person, are often isolated and acceptance from family members is hard to gain. However, despite how an …show more content…
One of the only times the doctors did talk to Elwood is when they interrogate him about where Dr. Chumley was. However, when people with mental illnesses do begin to speak about their disease they usually are stopped, because the person they are talking to begins to lecture or threaten them. The latter happens to Elwood in Act II. Elwood, Nurse Kelly and Dr. Sanderson are having a discussion about where Dr. Chumley is, but then Wilson walks in and threatens Elwood, “Oh, he did, eh? Listen, you-talk fast or I 'm workin’ you over!” (Chase 50) Despite the fact that Elwood did not where Dr. Chumley was and Wilson had not heard the whole conversation; Wilson still threaten Elwood because He only sees him as a lunatic, and not a human being that deserves the same amount of respect as anyone
Character development in a protagonist is crucial to building themes and the overall intent is discovered through the main character. Wilson approaches the concept of the protagonist in an interesting manner, deciding to not conclude with the protagonist leaves the reader with a lack of pity and perhaps some confusion. Likewise, the protagonists in her plots are isolated, forgotten or consequently dead. In “Hurry, Hurry” the main character, Miriam is first portrayed lonely with only the companionship of her dogs. The setting attributes to isolation through the fragment “No people anywhere.” (Hurry, Hurry) this demonstrates how Miriam is all alone in the vast tranquility of nature. In contrast, the last paragraph in “Hurry, Hurry” does not imply anything about Miriam therefore it leaves the reader confused and the protagonist suppressed. Mr. Willy, from “The Window” is the principal character who is similar to Miriam. Mr. Willy asserts his loneliness through his feelings of being “small and alone” (The Window) therefore exposing how isolated his character is. However, the conclusion in this story does end with the leading character, th...
Schizophrenia in The Yellow Wallpaper. Charlotte Perkins Gilman’s "The Yellow Wall-Paper," does more than just tell the story of a woman who suffers at the hands of 19th century quack medicine. Gilman created a protagonist with real emotions and a real psych that can be examined and analyzed in the context of modern psychology. In fact, understanding the psychology of the unnamed protagonist is well on the way to understanding the story itself. " The Yellow Wall-Paper," written in first-person narrative, charts the psychological state of the protagonist as she slowly deteriorates into schizophrenia (a disintegration of the personality).
Symbolism is the element that plays the starring role in this production, coyly divulging the clues necessary to illuminate the reality of her psychosis. The physical triggers of said psychosis belong solely to the room she and her husband slept in; now a playroom, it had obviously gone through many other transformations as had this woman, who despised it (nursery, gym, playroom). More importantly, it is the wallpaper that has caught and held her mind's eye.
In 19th Century, there were a lot of short stories were written about psychology. One of the most demanded stories was “The Yellow Wallpaper” by Charlotte Gilman which was a short story about a woman named Jane who was having psychological problems about her life. The story is kind of parallel to problems she had in her life too. That’s why the can be examined three main ways: Nineteenth-century psychology, how she used imagery and rhetorical devices, and protagonist-author relationship.
Welty presents Phoenix, throughout the story, as a determined woman who is persuaded by compassion and encouraged by humor to defeat the hindrances so that she can help her chronically ill grandson. This story gives a wonderful lesson for all people who feel like the afflictions of life are too immense to overcome, and also provides advices for how to persevere when realizing goals that may seem impossible. Consequently, the ways Welty uses symbolism to make clear of how difficult Phoenix’s mission is, but the way she depicts her character shows how humor and compassion help a person make it through tough situations.
Throughout Rajiv Joseph’s play, Gruesome Playground Injuries, the two characters, Doug and Kayleen, sporadically meet throughout the course of 30 years due to injuries ranging from getting “beaten up pretty badly” (Joseph 31) to going into a “coma” (Joseph 27). The play starts out with the two characters first meeting in the school nurse’s office with injuries of their own. This is the start of a relationship that is full of pain and healing throughout the years. Told in a very unique structure of five year increments, the play shows how injuries, a reoccurring image that may be self-inflicted or inflicted upon one, bring the pair together when either is in a dire situation.
The central characters in both “The Yellow Wallpaper” and A Doll’s House are fully aware of their niche in society. In “The Yellow Wallpaper”, the narrator’s husband believes her illness to be a slight depression, and although she states "personally, I disagree with their ideas,” she knows she must acquiesce their requests anyway (Gilman 1). She says, “What is one to do?” (Gilman 1) The narrator continues to follow her husband’s ideals, although she knows them to be incorrect. She feels trapped in her relationship with her husband, as she has no free will and must stay in the nursery all day. She projects these feelings of entrapment onto the yellow wallpaper. She sees a complex and frustrating pattern, and hidden in the pattern are herself and othe...
Charlotte Perkins Gilman, the author of the short story The Yellow Wall-Paper, wrote a story with a focus on mental illness; while doing so she began a feminist revolution in the late 19th century. The narrator, Jane, is attempting to break free from society’s patriarchal ideals and begins to carve a path for women of the future. While the narrator of the story may not have fully escaped, her efforts mark an act of martyrdom for women’s rights and freedom during this era.
Written in the 19th century, the short story titled "The Yellow Wallpaper," by Charlotte Perkins Stetson highlights how a mentally disturbed and misunderstood woman's condition degenerates into madness while under the care of her busy but caring husband. The story brings out pertinent issues in the care and treatment of mentally ill female patients during the 19th century. In a bid to comprehend the article thoroughly, the paper analyses the historical background of the short story by examining how isolation affects a person suffering from depression, and the role the wallpaper plays in worsening the condition of the woman in the story. The essay also analyses the treatment procedure of the mentally ill in the 19th century and discusses how
In the 19th Century, women had different roles and treated differently compared to today’s women in American society. In the past, men expected women to carry out the duties of a homemaker, which consisted of cleaning and cooking. In earlier years, men did not allow women to have opinions or carry on a job outside of the household. As today’s societies, women leave the house to carry on jobs that allow them to speak their minds and carry on roles that men carried out in earlier years. In the 19th Century, men stereotyped women to be insignificant, not think with their minds about issues outside of the kitchen or home. In the play Trifles, written by Susan Glaspell, the writer portrays how women in earlier years have no rights and men treat women like dirt. Trifles is based on real life events of a murder that Susan Glaspell covered during her work as a newspaper reporter in Des Moines and the play is based off of Susan Glaspell’s earlier writing, “A Jury of Her Peers”. The play is about a wife of a farmer that appears to be cold and filled with silence. After many years of the husband treating the wife terrible, the farmer’s wife snaps and murders her husband. In addition, the play portrays how men and women may stick together in same sex roles in certain situations. The men in the play are busy looking for evidence of proof to show Mrs. Wright murdered her husband. As for the women in the play, they stick together by hiding evidence to prove Mrs. Wright murdered her husband. Although men felt they were smarter than women in the earlier days, the play describes how women are expected of too much in their roles, which could cause a woman to emotionally snap, but leads to women banding together to prove that women can be...
“The Yellow Wallpaper” is written in the first person narrative of a women's secret journal and her descent into madness. With the medical community of the nineteenth century misunderstanding and mistreating women, despite the protests of women. The treatment that John, the narrator’s husband, offers does not help at all, in fact throughout the story the narrator’s journal entrees and condition progressively worsens. Spending the summer in an abandoned mansion in order to recover from what her physician husband believes is a “temporary nervous depression- a slight hysterical tendency” (648). Her husband does not believe that her illness is serious the narrator states,“You see he does not believe I am sick” (647)! According to history men thought that they knew better than women, especially women who were “hysterical.” ...
Each John, the narrator's husband in “The Yellow Wallpaper”, Brently Mallard, Mrs. Mallard’s husband in “The Story of an Hour” and Henry Allen, Elisa Allen’s husband in “The Chrysanthemums” unknowingly lead their wives to a state of mental confinement through their actions taken that are meant to help them. John tells his wife to rest and not to think of her condition for the sake of him and the children which drove her mad because
"The Yellow Wallpaper" by Charlotte Perkins Gilman, is a story told from the first person point of view of a doctor's wife who has nervous condition. The first person standpoint gives the reader access only to the woman’s thoughts, and thus, is limited. The limited viewpoint of this story helps the reader to experience a feeling of isolation, just as the wife feels throughout the story. The point of view is also limited in that the story takes places in the present, and as a result the wife has no benefit of hindsight, and is never able to actually see that the men in her life are part of the reason she never gets well. This paper will discuss how Gilman’s choice of point of view helps communicate the central theme of the story- that women of the time were viewed as being subordinate to men. Also, the paper will discuss how ignoring oneself and one’s desires is self-destructive, as seen throughout the story as the woman’s condition worsens while she is in isolation, in the room with the yellow wallpaper, and her at the same time as her thoughts are being oppressed by her husband and brother.
In Anatomy of Criticism, author Northrop Frye writes of the low mimetic tragic hero and the society in which this hero is a victim. He introduces the concept of pathos saying it “is the study of the isolated mind, the story of how someone recognizably like ourselves is broken by a conflict between the inner and outer world, between imaginative reality and the sort of reality that is established by a social consensus” (Frye 39). The hero of Hannah W. Foster’s novel, The Coquette undoubtedly suffers the fate of these afore mentioned opposing ideals. In her inability to confine her imagination to the acceptable definitions of early American female social behavior, Eliza Wharton falls victim to the ambiguity of her society’s sentiments of women’s roles. Because she attempts to claim the freedom her society superficially advocates, she is condemned as a coquette and suffers the consequences of exercising an independent mind. Yet, Eliza does not stand alone in her position as a pathetic figure. Her lover, Major Sanford -- who is often considered the villain of the novel -- also is constrained by societal expectations and definitions of American men and their ambition. Though Sanford conveys an honest desire to make Eliza his wife, society encourages marriage as a connection in order to advance socially and to secure a fortune. Sanford, in contrast to Eliza, suffers as a result of adhering to social expectations of a male’s role. While Eliza suffers because she lives her life outside of her social categorization and Sanford falls because he attempts to maneuver and manipulate the system in which he lives, both are victims of an imperfect, developing, American society.
In the story The Yellow Wallpaper, Gilman uses personal experience with a vivid fictional ending to accomplish her goal of informing her readers of feminist and social issues. Characters within the story are the narrator, who becomes known as Jane at the end; John, the narrator’s husband and physician; Jennie, John’s sister who becomes the typical housewife in that time to allow the narrator to rest; and Mary, who takes care of the baby. The narrator and John rent an estate in the country, which could also be looked upon as “a haunted house” (2) in the narrator’s eyes. Ever since the birth of their child, the narrator has developed a temporary nervous depression. John, being a high standing physician, feels the “rest cure” is exactly what she needs to help with her newfound depression, which restricts her emotions and does not allow expression, ultimately making it worse. However, with her husbands esteemed profession she blindly accepts what John recommends.