Starry Night Over The Rhone Analysis

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Vincent Willem van Gogh was a Dutch Post-Impressionist painter, who traveled between Hague, London, and Paris, where he created some of his best works of art. Van Gogh began to paint in 1885 and continued to paint up until his death. Out of his nine hundred painting, one of van Gogh’s famous paintings was the Starry Night Over the Rhone. This famously recognized piece of art was constructed using an oil base paint on a 28.5 inch by 36.2 inch canvas. Oscar-Claude Monet was also a painter and painted during the French Impressionist movement of the 1870s and 1880s. Monet lived in Giverny, where he painted various different landscape projects that later became subjects of some of his best-known works. Considered to be one of Monet’s “most poetic …show more content…

The painting includes deep shades of blue broken by the illumination of the stars with their yellow auras and the lamps on the dock in the distance casting pale yellow reflections across the water. The sky consists of brightly lit stars that light up the dark midnight sky. In the background of the painting, a city is shown and has the lights of the city reflected onto the grand Rhone River. The painting is presented primarily in two parts, with the river on the lower portion of the painting and the sky on the upper portion, with a bright city scape in the center that divides the two. Near the center of the river, almost unnoticeable, are three sail boats that are docked. Underneath the sail boats, in the foreground, are two figures that are seen facing opposite of the river. The color aspects of the painting primarily focus on just yellows and blues, which Van Gogh manipulates in a number of different hues that, in return, exaggeratedly distinguish the light from the …show more content…

Gogh marvelously transcribed just two colors of yellow and blue in his Starry Night Over the Rhone. It was said that he used blue and yellow next to one another to make each appear more brilliant. A range of dark to medium blue hues prevailing of cobalt to oxford to a Persian blue is presented in the sky and river. The city street lights glimmer an intense yellow-orange and are clearly reflected against the Rhone River. Above in the sky, the stars sparkle a lighter yellow color that enlightens the night sky, given from their natural light. The two little figures in the corner of the painting are the only human forms in this painting and add a touch of natural quality in this monotonous

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