Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
ethical dilemma scenarios
ethical dilemma case analysis paper
Milgram's Experiments and the Perils of Obedience
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: ethical dilemma scenarios
We like to think that “evil” is something that people—and monsters—are, or aren’t. But this is mistaken. Only actions, not persons, can be good or evil.
Most people—ones we’d want to call “good”—will commit horrific acts when put under sufficient emotional pressure. Do you know about Stanley Milgram’s torture experiment? He showed that two thirds of ordinary Americans would torture other ordinary Americans to death—ones they believed to be entirely innocent. The torture and deaths were faked, but the experimental subjects believed that they had killed another person, simply because Milgram told them they had to. This is horrifying and almost unbelievable; but the experiment has been replicated several times (in other countries too), and appears
…show more content…
So we need to be much less confident about the answer.
It is easy to act ethically in good conditions. When we feel threatened or confused, humans can become unboundedly destructive.
Pretending this is not true makes the problem worse. It is only when we acknowledge that maybe we would have tortured an innocent person to death, in Milgram’s experiment, that we can start the transformational work to make that less likely.
The most dangerous monsters are those who believe they are moral people. Because they believe monstrosity is alien (somewhere else, those bad people), “moral people” are capable of rationalizing horrifying acts of cruelty, which must be OK because “we are not monsters.”
Monsters who know they are monsters are harder to threaten or confuse. No werewolf would have cooperated with Milgram; they would simply have eaten him.
Inhuman, unnatural, unintelligible,
…show more content…
Except when what we feel, and do, and experience makes no sense, when measured against concepts of humanness. Except when we look in a mirror…
Freud, in his essay “The Uncanny,” tells a story. He was alone in a railway car sleeping compartment, preparing for bed. He looked up and was horrified to see a most unpleasant, nasty-looking old man coming out of his bathroom. It took him a moment to realize that its mirrored door was swinging open as the train rocked, and the monster he saw was himself—reflected.
Uncanniness is the experience of conceptual interpretation breaking down. Spookiness is frightening unpredictability and alienness—mixed with familiarity. Nothing can be more familiar than ourselves; and yet there are times when we find ourselves alien, chaotic, and confusing.
Monsters are driven mainly by emotion, not reason. Many recent experimental studies show the same is true of “humans.” We all pretend to be much more rational than we really are; our “reasons” are mostly just after-the-fact rationalizations of emotional decisions. We all treat each other as much more human than we really are; we demand unreasonable reasonableness from
In society, there have always been different roles in defining the boundaries between right and wrong; Monsters take a big part of that role. In Jeffrey Cohen’s “Monster Culture,” Cohen explains seven theses which provide a clearer explanation of how monsters take a part in establishing these boundaries. The oldest Anglo-Saxon story written- “Beowulf”- provides three different monsters which all connect to Cohen’s seven theses. In the older version, however, the monsters do not relate to humans in any way, except that they are enemies. The modern version of Beowulf portrays Grendel’s mother to still be evil but also have relations with the humans in the story.
At first, The Monster is very kind and sympathetic. He has a good heart, as shown when he collected firewood for the family on the brink of poverty. Like every other human creation, he was not born a murderer. All the Monster wanted was to be accepted and loved by Victor Frankenstein and the other humans but instead he was judged by his appearance and considered to be dangerous. The Monster says, “like Adam, I was created apparently united by no link to any other being in existence…many times I considered Satan as the fitter emblem of my condition; for often, like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me” (page 105). This line is an important part of the novel because the Monster lets it be known how like Adam he was created into this world completely abandoned and like Satan he is angry with those people who have found contentment and satisfaction in their lives. The rejection and unwelcome feeling he is faced with, is the main reason the Monster becomes a killer. Watching another family show love towards each other made the Monster realize how alienated he truly was. He did not know how to deal with his pain and emotions so he murders as
Many people believe they could never commit the crime of torture; yet, Milgram, along with many others, have discovered that the converse is true. At the beginning of his piloted experiment, Milgram predicted virtually all the participants would refuse to continue. He was proven wrong when twenty-five out of forty participants continued past the point of 150 volts (80). He surmised, as the experiment progressed from the piloted study to the regular series, the total out come of average persons response was the same as they had observed in the prior study--solidifying the thought even your "average Joe" is capable of torture (81). While Milgram supports this legitimate thought with facts, stories, and examples, news and world reporter Szegedy-Maszak simply states "...Everyman is a potential torturer"(76). In correspondence with both Milgram and
According to Merriam Webster’s dictionary, a monster is a “strange or horrible imaginary creature”. But monsters don’t necessarily need to be fictional; even humans can be monsters. The only thing that distinguishes us from fictional monsters are our appearances, human-monsters are hard to detect. Therefore, it’s easy to treat people based on their appearances since the human mind gets deceived by looks.
Milgram’s experiment started shortly after the trial of Adolf Eichmann began. Adolf Eichmann was a Nazi who tortured many Jews during the Holocaust, and had others under his hand do whatever he told them to do. Milgram decided to plan a study to merely see if the followers of E...
“Inside each of us, there is the seed of both good and evil. It's a constant struggle as to which one will win. And one cannot exist without the other” (Eric Burdon). People do not think they are doing good or evil, they just think that they are doing the right thing. Evil comes from within each one of us. You just need to something to bring it out.
Throughout history we see monsters taking many different shapes and sizes. Whether it be a ghoul in the midst of a cold nightly stroll or a mass genocide, monsters are lurking everywhere and our perception of what monsters truly are, is enhancing their growth as a force with which to be reckoned. Fear of the unknown is seen throughout time, but as humans progress we are finding that things we once were afraid of we are less frightening than they once were. Monsters can evoke fear in their targeted victims rather than physically harm their victims. For instance, every year a new horror film is released with the next scary beast, but why do we call something a monster even if we know it is not real? Even certain people and creatures are classified as monsters, but are they really monsters, or do their actions speak of monstrous doings? In his article and book chapter Monsters and the Moral Imagination and chapter 5 of On Monsters, Stephen Asma suggests that monstrosity, as we know it, is on the rise as humans progress, and how we perceive monsters can often define monstrosities in itself, providing evidence as to why monster cultures are on the rise, and showing how human progress has evolved our perception of how we think on the topic that is monsters.
At first Milgram believed that the idea of obedience under Hitler during the Third Reich was appalling. He was not satisfied believing that all humans were like this. Instead, he sought to prove that the obedience was in the German gene pool, not the human one. To test this, Milgram staged an artificial laboratory "dungeon" in which ordinary citizens, whom he hired at $4.50 for the experiment, would come down and be required to deliver an electric shock of increasing intensity to another individual for failing to answer a preset list of questions. Meyer describes the object of the experiment "is to find the shock level at which you disobey the experimenter and refuse to pull the switch" (Meyer 241). Here, the author is paving the way into your mind by introducing the idea of reluctance and doubt within the reader. By this point in the essay, one is probably thinking to themselves, "Not me. I wouldn't pull the switch even once." In actuality, the results of the experiment contradict this forerunning belief.
Monsters are one of the most difficult things to define. They lack a black and white definition and as result they are open to many interpretations. Monsters are capable of imposing fear on certain groups of people, but not on others. In his story, “Beautiful Monsters,” Eric Puchner creates a scenario where unlikely groups of people are considered monsters. Similarly, Jonathan Swift’s satirical essay, “A Modest Proposal,” creates a variety of different monsters in one troubled society. Both pieces of literature, however, are not simply just descriptions of different monsters; instead their underlying themes serve as a message about how monstrosity is defined. Swift’s “A Modest Proposal” clearly supports Puchner’s message that monstrosity is a matter of perspective by exploiting the differences in society and how different people living in those societies are viewed.
Jeffery Cohen's first thesis states “the monster's body is a cultural body”. Monsters give meaning to culture. A monsters characteristics come from a culture's most deep-seated fears and fantasies. Monsters are metaphors and pure representative allegories. What a society chooses to make monstrous says a lot about that society’s people. Monsters help us express and find our darkest places, deepest fears, or creepiest thoughts. Monsters that scare us,vampires, zombies, witches, help us cope with what we dread most in life. Fear of the monstrous has brought communities and cultures together. Society is made up of different beliefs, ideas, and cultural actions. Within society there are always outcasts, people that do not fit into the norm or do not follow the status quo. Those people that do not fit in become monsters that are feared almost unanimously by the people who stick to the status quo.
Monsters have always been depicted as some atrocious beings that were created to inflict fear into whoever it could, in anyway possible. Monsters vary from culture to culture but never do they vary in the havoc they wreak and the fear they inflict in some. Three authors have shown a more advanced definition of what society sees as a monster.Three greatly written novels “Parasites and Perverts: An Introduction to Gothic Monstrosity” “Gothic Realities: The Impact of Horror Fiction on Modern Culture” “Civilized Vampires versus Savage Werewolves: Race and Ethnicity in the Twilight series” show clearly the theories in novels that depict others as the monster.
The lines that define good and evil are not written in black and white; these lines tend to blur allowing good and evil to intermingle with each another in a single human being.
This research paper with discuss how an inherently “good” person can under the right circumstances turn “evil” and the psychological effects behind the change. To understand how a person can cross the proverbial line from good to evil; evil itself must be given a definition. The word evil has been an overarching term to describe anything from biblical aspects to natural disasters, even to describe the human condition. For this paper the human aspect of evil will be solely focused on. Oxford dictionary describes evil as “profoundly immoral and malevolent.” To understand this further the philosopher Peter Dews Author of “The idea of Evil” writes “Basic notions of offence and punishment, of transgression and forgiveness, seem to lose their grip in the face of profound, far reaching desecrations of the human. For those kinds of crimes, “evil” is still the only word we’ve got.” (12) Through this research paper Ethics of these experiments will not be discussed. Each of these experiments in present day are considered unethical however, they served their purpose in finding what psychological aspects contribute to evil in a given individual.
Frankenstein shows that what looks like a monster in appearance my not be and what looks normal on appearance may be a monster. While a scary ugly creature may look like a monster a true monster is formed from within and is scene through actions. Along with this knowledge is power and power has the ability to make monsters. The pursuit to know more is a never ending road that leads to lies, secretes, and monstrosity. “How much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow,” while knowledge is boundless and beautiful an excess of anything can create a monster.
In our world today, we come across all sorts of people. Some you see do evil actions and some you see do good actions. The person doing a good action might be a psychotic killer-- you never know. The other person doing the evil action, could be a priest. Not everything you see people do shows what type of person they really are inside. These people may look one way on the outside, but the world can change the way they see the world and their ultimate actions. Regardless of how someone seems, they are consistently changing because of the evil energies of the world. Humans are all born good and pure, although as we grow up we are corrupted by the evil world around us.