Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Tillie Olsen by I stand here Ironing
i stand here ironing by terriw oisen
Tillie Olsen by I stand here Ironing
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Tillie Olsen by I stand here Ironing
Wake up, go to school, come home, eat, do homework, sleep. Wake up, go to school, come home, eat, do homework, sleep. Wake up, go to school, come home, eat, do homework, sleep. This is the life of a teenager. They do the same things over and over again barley having enough time to interact with their family and friends. This schedule alters slightly as one gets older, but for the most part everything stays the same. Each day a repeat of the day before. In the short story “I Stand Here Ironing” by Tillie Olsen, the narrator begins with a the simple task of ironing and all throughout the story she continues to iron. For the narrator every day is the same. A day filled with chores and work and more chores and no time to spend loving her daughter. The psychological aspect of this story reflects on the narrator’s perspective of her own life and the regrets she has about raising her eldest daughter. This can be seen through the setting, point of view, and symbols throughout the story.
“I stand here ironing.” These first four words of the story say nothing and yet everything about who the character is, what he or she is like, and where he or she is. The author’s intention is to have the reader assume who the character is. Naturally, the readers will surmise that the person ironing is a woman, probably a mother ironing for a large family if she is constantly ironing, and she can not afford to have others do her laundry. All of the assumptions of the reader would be correct. The narrator is a poor mother, with a large family, who, for the most part, is raising her children on her own. The setting of the story gives us image of a very busy mother. Aside from her home there is one other location described in the story. The convalescent home...
... middle of paper ...
...pend any time with her. She is asking her if she will ever be deserving of her attention.
Emily, in a sense, is a reflection of her mother. The story flashes back to when the narrator was about Emily’s current age which also happens to be when the narrator gave birth to Emily. From that point forward the narrator’s life was very difficult and although someone is pointing out to her that Emily needs her help and attention, she does not put any effort into helping her. The narrator realizes that Emily’s situation will have negative consequences because it directly mirrors her life. The whole story was an introspection on the narrator’s life, but the purpose of this self reflection was to learn from her life and see how it may apply to her daughter’s life. From the introspection of the narrator one could learn to gain from their own mistakes and the mistakes of others.
Mama who is the narrator is a woman who can do any chore that a man can, because of the way she is described. "In real life I am a lar...
Alice Walker’s “Everyday Use” is a short story about a mother and two very different daughters set in rural Georgia during the late 1960’s. The plot is centered around on the two daughters, Dee and Maggie, and focusing on the differences between the two and who will gain possession of two hand-made quilts that are seen as a coveted trophy by Dee and are viewed as everyday items Maggie. The final decision of which daughter ultimately receives the quilts will be made by Momma Johnson. Momma, who is never given a first name in the story, is a strong black woman with many man-like qualities. “In real life I am a large, big-boned woman with rough, man-working hands. In the winter I wear flannel nightgowns to bed and overalls during the day.” (DiYanni 744) Momma is a tough woman and has had to be both father and mother to the daughters although the story never comments on the absence of the father. The story revolves around a visit home by Dee who has been away at college and has recently discovered the true meaning of black heritage with her adoption of ideas and practices from black power groups while simultaneously rejecting her own upbringing. Upon arriving home, Dee announces that she has changed her name to “Wangero” in defiance of her white oppressors and to embrace her newly found African heritage with a more appropriate black name. Dee and Maggie are complete opposites in appearance, education and desire to escape their childhood surroundings. Maggie has little education and no noticeable desire to improve her situation and prefers to be left alone in the shadows where she can hide her physical and emotional scars from a house fire when she was a child. Hand sewn quilts become the objects of Dee’s desires; objects ...
Because the mother is living in a world of depression a dark wall has wrapped itself around her. Worrying solemnly about the life of her daughter, the mother is neglecting to appreciate the positive attributes her daughter is presenting. Emily is a gifted comedian, "Where does it come from, that comedy?" (p.159) being a comedian during the Great Depression is almost as rare as finding water during an extensive drought. If the mother wasn't as depressed she would be able to appreciate the comedy that Emily is passionate for. The mother's character is left in a state of helplessness reaching out beyond depression to view the comedian inside her daughter.
At the beginning of the story Emily is just an ordinary little girl, but as the story continues she begins to feel herself changing. By the end of the story, Emily has gained self-consciousness and thinks of herself not as an ordinary little girl but as “Emily”.
The narrator reflects and regrets on her daughter Emily’s past. The narrator feels guilty about leaving Emily at a neighbor’s house, sending her to nursery school and a convalescent facility. In her short story “I Stand Here Ironing”, Olsen describes the convalescent home as she insert “The parents stand below shrieking up to be heard and the children shriek down to be heard, and between them the invisible wall “Not To Be Contaminated by Parental Germs or Physical Affection” (226). When Emily is in the convalescent facility, she is cut off from outside world, including the communication with her mother. Besides the convalescent facility, the iron itself also has a symbolic meaning. In the beginning of the short story, Olsen writes “I stand here ironing, and what you asked me moves tormented back and forth with the iron” (223). The narrator is ironing during a phone conversation with an adult concerned about Emily 's well-being. Toward the end, the author express the Emily’s feeling when she says “Aren’t you ever going to finish the ironing, Mother” (229). The non-stop ironing annoys Emily because her own mother is willing to spend the time on ironing despite it would extend the distance between the two of them. The simple act of ironing not only symbolizes the duty as a mother but also represent the helplessness to change the circumstances. The absences of the narrator and the lack of communication weakens the bond
This feeling takes over through the entire story, creating the second theme. The narrator feels responsible for Emily's upbringing. She regrets ignoring her cries for help, and feels sadness over the way she treated Emily. For an example "Night after night she had nightmares. She would call for me, and I would rouse from exhaustion to a sleepily call back: 'You're all right, darling, go to sleep, it's just a dream,' and if she still called, in a sterner voice, 'now go to sleep Emily, there's nothing to hurt you." Twice, only twice, when I had to get up for Susan anyhow, I went in to sit with
The poem “Ironing their Clothes” is written by Julia Alvarez. This poem focuses solely on the young girl’s family and their affection. Alvarez tells the reader how this young girl relies on ironing her family’s clothes to imagine being unified with her family. Alvarez goes to show how the girl ironing her family’s clothes is a way of her showing them love, and while the girl irons, she imagines her family giving her affection back.
Life is sad and tragic; some of which is made for us and some of which we make ourselves. Emily had a hard life. Everything that she loved left her. Her father probably impressed upon her that every man she met was no good for her. The townspeople even state “when her father died, it got about that the house was all that was left to her; and in a way, people were glad…being left alone…She had become humanized” (219). This sounds as if her father’s death was sort of liberation for Emily. In a way it was, she could begin to date and court men of her choice and liking. Her father couldn’t chase them off any more. But then again, did she have the know-how to do this, after all those years of her father’s past actions? It also sounds as if the townspeople thought Emily was above the law because of her high-class stature. Now since the passing of her father she may be like them, a middle class working person. Unfortunately, for Emily she became home bound.
As time went on pieces from Emily started to drift away and also the home that she confined herself to. The town grew a great deal of sympathy towards Emily, although she never hears it. She was slightly aware of the faint whispers that began when her presence was near. Gossip and whispers may have been the cause of her hideous behavior. The town couldn’t wait to pity Ms. Emily because of the way she looked down on people because she was born with a silver spoon in her mouth and she never thought she would be alone the way her father left her.
The stories “I Stand Here Ironing” by Tillie Olsen and “Everyday Use” by Alice Walker, are different in many ways, but are also similar. “I Stand Here Ironing” and “Everyday Use” both focus on the relationships of the mother and daughter, and on the sibling’s relationships with each other. Emily from “I Stand Here Ironing” and Maggie from “Everyday Use” have different relationships with their mothers, but have similar relationships with their sisters. Although the stories are similar in that Emily and Maggie are both distant from their sisters, they differ in that the mother is distant from Emily in “I Stand Here Ironing,” while the mother is close to Maggie in “Everyday Use.”
“I am a large, big boned woman with rough, man-working hands” Mama describes of herself in the short story Everyday Use by Alice Walker. Mama, who additionally takes the role of narrator, is a lady who comes from a wealth of heritage and tough roots. She is never vain, never boastful and most certainly never selfish. She speaks only of her two daughters who she cares deeply for. She analyzes the way she has raised them and how much she has cared too much or too little for them, yet most of all how much they value their family. Mama never speaks of herself, other than one paragraph where she describes what she does. “My fat keeps me hot in zero weather. I can work outside all day, breaking ice to get water for washing” (Walker, 60). She does not need to tell readers who she is, for her descriptions of what she does and how her family interacts, denotes all the reader needs to know. Although Mama narrates this story rather bleakly, she gives readers a sense of love and sense of her inner strength to continue heritage through “Everyday Use”.
In the short story "I Stand Here Ironing" by Tillie Olsen the conflict between a mother whose giving is limited by hardships is directly related to her daughter's wrinkled adjustment. Ironing, she reflects upon when she was raising her first-born daughter, Emily. The mother contemplates the consequences of her actions. The mother's life had been interrupted by childbirth, desertion, poverty, numerous jobs, childcare, remarriage, frequent relocations, and five children. Her struggling economic situation gave way to little or no opportunity to properly care for and nurture her first-born child. In spite of the attention and love Emily craved and never received, she still survived, and even made strengths, and talents, out of the deprivations she had endured.
Emily was kept confined from all that surrounded her. Her father had given the town folks a large amount of money which caused Emily and her father to feel superior to others. “Grierson’s held themselves a little too high for what they really were” (Faulkner). Emily’s attitude had developed as a stuck-up and stubborn girl and her father was to blame for this attitude. Emily was a normal girl with aspirations of growing up and finding a mate that she could soon marry and start a family, but this was all impossible because of her father. The father believed that, “none of the younger man were quite good enough for Miss Emily,” because of this Miss Emily was alone. Emily was in her father’s shadow for a very long time. She lived her li...
Emily’s isolation is evident because after the men that cared about her deserted her, either by death or simply leaving her, she hid from society and didn’t allow anyone to get close to her. Miss Emily is afraid to confront reality. She seems to live in a sort of fantasy world where death has no meaning. Emily refuses to accept or recognize the death of her father, and the fact that the world around her is changing.
In “A Rose for Emily”, by William Faulkner, Emily Geierson is a woman that faces many difficulties throughout her lifetime. Emily Geierson was once a cheerful and bright lady who turned mysterious and dark through a serious of tragic events. The lost of the two men, whom she loved, left Emily devastated and in denial. Faulkner used these difficulties to define Emily’s fascinating character that is revealed throughout the short story. William Faulkner uses characterization in “A Rose for Emily”, to illustrate Miss Emily as a stubborn, overly attached, and introverted woman.