I arrived late to the event by an hour but as I entered through the doors to the theatre, the atmosphere completely changed. I made my way to my seat through the pitch black corridors, hoping not to step on anyone’s feet and to find my seat as soon as possible without causing any disruption. As I sat myself down, I looked around my surrounding to notice how big the theatre was and that the audience was sitting in a trance like state, quietly appreciating the musical piece. I turned my attention towards the gaudy stage which was brightly lit, I noticed the curved shape of the stage and some microphones that were dangling from top of the stage and I concluded that they were probably there so the sound can be projected properly around the theatre and that there is reverb.The colours of the lighting and the stage not only complimented the architecture of the theatre, but it also brought out the colourful nature of the South Asian culture. The spotlights were po...
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...performance such as the tempo of the instruments being played varied, at times it would start slow and would pick up pace. The rhythmic flow would then affect the sound coming out of the instrument, it would vary from being soft and calm to loud and fast. As the tempo kept on shifting it altered the duration of each note, it varied between short and long. When Amjad performed this one particular piece, I noticed how his sons were waiting for him to finish his solo on sitar so that they could join in with him. It was their kinesthetic response to join him when Amjad looked at them one by one.
As the hours flew by, the performance came to an end. The performance ended with Amjad and his sons gesturing the Namaste sign as the audience members got up from their seats to give them a standing ovation. With a humble expression Amjad and his sons said “thank you and goodbye”.
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