In our busy lives we often forget to stop and listen to the wonderful sounds our ancestors heard everyday. Our lives are now filled with the constant hum of a car going by or the constant drum of airplanes overhead among other noises. In the video package “Sounds of Silence” Gordon Hampton encourages people to experience nature and all of its magnificent sounds. Hampton shows though, that even where he wishes his square inch of silence is, he can’t escape the sounds of an industrialized nation.
The package begins with quick detailed shots showing scenes of a city. Accompanying these shots are sound bites and the quick cuts between the clips makes the viewer feel as though the entire sequence is chaotic. These fast shots in the beginning serve to compress time in an effective manner as the entire sequence only takes a few seconds total, but there are several clips in the sequence. The cuts then become slower as the sequences become more focused on nature in an effort to highlight the tranquility and peaceful sounds of the natural world. The shots however, are still faster than what a normal video would be and it’s because the creator is simply using the visuals to allow the viewer to recognize what the sounds are. Throughout the entire package, the focus is entirely on the sound bites and the video clips serve only to make the sounds recognizable to the viewer. By doing these short clips and then making the clips longer when Hampton is talking, the viewer is able to see everything through Hampton’s point of view. Also, because the focus on sound rather than sight per say, the video is very unique because normally the focus of videos is on the actual images rather than the sound bites.
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...ce, after the character is introduced, transitions are added to add a sense of flowing and a more calm atmosphere. The clips are also longer and the shots wider which only add to this sense of tranquility. By the end of the piece though, the viewer is sympathetic to Hampton and also somewhat amazed that he regained his hearing. The viewer is sympathetic because Hampton is trying to listen and record natural sounds when an airplane flies over and ruins it for him. Without the shot of the airplane flying over and being able to see Hampton’s expression though this scene would not be able to evoke the same emotions. After that sequence, the final one brings the audience back to a sense of tranquility because of the ocean waves on crashing in on the beach and the slightly brighter light used to signify a new beginning for Hampton, who is doing what he truly loves to do.
In the book “There Are No Children Here” by Alex Kotlowitz, the author followed the lives of two young brothers (Lafayette and Pharoah) while they grew up in the harsh streets of Chicago in the late 1980’s. The author uses the story of the two boys’ lives to discuss the social divide in our very own society and to persuade readers that there is a major problem in “the projects” of the United States.
“Let Them Talk!” written by Wayne E. Wright is an article that focuses on the idea of promoting English Language Learners (ELL) oral-language skills in the classroom instruction time to improve their literacy and academic achievement. Too often are an ELL’s speaking and listening skills overlooked and not given enough attention to, even though it is one of the most important parts of communication. Wright encourages teachers working with ELL students to allow time for the student to adjust, not to pressure them into their language development, respect their various stages, bring them into whole class and small group discussions, correct simple language errors in speaking that impeded comprehension, and have them interact and communicate in the classroom for meaningful purposes.
Silence — the sound of quiet, the state of mind, the lack of meaning — all these pertain to its definition. Communication is expanding, noise is increasing, music is becoming more obtainable as people search desperately for a moment of peace or a breeze of silence. As the scarcity of physical silence increases, its value as a rare commodity increases as well. The idiom “Silence is golden” may perhaps only grow closer to reality as time passes, as exemplified by the white noise machines or silent fans entering the market and fictionalized in Kevin Brockmeier’s short story, “The Year of Silence.” In light of this, Brockmeier explores the value of silence and noise in his story without putting one above the other. Through strange clues and hidden
The book, Deaf Again, written by Mark Drolsbaugh, is an autobiography telling his life story which starts with a young boy growing up who goes through the process of losing his hearing and then, as he gets older, he struggles with trying to fit in as a normal child. When Mark was very young, he could hear fairly well then gradually he went hard of hearing until he eventually went completely deaf. Even though he had two deaf parents, the doctors advised speech therapy and hearing aids because they did not understand Deaf Culture and they thought that Mark would be a lot happier if he could hang on to his hearing persona. Throughout the rest of the book, Mark goes through a lot of stages of trying to fit in with everyone and eventually does find himself and realizes that being Deaf is not a disease, but just a part of who he is.
John Hollander’s poem, “By the Sound,” emulates the description Strand and Boland set forth to classify a villanelle poem. Besides following the strict structural guidelines of the villanelle, the content of “By the Sound” also follows the villanelle standard. Strand and Boland explain, “…the form refuses to tell a story. It circles around and around, refusing to go forward in any kind of linear development” (8). When “By the Sound” is examined in regards to a story, the poem’s linear development does not get beyond the setting. …” The poem starts: “Dawn rolled up slowly what the night unwound” (Hollander 1). The reader learns the time of the poem’s story is dawn. The last line of the first stanza provides place: “That was when I was living by the sound” (3). It establishes time and place in the first stanza, but like the circular motion of a villanelle, each stanza never moves beyond morning time at the sound but only conveys a little more about “dawn.” The first stanza comments on the sound of dawn with “…gulls shrieked violently…” (2). The second stanza explains the ref...
For as long as man has walked the earth, so has evil. There may be conflicting moral beliefs in this world, but one thing is universally considered wrong: serial killers. Although some people may try to use insanity as an explanation for these wicked people, they cannot explain away the heartlessness that resides in them. As shown in The Stranger Beside Me, infamous serial killer Ted Bundy is no exception to this. Even though books about true crimes may be considered insensitive to those involved, the commonly positively reviewed book The Stranger Beside Me by Ann Rule handles the somber issue of Ted Bundy’s emotionally destructive early life and the brutal crimes he committed that made people more fearful and aware of the evil that can exist in seemingly normal people well.
Intro: In Steven Connor’s ‘Ears Have Walls: On Hearing Art’ (2005), Connor presents us with the idea that sound art has either gone outside or has the capacity to bring the outside inside. Sound work makes us aware of the continuing emphasis upon division and partition that continues to exist even in the most radically revisable or polymorphous gallery space, because sound spreads and leaks, like odour. Unlike music, Sound Art usually does not require silence for its proper presentation.
In the short story “Being There”, by Jerzy Kosinski, there are multiple examples of satire that are displayed throughout both the book and the movie. A few of them are: media, death, politics, and racism. The satire of the media was very similar in the book and the movie. Media played a big role in society and still does to this day.
First of all, the audio is used brilliantly in the sequence. Sound is one of the most powerful tools in cinema. Sound cues us to form expectation and opens up the possibility for the editing. In the beginning of the sequence we see the indigenous people dancing and Willard resting on the boat. However, he is getting ready to complete his mission. When his voice-over comes into play, the audience starts to realize that Willard is becoming insane just like Kurtz, he is becoming part of the jungle and so is the audience. The scene cuts to Willard rising slowly from the water, accompanied by the song “The End” by The Doors. The tribal beat and the song mix together, intensifying the suspense. The odd thing is that the tribal beat is a diegetic sound and the song is a non-diegetic sound. The combination of these two sounds invades each other’s boundaries and creates a hypnotic feeling. “Filmmakers carefully choose which sounds to include on the soundtrack, knowing that emphasizing a particular ...
Born hearing to deaf, signing parents, Mark gradually lost his hearing. Despite the fact that his deaf parents preferred sign communication, Mark was raised and educated without the use of sign language. His parents and grandparents were concerned that sign might interfere with speech and restrict his educational achievement. Although Mark became increasingly hard-of-hearing, he worked hard to "pass" as a hearing person. This ambition, he later discovered, actually constricted his development and limited the depth of relationships with family and friends. During these long years, he just "didn?t know what (he) was missing." When he later learned ASL, chose to mix with deaf people, and learned to perceive deafness as something special, his horizons expanded. He came to value communication and relationships above the things that seemed so important to many people, such as image, income, status, skills, religious background, or race.
I read the book Lonesome Howl, which is a drama book and a love story. The book was about two main character whose names are Jake and Lucy. They lived with their family in two different farms, but in the same community besides a mountain covered in a big wicked forest where many rumors took place. The farmers around the place lost many sheep’s since a feral beast. It was a quite small community and a lot of tales was told about it to make it even more interesting. Lucy was 16 years old and lived with her strict father and a coward of mom who didn’t dare to stand up for her daughter when she were being mistreated and slapped around by her father. Lucy was a retired and quite teenager because of that. She had a younger brother whose name was Peter. Peter was being bullied in school and couldn’t read since the education of Peter was different compare too Lucy’s. She helped him in school and stood up for the mean bullies, although all she got in return was him talking bullshit about her with their cruel dad which resulted with her getting thrash.
In the essay “Everything Now” Signs of Life in the USA: Readings on Popular Culture for Writers, author Steve McKevitt blames our unhappiness on having everything we need and want, given to us now. While his writing is compelling, he changes his main point as his conclusion doesn’t match his introduction. He uses “want versus need” (145) as a main point, but doesn’t agree what needs or wants are, and uses a psychological theory that is criticized for being simplistic and incomplete. McKevitt’s use of humor later in the essay doesn’t fit with the subject of the article and comes across almost satirical. Ultimately, this essay is ineffective because the author’s main point is inconsistent and poorly conveyed.
The novel, Alone Together: Why We Expect More From Technology and Less From Each Other (2011) written by Sherry Turkle, presents many controversial views, and demonstrating numerous examples of how technology is replacing complex pieces and relationships in our life. The book is slightly divided into two parts with the first focused on social robots and their relationships with people. The second half is much different, focusing on the online world and it’s presence in society. Overall, Turkle makes many personally agreeable and disagreeable points in the book that bring it together as a whole.
In scene 49, a 'montage ' shows the passage of time as Ricky Baker and Hector move through the woods as Paula, officers, and hunters chase after them. Except, instead of cutting between these moments in time, the camera slowly turns 780 degrees and characters appear and disappear in parts of the forest as needed. It 's a one-take montage. It 's a clever shot and it indicates Waititi is exploring other ways of presenting montages. It 's a very noticeable stylistic choice, but it doesn 't distract from what 's happening on screen. The montage itself is similar to previous ones in the film--passages of time are shown as humorous bits. The chase through the forest is a serious one--Hector is accused of molesting Ricky Baker and if Ricky Baker is caught, he would be sent to juvenile prison. And yet, since the film 's world includes incompetent police officers and hunters, the montage is
Urvashi Butalia in her book, The Other Side of Silence, attempts to analyze the partition in Indian society, through an oral history of Indian experiences. The collection of traumatic events from those people who lived through the partition gives insight on how history has enveloped these silences decades later. Furthermore, the movie 1947 Earth reveals the bitterness of partition and its effect of violence on certain characters. The most intriguing character which elucidates the silence of the partition is the child, Lenny. Lenny in particular the narrator of the story, serves as a medium to the intangibility created by the partition. The intangibility being love and violence, how can people who grew up together to love each other hate one another amidst religion? This question is best depicted through the innocence of a child, Lenny. Through her interactions with her friends, the doll, and the Lahore Park, we see silence elucidated as comfort of not knowing, or the pain from the separation of comfort and silence from an unspoken truth.