One of the earliest juxtapositions the audience will notice is the film’s title and opening credit sequence, which comprises two important visual elements that work in tandem to demonstrate the film’s overarching theme of freedom. The title design’s bright, glistening, yellow color suggests springtime and sunshine, both of which characterize the preceding scene, and the font’s curved, wide, emboldened style seems jovial and whimsical. Such blithe feelings are natural and expected in a mus...
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...ting produces a mood of fear, suspense, and results in a true cinematic climax.
As a time in history full of persecution and oppression, the setting of The Sound of Music has themes of liberation, freedom, and nonconformism embedded in its core. The film successfully brings these thought provoking themes to light through its visual design, which carefully connects them to the audience using juxtapositions of character placement and shot composition, costuming, and lighting arrangement. Due to its visual design, the film effortlessly grabs and maintains the attention of its viewers throughout its extended duration. Clearly, the film’s precise use of visual design supports the story, its themes, and its timeless connection to the audience.
The Sound of Music. Dir. Rober Wise. Perf. Julie Andrews and Christopher Plummer. Ken Films, 1965. Online Video.
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