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essay on the evolution of black music
essay on the evolution of black music
essay on the evolution of black music
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Soul was a term adopted to describe Black popular music as it evolved from the 1950’s into the 1960’s, and through to the early 1970’s. Many people saw it as merely a new term for Rhythm and Blues. Soul was a return to the roots of Black music, to the Blues and in particular to Gospel and the church. Soul preserves similarities from the Blues such as the emotional honesty, the vocal intensity and the use of call and response. The musical form of soul known as the Motown sound came from Detroit. Soul commentators and historians, since the mid 60’s judge it from going astray from the directed audience. Motown is a lighter, more pop oriented approach and its determined effort was to appeal to as broad an audience as possible, making it less authentic than the traditional southern Soul sound. Motown was often regarded as inferior simply because it managed to appeal to the White teenage audiences as well as the traditional Black market place. Soul wasn't just about the southern states and Detroit. Chicago followed up next, and then New Orleans brought a funky, expressive flavor of Louisiana. And the music continued to evolve, going into Philadelphia with its own unique sound. In times, soul has become an undying part of the language of American popular culture.
1. The Temptations. “My Girl.” The Temptations Sing Smokey. Motown, 1964.
“My Girl” was released in December of 1964 and was recorded in Hitsville, USA. The song was written and produced by Smokey Robinson and Ronald White. Robinson wrote the lyrics, which were inspired by his wife, Claudette. 1964 marks one of the most important years in American history containing the signing of the 1964 Civil Rights Act. It was also the rise of American soul music with the introduction of ...
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...nited. Motown, 1967.
Marvin was born April 2, 1939 in Washington, D.C. In his youth, Marvin Gaye would sing in his father's church. Later in life he sang in the Moonglows before finally signing with Motown. He was blessed with a smooth tenor and a three-octave vocal range; Gaye was among the most gifted composers and singers of his era. He was known as "Prince of Motown" and "Prince of Soul". For three years, Gaye and Tammi Terrell wooed the country with their outstanding duet performances. Unfortunately, their reign as the Royal Couple of R&B ended in 1970 when Terrell succumbed to a brain tumor. Terrell’s death left Gaye depressed and he swore never to partner with another female vocalist. Gaye was killed on April 1, 1984 by his father during a dispute. Three years after his tragic death, Marvin Gaye Jr. was honorably inducted into the Rock and Roll Hall of Fame.
Berry Gordy played a significant role in the 1960’s African American shift into the American Music Industry through the establishment of the highly recognised company and genre “Motown”. As the Founder of Motown Records Berry Gordy introduced to the American Music Industry some of the biggest artists of all time take the stage and within a decade created the “Black Pop” genre, which was listened to and purchased from a segregated audience. The business changed the way record labels would polish, nurture and distribute their artist, having an impact on the number of jobs that were introduced into the Music Industry, dealing and consulting with marketing, artist development, choreography, stylists and costume designers. With Berry Gordy’s all
African-American music is a vibrant art form that describes the difficult lives of African American people. This can be proven by examining slave music, which shows its listeners how the slaves felt when they were working, and gives us insight into the problems of slavery; the blues, which expresses the significant connection with American history, discusses what the American spirit looks like and teaches a great deal from the stories it tells; and hip-hop, which started on the streets and includes topics such as misogyny, sex, and black-on-black violence to reveal the reactions to the circumstances faced by modern African Americans.
Religion, especially Christianity played a huge role in black peoples’ lives at the time, leading to the expansion of black churches in South America. In the 1960s, the proportion of black going to church increased as segregation and racial discrimination divided the two cultures in America. This aspect of culture was very significant as blacks learnt that everyone was equal in God’s eyes. At these churches, the introduction of gospel music generated self expression and thus, these black churches were a representation of social cohesion among blacks. Gordy established this aspect of culture and incorporated gospel music from churches into the soul sound Motown was successful for. Moreover, the formation of African American neighbourhoods was a very important aspect of their culture due to its link to the history of segregation. Although many associated these black neighbourhoods or ‘ghettos’ with negative connotations, for blacks, it signified ‘home’, a place that showed representation of black identity, also including the passion and emotion from overcoming the struggle and suffering of being black. “The buildings in Harlem are brick and stone…and the streets are long and wide…but Harlem’s much more than these alone…Harlem is what’s inside…” (Hughes, 1945). Gordy realised that neighbourhoods also represented cultural cohesion where they could relate to each other. According to
Since the decade of 1920, America has been the setting for a progressive "Black Arts Movement." This African-American cultural movement has taken shape in various genres, gaining mass appeal, through multiple capitalistic markets. Even with the use of capitalism this cultural arts movement has stayed set upon its original purpose and direction, by aiding in cultural identity awareness. The knowledge of the duel-self through community awareness as it pertains to economic perceptions and other social boundaries or the metaphysical-self; what W.E.B. Du Bois coined as "twoness," or a division of one’s own identity as a African-American. (Reuben 2) A realization of the existence of two beings within one’s mental identity, where time alters attitude and identity through environmental influence of passing events. The discovery of the "New Negro" in the Harlem Renaissance marks the beginning of this essential philosophy contributing to the 1960’s Black Arts Movement and the Civil Rights Movement; continuing to be evident in current forms of black art, such as within the lyrics of hip-hop music. These revolutionary Ideals of reform have been voiced in the lyrics of many rappers of urban realism, like the New York M.C.’s Rakim, Run-D.M.C. and west coast rapper Tupac Shakur. Though this form of expression is opposed by most academic elitists and fundamental conservatives due to their vulgar expressions of sex and violence depicted within the genre of Hip-Hop; it in opposition actually presents an internal cultural conflict revealed through the redefinition of one’s own identity with poetic lyrical expressions of realism.
Motown is the sound that changed America. No other record company in history had more than 180 number 1 hit songs worldwide and counting. Motown just recently celebrated their 50th anniversary of the company’s founding. Marvin Gaye, Temptations, Jackson 5, and many much brought together racially divided country and segregated society around the world. In this essay I first will tell you more information about Motown and where it got its name from, I then will tell you about Marvin Gaye and his history dealings with Motown, next I will talk about Stevie Wonder and explain his life and how he became a part of Motown, and lastly I will talk about Jackson 5 and talk about how they became a group and their dealings with Motown.
“Blacking Up” is an inspirational and eye opening film that looks at racial identity through hip hop and its culture. The film explores the tensions that surround white identification with the hip hop culture. Typical white people identify hip hop with responses that are uncharacteristic. They are termed as a “wigger” or “wannabe” who think they can become part of a strong culture. The film clearly identifies these people as those trying to connect with others who usually won’t accept them. I have watched this film before for my Hip Hop class in high class and was happy to watch it and learn more about the hip hop community.
I have definitely learned a lot about the Evolution of Music in this class. I found it to be very intriguing. So when I was faced with the chore of deciding what I would do my report on, I chose to use the book Black Music in America by James Haskins. This book gave a detailed account of not only the music genres but it’s performers. American music is made up of music from many different types of ethnic backgrounds. What gives this book a plus is that it highlights aspects American music, and its performers. The people and events that really caught my attention were the concert singers, Minstrelsies, Jubilee songs, and brass bands. Born as a slave, a girl by the name of Elizabeth Greenfield moved to Philadelphia. She moved there with her Mistress and her parents. Luckily while in Philadelphia they were set free. At the age of forty-two she moved to buffalo New York in order to embark on new opportunities as a singer. When she reached New York opportunity came knocking. She began a career of concert singing. With a range of three and one quarter octaves you would think that opportunity kept knocking, but it didn’t. Therefore she moved to Europe where she would get the attention and credit that she deserved. While in Europe Elizabeth was shown great appreciation for her talent. Even Queen Victoria demanded that she performed for her at the Buckingham Palace. She gained newfound popularity in the states, because of her new accomplishments. As we know, it wasn’t easy for blacks to make a living in the U.S. That forced blacks to either perform in Europe or the northern states of the U.S. Some blacks even had to resort to performing in Minstrelsies. Minstrelsies...
Motown broke down racial prejudice by becoming the most successful independent record company in history and the most successful African-American owned business in America. In 1968, the company has 5 records out of the top 10 on Billboard’s hot 100 chart. In the late 80s and 90s all of Motown’s major artist were inducted into the Rock Hall of Fame. Upon his own induction in 1988, Motown’s founder was given the follow tribute: “ Gordy endeavored to reach across the racial divide with music that could touch all people, regardless of the color of their skin. Under this tutelage, Motown became a model of black capitalism, pride and self expression and a repository for some of the greatest talent ever assembled at one company...Motown’s stable of singers, songwriters, and musicians took the concept of simple, catchy pop songs to a intensity...After Motown, black popular music would never again be dismissed as a minority taste...Aesthetically no less than commercially, Motown’s achievements will likely remain unrivaled and
Berry Gordy's "Motown" impact culture through the practice of multiculturalism, which is the presence of, several distinct cultural or ethnic groups within a society. Motown's music was aimed to address to the widest listening public, as along with Gordy's passion to control the direction of the music, "the Motown sound embodies the promise of the movement even to the present day: a music that brought black and white together through song (Schloss, Joseph G et al. 2012)." Thus, people see the convert messages passed from song's lyrics and people start to become aware of the discrimination and prejudice people of color faced in everyday life. For example, ""You Can't Hurry Love" is a song about the importance of waiting. Formally, the song keeps us guessing-waiting for clarification of the functional relationships among the different sections" (Schloss, Joseph G et al. 2012). The "wait" is symbolized as the civil rights, which people of color were fighting for. Hence, it also directly states Civil Rights Movement is a part of African Americans' culture. Another way, Berry Gordy's "Motown" impact culture is the definition of Rock 'N' Roll and race. As introduced by Schloss, Joseph G et al., "At this point, you may be wondering why Motown-an African American owned record label that featured African American music
Many African-Americans consume what is known as “soul food”, for which, it is very popular within the black community. Soul food is an African-American cuisine that can be traced back as far as African, however, the term itself was not coined until the mid-1960s. It also comprise an important element of the cuisine of the general American south. Soul food was adopted and modify during the African slave trade and it was during this time food African cuisine and southern European cuisine became one big melting pot.
Black and white gospel music are similar in the sense of they are singing about. They differ most in the sound of music. Black gospel music has a more smooth and soul sound to it, while white gospel music has a more modern sound. I think the distinction between the two is necessary because they do have similarity, but just like hip hop and pop are similar they still are different genres because essentially they sound different.
A type of music which was and is part of many today is soul. It is said that the church is its home. The term soul first applied in the late 1950...
Record labels played a big role in bringing the black struggle to the mainstream through their artists music. In particular, two labels were the frontrunners for producing records that would continue to promote addressing the black struggle: Motown and Stax. Motown, a black-owned label, was seen as a more assimilationist and industrial record label that was successful in making hits that appealed to both black and white audiences, earning it the nickname of “Hitsville, U.S.A.” Stax, a white-owned label, was seen as being more representative of black self-reliance and an overall more authentic, black record label that appealed much more to the black audience, earning it the nickname of “Soulsville, U.S.A.” Despite their differences, both labels used their own style of music production and distribution to help surface the black struggle in very similar ways, and in turn they helped pave the way for black consciousness to emerge through soul music.
Humans from the coast of West Africa arrived to the New World as slaves. Stripped of everything familiar, they brought with them their traditional ways of using music to record historic events, expressions, and to accompany rituals. While toiling in the tobacco fields of Virginia, slaves were not permitted to speak to each other. So, they resorted to their African tradition. They sang!