Goethe’s drawings are invariably related to the text of the novel as they were produced as the same time he was writing. His drawing, Bergige Flusslandschaft mit Burgturm und Mühle (1765), translates to moun...
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...es Werther for his knowledge, while he believes he should instead be valued because of his emotions. Ataraxia is a Dionysian ideal as it is an emotive state of tranquility and freedom. Werther is content in acknowledging he does not know where his heart will take him, and in this he is not weighed down by things beyond his control. He demonstrates this by reading Homer and taking time to contemplate the world around him. Goethe’s drawings are inherently related to his novel The Sorrows of Young Werther as they were drawn as the book was written. Both art forms capture and appeal to the strong emotional senses of the Romantics. Many of the art forms run parallel to one another, which further illuminate each form individually, giving a greater sense of Goethe’s appeal to the aesthetic movement he helped establish in which emotions are to be untamed and fully embraced.
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